Despite legions of advice to the contrary, there is no quick-fix scheme toward making a feature film. What it really comes down to is creating a universal story and surrounding yourself with people who believe in your vision enough to see it come to life. Benh Zeitlin proves that to make a powerful film today, you don’t need gimmicks, a convoluted strategy, or even connections in the business. All you really need is a story so strong that it’s impossible not to make. The 30-year-old Zeitlin’s journey from short to feature is a true fairytale in the landscape of American indie […]
by Ariston Anderson on Feb 22, 2013After collaborating with Cinereach for many years on films including Benh Zeitlin’s four time Academy Award-nominated film, Beasts of the Southern Wild, Joshua Marston’s The Forgiveness of Blood, and Tom Gilroy’s The Cold Lands (premiering at the 2013 Berlin Film Festival), Paul Mezey has signed on as Producer in Residence at the not-for-profit production company and foundation. Mezey will support development, production and distribution of Cinereach’s films, as well as being involved in the organization’s grant-making activities and other key initiatives. Mezey is the founder of Journeyman Pictures, through which he has produced a number of critically acclaimed and award-winning […]
by Filmmaker Staff on Jan 17, 2013Back to reality. That may be the best way to describe both the status of our global economy and the previous 12 months in independent film. Little irrational exuberance; no breakout blockbusters; but a few profitable indie films, perhaps countable on one hand, that stand out as carrots for hundreds of others to try to reach out and emulate. Calmer heads prevailed at Sundance 2012 as sellers and buyers got down to the more complicated business of the current indie marketplace, with its delicate mix of theatrical and VOD platform releasing. No one was throwing money around like it was […]
by Anthony Kaufman on Jan 17, 2013Oscars show host Seth MacFarlane and actress Emma Stone announced the nominees for the 85th annual Academy Awards this morning at the Academy of Motion Picture Arts and Sciences’ Samuel Goldwyn Theater in Beverly Hills. The award show telecast will air on Sunday, February 24 at 8:30pm ET/5:30pm PT on ABC. Not surprisingly following the buzz this year, Steven Spielberg’s Lincoln is the nomination frontrunner, earning 12 nods including Best Picture, Best Director, Best Adapted Screenplay, Best Actor (Daniel Day-Lewis), Best Supporting Actor (Tommy Lee Jones) and Best Supporting Actress (Sally Field). Life of Pi edged out Zero Dark Thirty […]
by Billy Brennan on Jan 10, 2013Though the New York indie world has still not yet recovered from the exertions of the Gotham Awards, the Independent Spirit Awards nominations are upon us. Unsurprisingly, Beasts, Bernie, Moonrise Kingdom and The Loneliest Planet feature heavily (as they did at the Gothams), while Ira Sachs’ Keep the Lights On here also bags a number of nods in top-level categories. Rama Burshtein’s Fill the Void, Colin Trevorrow’s Safety Not Guaranteed, Martin McDonagh’s Seven Psychopaths, David Ayer’s End of Watch, Adam Leon’s Gimme the Loot, Zal Batmanglij’s Sound of My Voice, Ben Lewin’s The Sessions, Peter Nicks’ The Waiting Room and Ava DuVernay’s Middle of Nowhere also […]
by Nick Dawson on Nov 27, 2012Disclaimer: I attended last night’s Gotham Awards in various capacities: as a journalist, as a Best Film Not Playing at a Theatre Near You jury member, and as an IFP staff member involved in the behind-the-scenes running of the show. So my perspective on the event is somewhat fractured. As the Gothams is the first award show of the season, people are always looking to it as a bellwether for the future. Last night, Beasts of the Southern Wild — although not nominated in the Best Feature category — came away with the headlines and further awards momentum, having won two statuettes […]
by Nick Dawson on Nov 27, 2012This morning, the Gotham Awards nominations were announced (indeed tweeted), and in a very competitive field, Benh Zeitlin’s Beasts of the Southern Wild, Richard Linklater’s Bernie, Ava DuVernay’s Middle of Nowhere and Wes Anderson’s Moonrise Kingdom lead the way, each earning two nominations. Commenting on the nominations, IFP’s executive director Joana Vicente said, “From master film artists to richly talented newcomers, this year’s nominees comprise a diverse group of filmmakers and actors that defines the spectrum of independent film today. In addition to celebrating the work and the community, we also hope that the Gotham Award attention will encourage more […]
by Nick Dawson on Oct 18, 2012I’m a little perplexed by the mini-controversy that has erupted over the Screen Actors Guild determination that the actors in Benh Zeitlin’s Beasts of the Southern Wild are ineligible to receive Screen Actors Guild Awards because the film was not made under a SAG contract. (In other words, the film did not employ professional actors.) From Scott Feinberg in the Hollywood Reporter: Director Benh Zeitlin, out of financial necessity (he had a budget of just $1.3 million) and a desire for the greatest possible sense of authenticity (his film revolves around eccentric characters who populate a remote part of America’s […]
by Scott Macaulay on Oct 2, 2012After the recent BAMcinemaFest screening that marked the first time Benh Zeitlin’s magical-realist Beasts of the Southern Wild screened alongside Bill and Turner Ross’s immersive New Orleans documentary Tchoupitoulas—both South Louisiana-shot pictures produced by members of the film collective Court 13—there were two celebrations on either side of BAM. At the beautiful dive-bar Frank’s, the Ross brothers and various doc and indie film bros were watching the NBA championships with loud exuberance and strong opinions. There was a rumor that there was a dance party across the street at the Fox Searchlight-hosted party for Beasts, which was flowing with delicious […]
by Miriam Bale on Jul 14, 2012(Beasts of the Southern Wild world premiered at the 2012 Sundance Film Festival, where it won the Narrative Grand Jury Prize, as well as Best Cinematography for Ben Richardson. It also won the Camera d’Or at the 2012 Cannes Film Festival. It is being distributed by Fox Searchlight and opened theatrically on June 27, 2012. Visit the film’s official website—as well as the virtual home base of the Court 13 collective—to learn more.) I want to make this immediately, abundantly clear. Perhaps more than any other review I’ve ever written, this one is coming from the pained perspective of a […]
by Michael Tully on Jun 28, 2012