Willa on Succession, Astrid on The Marvelous Mrs. Maisel, Jade on Younger, Holly on Mr. Mercedes, all characters brought to life by the great actor Justine Lupe, with all their quirks and nuances rooted in a reality that makes them seem to go on living outside the frame. On this episode, she takes us back to her time at Juilliard where she enjoyed the bootcamp-like training that suited her all-in approach to the work. She talks about growing to appreciate all kinds of directors, the importance of bonding with the camera operator, and shares her incomprehensible, hieroglyphic-like script marking technique […]
by Peter Rinaldi on Dec 15, 2020English actor Tuppence Middleton is on a steady, slow rise and that seems to suit her just fine. On this side of the pond she’s perhaps best known for playing Riley Blue on the Netflix sci-fi series Sense8 and Lucy Smith in the Downton Abbey movie, but you’d be foolish not to seek out her work in Trap For Cinderella and War and Peace. Now she’s part of the impressive ensemble in David Fincher’s latest film Mank. She plays “Poor Sara” Mankiewicz, wife of the alcoholic co-writer of Citizen Kane, played by Gary Oldman. I ask her about working with […]
by Peter Rinaldi on Dec 8, 2020From Parks And Recreation to Legion, from indie film queen to The Happiest Season, Aubrey Plaza is not done surprising us. Everybody’s favorite late-night talk-show guest and hilarious awards-show host rarely gets to show off the serious roots of her acting chops. Enter Black Bear. The Sundance hit from Lawrence Michael Levine stars Plaza as a former actress on a writing retreat opposite Christopher Abbott and Sarah Gadon. Further description is not only pointless, it can be detrimental to your enjoyment of the film. Let’s just say it’s worth your time, in large part because of the emotional territory Plaza […]
by Peter Rinaldi on Dec 1, 2020Cooper Raiff is the writer, director, producer, editor and star of one of my favorite films of the year, Shithouse, which won the Grand Jury Prize at the SXSW Film Festival this year. The 23-year-old has filmmaking instincts and a sophisticated perception of people, and himself, that belies his years. In this episode, he tells a miraculous story of getting Jay Duplass to watch his short film, and how he became instrumental in getting Shithouse made. He talks extensively about his time at the Dallas Young Actors Studio and how that foundational work instilled him with the tools he needs […]
by Peter Rinaldi on Oct 6, 2020Katherine Waterston is one of our most brilliant and committed actors. She brings superstar power to indies like Queen of Earth and State Like Sleep, and a captivating authenticity to franchises like Fantastic Beasts and Alien. It was Inherent Vice that first brought her to my attention. In this episode, she talks about why she was “a pig in shit” making that film, why having lots and lots of time to live with a script is ideal for her, becoming comfortable being uncomfortable, the “best feeling I can experience without breaking the law,” and her exciting new multi-part project The […]
by Peter Rinaldi on Sep 8, 2020Irish actor Niamh Algar has been making her mark in the UK of late portraying women dealing with their intense pasts, like Dinah in Shane Meadows’ The Virtues and Ursula in Calm With Horses (which just opened in the States as The Shadow of Violence). The intensity continues with her latest project, Raised By Wolves, Ridley Scott’s sci-fi series for HBO MAX (which drops on September 3th). In this episode, she talks about following her gut, why she asks questions early, adapting to the director, the importance of not taking yourself too seriously, and much more. Back To One can […]
by Peter Rinaldi on Aug 18, 2020In these last 10 years, stage and screen veteran Peter Friedman has enjoyed a steady flow of work, more than the first 30 years of his career. Recently, he got raves for his Polonius in Sam Gold’s production of Hamlet at the Public Theater, had a recurring role on the Hulu series The Path, and now plays Frank Vernon on the hit HBO show Succession. On this episode, he talks about how being the “new kid in class” as a day-player on set makes him nervous, why it’s ok to dismiss work that doesn’t speak to you, how performing with […]
by Peter Rinaldi on Jun 3, 2020He was an acting legend before Succession, but Brian Cox’s brilliant portrayal of Logan Roy on the smash hit HBO series just might put him in the pantheon. He gets deep into the psychology of that iconic character on this episode and takes us back to his early days of discovering Shakespeare, creating the role of Hannibal Lecter in Manhunter, learning the importance of cultivating mystery in a character, freeing himself in the work, and not taking his characters home with him. Plus much more! Back To One can be found wherever you get your podcasts, including Apple Podcasts, Google […]
by Peter Rinaldi on May 26, 2020I’ve wanted to sit down with Dorian Missick for some time. The seasoned actor has six dozen credits in television shows like Southland, Luke Cage, Tell Me A Story, and movies spanning from Two Weeks Notice to this year’s Brian Banks. In this hour, he passes on pearls of wisdom acquired from his many years in the business, like his new radical approach to auditions, why he aims for 100 reads of a script before first day of production, how he and his actor wife Simone Missick support each other’s journeys, and the importance of a “team sport” mentality, plus […]
by Peter Rinaldi on Nov 5, 2019It’s rare for one actor to be cast as the same real-life character in two different productions almost simultaneously. When that real life character is Charles Manson, that makes some news. Australian actor Damon Herriman has taken on this challenging role in both Quentin Tarantino’s Once Upon A Time… In Hollywood and the second season of David Fincher’s Netflix series Mindhunter. Herriman is perhaps best know for playing Dewey Crowe in the series Justified and currently plays Paul Allen Brown in Perpetual Grace LTD. We talk about the character of Manson, how good writing makes for good acting, and why […]
by Peter Rinaldi on Jul 30, 2019