The first time Andrea Riseborough was on the podcast (episode 100), we got a chance to hear how this incredible actor approaches her craft. On this episode, we get to focus on her astounding work in the new movie To Leslie. She talks about the interesting ways shooting on film in the middle of the pandemic affected everything, why working on her character’s alcoholism would have been a disaster, finding a touchstone with director Michael Morris in Barbara Loden’s Wanda, taking the objective “to just exist” from Mike Leigh, seeing constrains as freedoms, the importance of keeping your integrity, and […]
by Peter Rinaldi on Dec 13, 2022Ever since her incredible performance in I’ve Heard The Mermaids Singing 35 years ago, Sheila McCarthy has been one of Canada’s most hardworking and reliable actors in theater, television, and film on both sides of the border. In her latest project, she joins a “murderers’ row” lineup of actresses like Judith Ivey, Claire Foy, Jessie Buckley, Frances McDormand, and Rooney Mara in Sarah Polley’s powerful new film Women Talking. On this episode, she talks about how the production was both daunting and exhilarating, why it felt like the “acting olympics,” what having this “extraordinarily ordinary” powerhouse director at the helm […]
by Peter Rinaldi on Nov 29, 2022You may know Grace Van Patten from Nine Perfect Strangers, Under The Silver Lake, or Tramps. I first took note of her in The Meyerowitz Stories, where her youth belied a seemingly effortless command of her character among the likes of Adam Sandler, Ben Stiller, and Dustin Hoffman. In her latest, the hit Hulu series Tell Me Lies, she stars as Lucy Albright, and now she commands the screen with the same effortlessness, mixed with a complexity and nuance that is compelling viewers who are begging for a second season. On this episode, she breaks down one important scene from […]
by Peter Rinaldi on Nov 15, 2022Renowned as “a one-woman global village,” Sarah Jones is a Tony Award-winning solo performer, writer, comedian and activist. Her directorial debut, Sell/Buy/Date, is a hybrid documentary/meta film which features Jones and four of her characters (all played by her) on a journey across the country to listen to real people telling personal stories about their experiences that land them on both sides of various aspects of the complex topic of sex work in America. On this episode, she talks about overcoming the many obstacles and controversies to bring this important film to life, how trusting in collaborators like cinematographer Joshua […]
by Peter Rinaldi on Nov 1, 2022Dolly de Leon is a Filipina veteran actor of film and TV who is now, due to her outstanding performance in Triangle of Sadness, being spoken about with words like “newcomer” and “breakthrough.” That might have something to do with the “I’m the captain now” nature of the role she plays in the Palme d’Or winning film. It’s like the character and the actor are both saying “I have arrived.” In this episode, she describes the dark place she was in right before auditioning for the part, how director Ruben Ostlund’s collaborative approach sparked her dynamic creativity, why watching the […]
by Peter Rinaldi on Oct 11, 2022If Isabelle Huppert is not your favorite actor, she’s the favorite actor of someone you know. Guaranteed. There’s something about her that is unlike any other actor that has ever been on film. But it’s really hard to talk about what that “something” is. In each performance, in every film she’s made, she has such a command of the character, the text, the frame, that we place her in equal authorship with the directors she’s worked with, who happen to be some of most interesting and important in the last half-century—Jean Luc-Godard, Michael Haneke, Claude Chabrol, Michael Cimino, Claire Denis, […]
by Peter Rinaldi on Oct 4, 2022Australian actor Essie Davis is best known for The Babadook, Game of Thrones, and Miss Fisher’s Murder Mysteries. This year, she stunned me with two incredible performances in two powerful films. In Nitram, directed by her husband Justin Kurzel, she plays the important and heartbreaking supporting role of Helen, opposite Caleb Landry Jones. In The Justice of Bunny King she broke my heart again, this time playing the house-less titular character who is desperately trying to get her kids out of foster care. It was made pre-pandemic and had a staggered release last year overseas. Look for it in select […]
by Peter Rinaldi on Sep 13, 2022Austin Pendleton might be best known for My Cousin Vinny, or What’s Up Doc? but the 82-year-old actor, director, playwright and teacher is a one-man theater institution. It almost seems like there isn’t a great play that he hasn’t performed or directed, somewhere, in his more than 60 years in the business, and he’s not slowing down in the slightest. In this epic, 90-minute episode, what Meryl Streep said of Pendleton will ring tru: “There’s no line between the man and his work.” He talks about his latest performance, in the celebrated new Tracy Letts play The Minutes, then takes […]
by Peter Rinaldi on Aug 30, 2022Adrian Pasdar has experienced a lot in his nearly 40 years as a working actor and in this episode he generously shares the wisdom he’s gleaned. Some of the highlights in his credits include Top Gun, Near Dark, Carlitos Way, Heroes, Agents of S.H.I.E.L.D, and perhaps the most talked about single-season series of the ’90s, Profit. Not to mention he’s the voice of Iron Man. He talks about how listening became his prime directive as an actor, his search for truth in performance (and the search for a better word than “truth”), “the method” as protective element, and why he […]
by Peter Rinaldi on Aug 23, 2022Dutch actor Katja Herbers plays forensic psychologist Kristen Bouchard on the hit series Evil, which just finished its third season at Paramount+. On this episode, she talks about how saying no to the audition actually secured her the role, and hitting it off with “the Kings” (show runners Robert and Michelle King) helped her feel ownership of it. We get into the beautiful weeds about the pitfalls of over-directing and how she often simply ignores direction or translates it into something she can use. She explains why laboring over an emotional through-line is unnecessary, how working with the girls that […]
by Peter Rinaldi on Aug 16, 2022