In La panthère des neiges/The Velvet Queen, a feature directed by Marie Amiguet based on an idea by renowned wildlife photographer Vincent Munier, French writer and traveler Sylvain Tesson accompanies Munier to the Sanjiangyuan nature reserve on the Tibetan plateau, hoping for a glimpse of the elusive snow leopard. “Not everything is made for the human eye,” Tesson says at one point, a sentiment that is both a lesson in filmic observation—searching for the unseen in order to record it—as well as a commentary on the responsibilities inherent in that act. In the beginning of his expedition with Munier, Tesson […]

Winner of both the Emerging Canadian Filmmaker Award and the Rogers Audience Award at this year’s Hot Docs, Kímmapiiyipitssini: The Meaning of Empathy is the latest documentary from multifaceted artist Elle-Máijá Tailfeathers (The Body Remembers When the World Broke Open, which was picked up by Ava DuVernay’s ARRAY after its 2019 Berlinale premiere and is available to stream on Netflix). A writer, director, producer and actor – she currently stars in Danis Goulet’s Night Raiders, which just debuted at TIFF – Tailfeathers is also a member of the Kainai First Nation in Alberta. It’s a community that continues to be ravaged by […]

The Camden International Film Festival announced today the features and shorts comprising its 2021 edition. The festival’s in-person component will take place September 16 – 19 at venues in Camden and Rockland, Maine while an online edition will stream for North American audiences from September 16 – 26. Thirty-seven features and 33 shorts from 30 countries will be presented, with just over half — 52% — directed or co-directed by POC directors. Women directed or co-directed 57% of the titles. Liz Garbus’s National Geographic Documentary Films production Becoming Cousteau will open the festival while Flee, a NEON release that won […]

Every year, the Camden International Film Festival manages a nifty magic trick. Its ambition swells within the concise duration of what amounts to a holiday weekend (if the second Friday of September was deemed, say, National Non-Fiction Day), with the same handful of venues, including two opera houses and a gorgeous vintage bijou, in three adjacent towns in northern seaside Maine. Marking its 15th year this September, CIFF–produced under the umbrella of the Points North Institute – consistently ups the stakes for filmmakers and audiences, without suffering from the dreaded festivalitis: the condition that arises when film festivals become all […]

“Who is this film made for, in what way is power present, how does the film understand its relationship to its subjects, and who benefits from the film being made?” That’s Samara Chadwick, Senior Programmer at the Camden International Film Festival, on this 2019 edition’s theme of “Story and Power.” But if you’re attending the festival, don’t look for this theme to be a didactic one, she says. “It’s less a series of affirmations and arrival points and more about the process of questioning — opening up a space where the questioning of power is normalized instead of invisibilized.” The […]

Having already revealed the Foucauldian dynamic that will run through this year’s Camden International Film Festival — a focus on “story and power” — the festival’s parent organization Points North Institute unveiled today the forum and artist programs that will take place over the event’s mid-September weekend. The annual Points North Forum will ask “critical questions about how the documentary film and media community reflects existing power structures, including questions of racial equity, access, funding, and which stories are being told, how, for whom, and by whom,” according to the press release. Other highlights and programs include masterclasses by Apollo […]

The Camden International Film Festival (CIFF) announced today the 38 features, 51 short films, and 17 virtual reality and immersive experiences that comprise its 15th edition, taking place September 12-15, 2019 throughout Camden, Rockport and Rockland, Maine. “Story and Power” is the theme of sorts for this year’s festival, which aims to prompt industry-wide conversations that examine “the ways in which power structures deeply embedded in society have continued to shape the documentary field, including which stories are told, by whom and for whom.” “Our 2019 slate celebrates documentary as a reimagining of the ways we engage with stories from […]

A week ago I traveled to a remote part of Maine from Australia. I arrived along with five other filmmaking teams for the Points North Fellowship, a program that provides emerging filmmakers an opportunity to present their works-in-progress to the film industry.  The fellows arrive before the Camden International Film Festival (CIFF) is in full swing, before the buzz and “no vacancy” signs and packed waterfront restaurants. At the climax of the festival, the fellows will pitch their projects live to a panel of industry heavyweights (and in front of a 500-person audience) in the Camden Opera House, but before […]

Most film festivals can claim a thing or two: A dramatic location, a slate of coveted premieres, fancy fetes, unique guests, a platoon of industry heavies making the rounds, and, for better or worse, the media spotlight. I’ve never attended any film festival where I had the chance to wrap my arms around a tree–in a public park, no less, and in full view of pedestrians–and plant my ear firmly to its bark, as one of its official selections. And yet, there I was, in Camden, Maine, on a sunny Sunday afternoon, tree-hugging away. The four selected trees on the […]

The Camden International Film Festival announced today its 2018 lineup, which includes 37 features, 43 short films, one episodic series and 20 virtual reality and immersive experiences from over 30 countries. Included among the features are three world premieres: Young Men and Fire, by Kahil Hudson and Alex Jablonski (a latter one of our 25 New Faces); Lana Wilson’s series, The Cure for Fear; and Jane Gillooly’s Where the Pavement Ends. The Opening Night film is Morgan Neville’s Orson Welles doc, They’ll Love Me When I’m Dead. Significantly, the festival is reporting that there’s gender parity across all sections, with […]