Documentary

EXECUTIVE DIRECTOR KEN BRECHER DEPARTS SUNDANCE

The Sundance Institute has just announced that its executive director, Ken Brecher, has resigned but will continue to play a role with the organization as a strategic advisor. The press release: LOS ANGELES, CA — Wally Weisman, Chair of the Board of the Sundance Institute, today announced the resignation of Ken Brecher, Executive Director of the Institute, effective April 30, 2009. Weisman stated that Ken Brecher had led the Institute for nearly 14 years through a period of significant growth, productivity and global impact. Brecher will assume the role of Strategic Advisor for the Institute for the next two years. […]
by Scott Macaulay on Apr 9, 2009
WHY THE RECESSION COULD BE GOOD FOR FILMMAKERS

There are many reasons why the current recession is bad for films and filmmakers. Venture capital is drying up; lacking stock portfolio gains, individual investors don’t have the “mad money” that once fueled indie film production; and the entertainment conglomerates are cutting back by axing the specialty divisions that were the buyers for our films. However, there are reasons why which the recession may turn out to be a good thing for filmmakers, and some of these are the same reasons I just listed above. At the Steady Diet of Film blog, Erin Donovan posts, “Why the financial collapse is […]
by Scott Macaulay on Apr 1, 2009
Sergey Dvortsevoy, Tulpan

ASKHAT KUCHINCHIREKOV AND FRIEND IN DIRECTOR SERGEY DVORTSEVOY’S TULPAN. COURTESY ZEITGEIST FILMS. The image of Kazakhstan and its cinema took a hit recently with the unwanted attention of a certain Borat Sagdiyev, however the rise to prominence of the highly talented writer-director Sergey Dvortsevoy should help redress that national image problem. Dvortsevoy was born in the Kazakh city of Chimkent in 1962 and initially had no particular interest in film. After high school, he attended aviation college in the Ukraine and the Radiotechnical-Institut in Novosibirsk, Russia, in order to become a radio engineer for Aeroflot, the Russian aviation company, a […]
by Nick Dawson on Apr 1, 2009
BASHIR WINS FOUR AWARDS AT 2nd CINEMA EYE HONORS

Ari Folman‘s Waltz With Bashir took home four awards including Outstanding Achievement in Direction at last night’s Cinema Eye Honors, which highlight the year’s achievements in non-fiction. Handed out by the event’s creators — filmmaker AJ Schnack and Thom Powers, documentary programmer for the Toronto International Film Festival — at the Times Center in the New York Times building, James Marsh‘s Oscar winning doc Man on Wire was awarded the evening’s big award, Outstanding Achievement in Non-Fiction, along with two other prizes. Yung Chang‘s Up the Yangtze won the Debut Feature award as well as Audience Choice. The full list […]
by Jason Guerrasio on Mar 30, 2009
THE SKOLL WORLD FORUM ON SOCIAL ENTREPRENEURSHIP, DAY TWO

Here’s the second of our guest blogs from Sundance Lab-supported filmmaker Gayle Ferraro, who is blogging from the Skoll World Forum on Social Entrepreneurship. Day 2 The days keep getting better and I am feeling like I have known my fellow filmmakers and the Sundance folks for a long time. It is funny how that happens before you know it. We filmmakers all have code names, an affectionate shorthand, for the people we have all spoken with — the rat guy, the French guy with the cell phones, the water guys…. For the first part of the day I was […]
by Scott Macaulay on Mar 27, 2009
“FOR THE LOVE OF MOVIES”‘ GERALD PEARY By Alicia Van Couvering

Gerald Peary is not a cell phone person. He has witnessed a quarter century of films and criticism, from when Pauline Kael and Andrew Sarris drew their lines in the critical sand to the currently expanding blogosphere. Gerald Peary is old school. A working film critic for 25 years, his work has appeared in The Los Angeles Times, The Toronto Globe and Mail, The Chicago Tribune, Film Comment, Cineaste, Sight and Sound and Positif, to name a few. He is the weekly reviewer for the Boston Phoenix, one of a rapidly diminishing club of alternative weeklies as paper after paper […]
by Scott Macaulay on Mar 24, 2009
TRIBECA FILM INSTITUTE ANNOUNCE PROJECTS FOR ALL ACCESS

Tribeca Film Institute today announced the selected projects for Tribeca All Access (TAA). TAA is designed to help foster and nurture relationships between film industry executives and filmmakers from traditionally underrepresented communities. Celebrating its sixth year, Tribeca All Access will present 27 new projects during the six-day event taking place April 20 – 25 during this year’s Tribeca Film Festival, held from April 22 – May 3. This year’s TAA jury is comprised of respected industry professionals – actors, writers, producers and directors – who will review script excerpts and work samples prior to the Festival, and deliberate over the […]
by Jason Guerrasio on Mar 23, 2009
THOUGHTS ON FREE, DIGITAL FILM MARKETS, AND THE DEATH OF NEWSPAPERS

Kudos to Noah Harlan for braving the tape-recorded audio wilds of the breakfast conversation I took part in at SXSW this past week. At the festival CinemaTech’s Scott Kirsner gathered myself, Ted Hope, Lance Weiler, Brian Chirls, Liz Rosenthal, Brett Gaylor and Caitlin Boyle for a morning roundtable in which he asked us what had been on our mind while attending the festival. Each of us spoke for a few minutes and then there was a group discussion. As Harlan notes, the audio quality is poor, and I think an edited version, which I hope one of us can put […]
by Scott Macaulay on Mar 22, 2009
Matt Tyrnauer, Valentino: The Last Emperor

ICONIC FASHION DESIGNER VALENTINO GARAVANI (CENTER) IN DIRECTOR MATT TYRNAUER’S VALENTINO: THE LAST EMPEROR. COURTESY ACOLYTE FILMS. Having demonstrated significant talent as a print journalist, Matt Tyrnauer has shifted his focus and brought his great observational skills to bear on the big screen. Born in the late 1960s in Los Angeles, Tyrnauer grew up with entertainment all around him. His father was a TV writer on shows like The Virginian, Columbo and Murder, She Wrote (which he also produced), Tyrnauer was a regular visitor to LA’s favorite rep houses such as the Nuart and the New Beverley, and he was […]
by Nick Dawson on Mar 18, 2009
SXSW FIRST PERSON: THE EYES OF ME DIRECTOR KEITH MAITLAND

A couple of weeks before the festival, Filmmaker reached out to directors with films in the festival to offer them space to recount the making and mission of their movies. Below is a response we received from Keith Maitland, whose documentary, The Eyes of Me, premieres at the festival today. How do they see the movie, if they can’t see at all? The Eyes of Me follows four blind teens over the course of one dynamic year at the Texas School for the Blind in Austin, TX. I didn’t know much about blind people before I decided to dive into […]
by Scott Macaulay on Mar 18, 2009

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