David Zellner
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“A Lifetime of Loving Ape Movies and Primate Documentaries and Bigfoot-Adjacent Things”: David and Nathan Zellner on Sasquatch Sunset
Since the dawn of man, there have been anthropomorphic recreations of the lives of primates (they are our evolutionary ancestors, after all). And since the legend of the Sasquatch was first told, there have been numerous recorded sightings of the elusive “Bigfoot,” albeit with most footage deemed a hoax carried out by opportunistic fraudsters in possession of hairy full-body suits. The most infamous came in 1967 in the form of footage shot by Roger Patterson and Robert Gimlin in Northern California—fleeting frames that, depending on whom you ask, could either be easily debunked or serve as ineffable proof of the […]
by Erik Luers on Apr 19, 2024 -
(Redband) Trailer Watch: The Zellner Brothers’s Sasquatch Sunset
“You know animals are hairy?,” sang the Talking Heads David Byrne. “They say animals don’t worry…” Well, in David and Nathan Zellner’s Sasquatch Sunset, forthcoming from Bleecker Street Pictures, the latter statement is definitely not correct as the filmmakers — Filmmaker 25 New Faces from back in 2008 — wring wonder and joy but also anxiety and fear of encroaching humankind in their story of a family of Sasquatch living undetected in the wilds of Colorado. Bleecker Street’s redband trailer leans hard into Sasquatch sex while cleverly underlining that there’s name talent (Jesse Eisenberg and Riley Keough) in this movie. […]
by Scott Macaulay on Feb 13, 2024 -
“You Have to Forge Your Own Path”: Rick Linklater Headlines an Austin Film Society Tribute in Karlovy Vary
As a native Texan and dutiful SXSW attendee traveling to the Czech Republic, I was thrilled to hear that Richard Linklater and the Austin Film Society would be the subject of a Tribute at this year’s Karlovy Vary Film Festival. The 53rd edition of the Czech-based event that concluded July 7 screened an early print of Linklater’s $23,000 indie phenomenon Slacker (of which he introduced wearing an Astros baseball jersey); Eagle Pennell’s 1983 cult classic Last Night at the Alamo; Robert Rodriguez’s inaugural low-budget hit El Mariachi; and Tom Huckabee and William Van Overbeek’s surreal, image-laden doc Death of a […]
by Tiffany Pritchard on Jul 12, 2018 -
Melba Robichaux on Editing the Zellner Brothers’ Comedy/Western Damsel
Brothers David and Nathan Zellner are a reliable presence at the Sundance Film Festival. Their films Baghead (2008), Goliath (2008), Kid-Thing (2012) and Kumiko, the Treasure Hunter (2014) have all premiered at Sundance. To that list they now add Damsel, their new comedy/western starring Robert Pattinson and Mia Wasikowska. Damsel editor Melba Robichaux spoke with Filmmaker before the film’s premiere about some of the key questions one asks during the process of editing a feature film. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this […]
by Filmmaker Staff on Jan 24, 2018 -
“Chaos Has its Own Reward”: Directors David and Nathan Zellner | Damsel
As you made your film during the increasingly chaotic backdrop of the last year, how did you as a filmmaker control, ignore, give in to or, conversely, perhaps creatively exploit the wild and unpredictable? What roles did chaos and order play in your films? With Damsel almost the entire film was shot outdoors, on location, in the wilderness. With every step of the filmmaking process we try to approach it knowing exactly what we want, but with the flexibility to adapt as needed. Dealing with animals, extreme shifts in weather and remote locations, adapting was essential. When a prop was […]
by Filmmaker Staff on Jan 23, 2018 -
Destination: Fargo
“Talking about dreams is like talking about movies, since the cinema uses the language of dreams,” Federico Fellini once said. “Years can pass in a second, and you can hop from one place to another. It’s a language made of image. And in the real cinema, every object and every light means something, as in a dream.” Cinema’s oneiric qualities have long been discussed by filmmakers and film theorists alike. Hollywood is even referred to as “the Dream Factory,” but that sobriquet refers as much to the industrial production and export model of the motion picture business as it does […]
by Scott Macaulay on Jan 21, 2015 -
5 Things Cinematographers Don’t Talk About
I only faintly recall writing my last entry for Filmmaker Magazine. I was huddled over at some bar at a busy airport, in between jobs and cities I’ve only seen through the windows of a hotel: a cinematographer’s life. I do remember the article was a bit cheeky — I was pretty elated with the success of It Felt Like Love — so I thought this time that to commemorate Kumiko, the Treasure Hunter I’d get down to brass tacks. Here are five things cinematographers don’t talk about. 1. When to Say No Possibly one of the hardest parts of […]
by Sean Porter on Jan 21, 2015 -
Kumiko, A Girl Walks Home Alone at Night, Warpaint Highlight Sundance Next Festival
It’s rare that I can recommend nearly every program at a film festival, but that’s the case with this weekend’s Sundance Next Festival in Los Angeles. With events taking place tonight at the Hollywood Forever Cemetery and then this weekend at the theater at the Ace Hotel, the Next Festival is intimate, very cool and with a strong multidisciplinary bent. Alongside several artistic feature highlights from this year’s Sundance Film Festival are shorts, panels and bands, making each program something of an event. Check out the complete line-up at the festival’s site, and here are a few picks of mine: […]
by Scott Macaulay on Aug 7, 2014 -
Why Didn’t Shane Carruth Change the Distribution Paradigm for this Year’s Sundance Filmmakers?
While many Sundance filmmakers last year this time were nervously awaiting distribution deals, one had done something completely different. Upstream Color director Shane Carruth entered the festival with a DIY distribution plan already in place. He partnered with Sundance Artists Services’s Joseph Beyer and distribution consultant Michael Tuckman, devised a theatrical campaign and swift VOD rollout, and was already at work on merch for the large fan base eager for the follow-up to his cult classic Primer. Carruth and his team pre-screened the film for journalists, including Filmmaker, and, we responded by endorsing both the movie and its distribution paradigm, […]
by Scott Macaulay on Jan 25, 2014 -
Why the Zellner Brothers’ Kumiko is The Perfect Allegory for Independent Filmmaking
Warning! This piece contains major spoilers for David and Nathan Zellner’s wonderful new film, Kumiko, The Treasure Hunter. If you’ve yet to catch Kumiko (which premiered earlier this week at Sundance), read on at your own risk. Tuesday night at Sundance’s annual short filmmaking awards (held, as all great award ceremonies are, at a bowling alley), David and Nathan Zellner delivered something of an impromptu keynote about the many joys and headaches of independent filmmaking. The brothers, who have had nearly half a dozen films at the festival over the years – as well as three features – talked about […]
by Jane Schoenbrun on Jan 24, 2014
