Anthology Film Archives
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Trailer Watch: Alex Harvey’s Space//Space
A hybrid collaboration between writer/director Alex Harvey (Walden Life in the Woods, The Last Ecstatic Days, I Am A Seagull) and the theater collective, Banana Bag & Bodice (aka Jason Craig and Jessica Jelliffe), Space//Space screens this weekend in New York City at Anthology Film Archives. Harvey has sent the teaser trailer, posted above, as well as the following notes about the film. It’s been ten years since Banana Bag & Bodice’s beloved experimental production, Space//Space made waves in the New York theater scene (“Waiting for Godot in space” raved the New York Times). Now the married performance artist duo who […]
by Filmmaker Staff on Jan 4, 2023 -
Watch: Experimental Filmmakers Imaginatively Respond to the Pandemic in Cinema-19
In the brisk, 43-minute anthology film, Cinema-19, a group of experimental filmmakers respond to the coronavirus pandemic with diverse and imaginative results. The films are all 190 seconds long and, say the curator/organizers, filmmakers Usama Alshaibi and Adam Sekuler, “do not attempt to summarize the pandemic, but instead focus on the personal, the political, the sensual, the distant, the abstract, and the absurd.” Highlights include Courtney Stephen‘s poetic essay film on irises, hundreds of which she encountered on walks in the five-mile radius she and her mother were confined to during quarantine. (“This is a trick,” she says in voiceover. […]
by Scott Macaulay on Aug 25, 2020 -
RIP Jonas Mekas (1922-2019)
I only met Jonas Mekas once, briefly, in the most technical and unimpressive sense of “met”: I was coming out of Anthology Film Archives, emerging from a press screening and grimly proceeding to the nearest USPS branch. He asked why I wasn’t smiling, for which I didn’t have a good or succinct answer, and turned tail. I blew it! He didn’t identify himself and didn’t need to: Mekas’s status as an East Village institution and NYC film legend was imprinted on me long before I moved to the city. Artforum‘s obit puts it succinctly: “His output, which spans seven decades […]
by Vadim Rizov on Jan 23, 2019 -
Trailer Watch: The Prison in Twelve Landscapes
When it played Art of the Real last year, Astra Taylor singled out for Filmmaker the absolutely essential documentary, The Prison in Twelve Landscapes. She wrote: Story has crafted a profound and political film that, while not sensational, is quietly shocking — even if you are already steeped in the project’s central theme. By taking an innovative and unexpected approach to the subject of mass incarceration, Story reveals just how deeply entrenched the problem of over-policing is…. The Prison in Twelve Landscapes is an impressive, genre-subverting work, and one that deserves to be seen on the big screen. It is […]
by Scott Macaulay on Nov 4, 2016 -
THIS IS WHAT THE (OBSCURE) MOVIES DID TO ME IN 2011
They moved me. Often deeply, in ways I failed to articulate to myself until much later. That is, of course, the whole reason I go to the movies, to have some sort of visceral, emotional (or intellectual) response, be it laughter or sadness or pain or empathy or disgust or profound understanding. Why else do it? Nothing, beside having those emotions, meets the criteria of entertainment, at least for me. See, I’m one of those lucky few that gets to travel the world just to see films. Crazy, I know, especially in this era of not so cheap oil, but it’s […]
by Brandon Harris on Jan 5, 2012 -
Sleepless Nights Stories — A Hammer to Nail Review
(Sleepless Nights Stories opens theatrically at the Anthology Film Archives on Thursday, December 15, 2011. Visit their website to learn more.) December can be perverse, especially in New York. Underneath the jingling bells, cinnamon, and pine, the promises and obligations to keep, there’s a pervasive anxiety about the dying light. Time flattens the remaining days like a steamroller as we frantically categorize our memories into lists of ten and wrap it all up in colored paper and ribbons. This can create a hectic, merry numbness that doesn’t subside until January’s hangover, when the cold is undeniable. Perhaps the timing is […]
by Susanna Locascio on Dec 15, 2011 -
21st Century Man: Abel Ferrara
In person, Abel Ferrara is a whirlwind of gestures and jokes, of quick smiles and vulgar asides, digressions piled upon digressions, even if he’s much sharper and in control of his staccato New Yorkese vernacular than he lets on. Ferrara, who will turn 60 this year, has had one of American indie cinema’s strangest and most fascinating careers, one which has taken the Bronx native from the old 42nd Street’s row of exploitation and porn cinemas to the Croissette in Cannes. Often we talk of middle-aged artists mellowing, but Ferrara maintains a manic, youthful energy that is both infectious and […]
by Brandon Harris on Jan 11, 2011 -
ABEL FERRARA CLIP MONTAGE, ANTHOLOGY SCREENINGS
I have to admit, I find the way ads are served on the Film Annex sites is kind of weird. My browser gets spazzy as the “Pet Fit” commercial affixed to the head of this Abel Ferrara clip montage plays. That said, it’s worth sitting through a chirpy model telling you how to slim down your canine for this collection of prime moments from Abel Ferrara’s career. (How great was Madonna in Dangerous Game?) Ferrara is the subject of a series of mostly new films at the Anthology Film Archives this week, “Abel Ferrara in the 21st Century.” (Note to […]
by Scott Macaulay on Jan 5, 2011 -
JIM FINN AT ANTHOLOGY
What happens when you take an independent American filmmaker, a fetish for Communist memorabilia, and subtract all irony? Pretty much the films of Jim Finn. From May 27-June 2, the Anthology Film Archives will be playing the shorts and features of Jim Finn. Disclaimer: I have shown his films at film festivals I work for and commissioned Finn to make a Lunchfilm. The Busby Berkeley of propaganda, Finn has made three features with a lo-fi indie style that mixes larger Hollywood genre trappings in a big bowl. The results are funny, but also packed with socio-political commentary. Seems hard to […]
by Mike Plante on May 24, 2010 -
ANTHOLOGY HITS 35
New York’s Anthology Film Archives has a fantastic program this weekend to celebrate its 35th anniversary. Three New York luminaries will present three nights of classic arthouse cinema. On Friday director Peter Bogdanovich will introduce a screening of Jean Renoir’s Rules of the Game and Buster Keaton’s Neighbors. On Saturday, poet and rock star Patti Smith will introduce Robert Bresson’s Au Hasard Balthazar preceded by Kenneth Anger’s Rabbit’s Moon. And on Sunday producer Christine Vachon will screen Robert Frank and Alfred Leslie’s Pull My Daisy as well as Jack Smith’s Flaming Creatures. Thanks to Altoids, the screenings are free. Click […]
by Scott Macaulay on Dec 6, 2005
