Summer 2012
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Flash Crash: Writer/Director David Cronenberg on His Don DeLillo Adaptation, Cosmopolis
In his 1977 novel Players, Don DeLillo told the story of a crumbling marriage amidst terrorism on the New York Stock exchange. In the 1973 Great Jones Street, he portrayed a wealthy rock star escaping the solar of his own fame by walking off his tour and hiding out in a downtown Manhattan apartment. And in Mao II (1991), he sent a reclusive, blocked novelist away from the world of cultural production into the zeitgeist of Middle East political violence. The emotional affect of a hypermediated society, the ways in which personal relations are shaped by the white noise of […]
by Scott Macaulay on Aug 17, 2012 -
Of Time & The City
Artistry, despair and rage — the New York City of the 1980s and ’90s was defined by its fusion of these elements as artists and activists became frontline soldiers in the fight against the health crisis of AIDS. “Silence = Death” was the slogan of activist group ACT UP, an admonishment to all those who’d deny the severity of the epidemic by not taking a position. And as ACT UP members took direct action against fearful politicians, a generation of artists incorporated the movement’s anger and social critique into their own passionate work. These New York years form the backdrop […]
by Filmmaker Staff on Jul 19, 2012 -
Super 8
1 John Peel’s Record Archive Regarded as one of the greatest DJs of all time, the legendary John Peel introduced British listeners to countless seminal bands – including The Buzzcocks, New Order, The Slits and Peel’s favorite band, The Fall – on his BBC Radio 1 show, which ran from 1967 until his untimely death in 2004. Now the Arts Council England, via its website The Space, has created an online archive of Peel’s radio shows, live sessions and, most remarkably, his incredible record collection. For fans of Peel and music in general, this website is a veritable rock-and-roll treasure […]
by Filmmaker Staff on Jul 19, 2012 -
Another 48 Hours
For years, people misjudged Julie Delpy. A screen actress since the age of nine, by her late teens Delpy was a gorgeous, willowy blonde who perfectly fit the mold of the French cinematic ingénue. After standout performances in films by Agnieszka Holland (Europa, Europa), Volker Schlöndorff (Voyager) and Krzysztof Kieslowski (Three Colors: White), Delpy decamped from Europe to America, where she worked both in mainstream Hollywood fare and in more distinguished indie productions, playing muse to directors such as Alan Rudolph, Jim Jarmusch and, most notably, Richard Linklater. But Delpy was far from just a muse. In addition to inspiring […]
by Alex Holdridge on Jul 19, 2012 -
Can Microbudget Filmmakers Graduate to the Big Time?
Independent film has long been considered the farm leagues for Hollywood’s majors. But with fewer specialized distributors and a risk-averse studio system, do up-and-comers still have the opportunities they once did during the ecstatic exuberance of the sector’s heyday? The crossover success of former DIY filmmakers Lena Dunham (with HBO’s Girls), Sean Durkin (who is developing The Exorcist TV series) and the Duplass brothers (with their studio-indies Cyrus and Jeff, Who Lives at Home), suggests that breakthroughs are still very possible. And yet, for every Jeff Nichols (Mud) or Zal Batmanglij (The East), there are numerous filmmakers who have made […]
by Anthony Kaufman on Jul 19, 2012 -
Justin Lin’s Family Network
“It’s not actually that different from early independent cinema,” Elaine Chin, President of Production of Justin Lin’s production company, Barnstorm Pictures, says of the new YouTube network, You Offend Me You Offend My Family, Lin has co-founded. “There’s no preconceived idea of what it should look like. YouTube is giving us free reign to go and try anything, and we don’t want to take that for granted. If anything, we want to surprise ourselves and be even more crazy.” Launched this June as part of YouTube’s move into original programming, YOMYOMF features short-form scripted and reality programs by new creators […]
by Scott Macaulay on Jul 19, 2012 -
On Film School and Columbia’s 25th
In early May, with much hoopla, Columbia University’s graduate Film Program celebrated the 25th anniversary of its annual Film Festival at Lincoln Center’s Alice Tully Hall. The auditorium was nearly packed as tuxedo-attired Ira Deutchman, Columbia Film Program chair, took the podium to introduce both the evening, a weeklong series of events and screenings honoring Columbia’s film school, and, more particularly, the school’s maturation over the past quarter century. The opening night featured some of the best student films to come out of Columbia, including Adam Davidson’s superbly paced Academy Award-winning short The Lunch Date, and Greg Mottola’s charming Swingin’ […]
by Charles Lyons on Jul 19, 2012 -
Cannes 2012 pt. 2
The incongruity of Michael Haneke winning the Palme d’Or for the second time in four years was that his film featured two veteran actors, Jean-Louis Trintignant and Emmanuelle Riva, in a year that may well be remembered for introducing us to several new talents. The common denominator of the films that opened the official competition, Un Certain Regard and Directors’ Fortnight, was that only the parents and school friends of the young actors would have heard of the leads before they became the darlings of the Croisette. Moonrise Kingdom’s Jared Gilman and Kara Hayward, as well as Broken’s Eloise Laurence, […]
by Kaleem Aftab on Jul 19, 2012 -
Load & Play
Ganja & Hess: The Complete Edition Kino International – available now A bona fide cult film, the anti-Blacula, defiantly difficult and parochial, a vampire film in which the word itself is never used and its tropes mostly discarded, Bill Gunn’s miraculous Ganja & Hess is jolting and jagged, lyrical and mythic, as utterly unclassifiable today as it was at the time of its initial unveiling. Long lost following the rapturous reception at Critic’s Week at Cannes in 1973, where it received a seven-minute standing ovation before being butchered by its distributor into a sexploitation film and boxed up under six […]
by Filmmaker Staff on Jul 19, 2012 -
Editor’s Letter
Each year when we do our “25 New Faces” feature, we try to keep the profiles to 350 words. “Let’s keep them short and punchy,” I say. “Run the pictures big and just give people the gist. Let them find out more on the web.” But we always run long. When we learn that a filmmaker whose short film we love also teaches nuclear physics, we have to include it. When the story of a doc a director made in high school is almost as interesting as his bootstrapped, Kenya-shot Somali pirate movie, we have to include that too. And […]
by Scott Macaulay on Jul 19, 2012
