Given the jittery churn of U.S. election year media in a late-capitalist death spiral, it can help to look elsewhere for a parallel perspective on the rise of illiberal authoritarians and a mass public siege on the seat of national governance, a la the Jan. 6 insurrection, amid their downfall. If nothing else, what has happened in Brazil over the past several years offers a startling, even unreal reflection of post-MAGA America, with the presidency of right-wing blowhard and Trump wanna-be Jair Bolsonaro ascendent amid a corruption scandal that sent his competitor, leftist Workers Party candidate and former president Luiz […]
by Steve Dollar on Oct 7, 2024Two long, anxious years of ever-shifting pandemic regulations, shutdowns and travel obstacles turned the expansive, buoyant and super-social Camden International Film Festival into a largely local and virtual affair. Though the festival—an essential annual magnet for the nonfiction film community—did a stellar job meeting the challenge, any Zoom subscriber knows the workarounds get wearying. There’s nothing like the real thing. No doubt that accounted for the “extra” vibe at this year’s gathering, the first full-fledged staging of the festival since 2019. As always, the 18th edition was situated in a cluster of picturesque towns in north coastal Maine: Camden, Rockland […]
by Steve Dollar on Oct 5, 2022In La panthère des neiges/The Velvet Queen, a feature directed by Marie Amiguet based on an idea by renowned wildlife photographer Vincent Munier, French writer and traveler Sylvain Tesson accompanies Munier to the Sanjiangyuan nature reserve on the Tibetan plateau, hoping for a glimpse of the elusive snow leopard. “Not everything is made for the human eye,” Tesson says at one point, a sentiment that is both a lesson in filmic observation—searching for the unseen in order to record it—as well as a commentary on the responsibilities inherent in that act. In the beginning of his expedition with Munier, Tesson […]
by Pamela Cohn on Oct 11, 2021Winner of both the Emerging Canadian Filmmaker Award and the Rogers Audience Award at this year’s Hot Docs, Kímmapiiyipitssini: The Meaning of Empathy is the latest documentary from multifaceted artist Elle-Máijá Tailfeathers (The Body Remembers When the World Broke Open, which was picked up by Ava DuVernay’s ARRAY after its 2019 Berlinale premiere and is available to stream on Netflix). A writer, director, producer and actor – she currently stars in Danis Goulet’s Night Raiders, which just debuted at TIFF – Tailfeathers is also a member of the Kainai First Nation in Alberta. It’s a community that continues to be ravaged by […]
by Lauren Wissot on Sep 18, 2021The Camden International Film Festival announced today the features and shorts comprising its 2021 edition. The festival’s in-person component will take place September 16 – 19 at venues in Camden and Rockland, Maine while an online edition will stream for North American audiences from September 16 – 26. Thirty-seven features and 33 shorts from 30 countries will be presented, with just over half — 52% — directed or co-directed by POC directors. Women directed or co-directed 57% of the titles. Liz Garbus’s National Geographic Documentary Films production Becoming Cousteau will open the festival while Flee, a NEON release that won […]
by Filmmaker Staff on Aug 23, 2021Every year, the Camden International Film Festival manages a nifty magic trick. Its ambition swells within the concise duration of what amounts to a holiday weekend (if the second Friday of September was deemed, say, National Non-Fiction Day), with the same handful of venues, including two opera houses and a gorgeous vintage bijou, in three adjacent towns in northern seaside Maine. Marking its 15th year this September, CIFF–produced under the umbrella of the Points North Institute – consistently ups the stakes for filmmakers and audiences, without suffering from the dreaded festivalitis: the condition that arises when film festivals become all […]
by Steve Dollar on Sep 27, 2019“Who is this film made for, in what way is power present, how does the film understand its relationship to its subjects, and who benefits from the film being made?” That’s Samara Chadwick, Senior Programmer at the Camden International Film Festival, on this 2019 edition’s theme of “Story and Power.” But if you’re attending the festival, don’t look for this theme to be a didactic one, she says. “It’s less a series of affirmations and arrival points and more about the process of questioning — opening up a space where the questioning of power is normalized instead of invisibilized.” The […]
by Scott Macaulay on Sep 12, 2019Having already revealed the Foucauldian dynamic that will run through this year’s Camden International Film Festival — a focus on “story and power” — the festival’s parent organization Points North Institute unveiled today the forum and artist programs that will take place over the event’s mid-September weekend. The annual Points North Forum will ask “critical questions about how the documentary film and media community reflects existing power structures, including questions of racial equity, access, funding, and which stories are being told, how, for whom, and by whom,” according to the press release. Other highlights and programs include masterclasses by Apollo […]
by Scott Macaulay on Aug 29, 2019The Camden International Film Festival (CIFF) announced today the 38 features, 51 short films, and 17 virtual reality and immersive experiences that comprise its 15th edition, taking place September 12-15, 2019 throughout Camden, Rockport and Rockland, Maine. “Story and Power” is the theme of sorts for this year’s festival, which aims to prompt industry-wide conversations that examine “the ways in which power structures deeply embedded in society have continued to shape the documentary field, including which stories are told, by whom and for whom.” “Our 2019 slate celebrates documentary as a reimagining of the ways we engage with stories from […]
by Scott Macaulay on Aug 19, 2019A week ago I traveled to a remote part of Maine from Australia. I arrived along with five other filmmaking teams for the Points North Fellowship, a program that provides emerging filmmakers an opportunity to present their works-in-progress to the film industry. The fellows arrive before the Camden International Film Festival (CIFF) is in full swing, before the buzz and “no vacancy” signs and packed waterfront restaurants. At the climax of the festival, the fellows will pitch their projects live to a panel of industry heavyweights (and in front of a 500-person audience) in the Camden Opera House, but before […]
by Madeline Gordon on Sep 26, 2018