Documentary
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“We Edited the Film in a Sort of Circle – Without the Credits It Could Even Be Played in a Loop”: Tea Lukač on Her Karlovy Vary International Film Festival Debut Roots
Premiering in the East of the West Competition at this year’s Karlovy Vary International Film Festival (August 20-28), Roots is an unexpected documentary gem from filmmaker and video artist Tea Lukač. Through striking cinematography and the simplest of concepts the Serbian director takes us on a journey to present-day Dvor, the Croatian town that Lukač and her family fled when war came and she was just six years old. Intriguingly, we get to know the rural locale not through travelogue but through the back seat of a moving car, where seven distinct stories unfold via passengers of ascending age. Costumed […]
by Lauren Wissot on Aug 23, 2021 -
“If Something Gives Me the Chills, or If I Ever Think, ‘Is This Too Much?’, Then I Know I Have to Use It”: Michelle Handelman on the 25th Anniversary Rerelease of BloodSisters: Leather, Dykes And Sadomasochism
Filmmaker/video artist/photographer/performance artist/writer/professor Michelle Handelman is a 2011 Guggenheim fellow and 2019 Creative Capital awardee whose work is featured in collections from Napa, California to Paris to Moscow. But back in the early 90s Handelman was simply an explorer with a video camera, diving headlong into a San Francisco Leatherdyke scene that would pave the way for today’s gender nonconformity movement as we know it. Her resulting film, 1995’s BloodSisters: Leather, Dykes And Sadomasochism – just rereleased last month with bonus extras by Kino Lorber – is an artistic amalgam both of its time and surprisingly timely. Scenes from leather […]
by Lauren Wissot on Jul 21, 2021 -
“What is Our Duty Today as Viewers?”: Abdallah Al-Khatib on Cannes (ACID program)-Selected Documentary Little Palestine (Diary of a Siege)
A movie could be made out of the making of Abdallah Al-Khatib’s heartbreakingly poetic Little Palestine (Diary of a Siege), screening in the ACID program at this year’s Cannes. The film’s title refers to Yarmouk, a district in Damascus that served as the largest Palestinian refugee camp in the world from 1957 until its destruction in 2018. In 2013 the Al-Assad regime set up a siege, depriving Yarmouk’s residents of food, medicine and electricity while haphazardly dropping barrel bombs on what it deemed a rebel stronghold. An accidental filmmaker, Al-Khatib—born and bred in Yarmouk until ISIS expelled him in 2015—was a […]
by Lauren Wissot on Jul 12, 2021 -
Full Frame Documentary Film Festival Presents “The Creative Power of BIPOC Editors”
“If I could log in right now I would,” Dawn Porter raved in one of the many enthusiastic testimonials sprinkled throughout Full Frame’s engaging “The Creative Power of BIPOC Editors,” an online launch/celebration of the BIPOC Documentary Editors Database. Expertly edited (surprise surprise), the swift-moving event (approximately an hour long) took place on June 3rd but is still well worth checking out. Whether you’re a veteran producer looking to hire beyond the usual (white) suspects or a student just beginning to build your reel, this database instruction manual/guide to best BIPOC hiring practices/panel discussion/showcase of the diversity of BIPOC work […]
by Lauren Wissot on Jul 7, 2021 -
Allowing Room for Shifts to Happen: Noah Hutton on the Decade-Long Making of His Brain Science Doc In Silico
Since releasing his first documentary in 2009, Noah Hutton has kept busy. That film Crude Independence and its follow-up Deep Time (2015) were both about the consequences of oil extraction in North Dakota, and he followed them with a multi-platform installation at Times Square in 2015 and the science-fiction film Lapis, which he wrote and directed, in 2020. His new film In Silico was in production throughout the entire time that Hutton was working on those other projects. It’s a longitudinal chronicle that Hutton began in response to a TED talk by Israeli scientist Henry Markram in 2009, where he announced that his team […]
by Randy Astle on Jun 21, 2021 -
“Resisting the Power of the White Gaze”: CJ Hunt on his Tribeca-Premiering Confederate Monuments Doc, The Neutral Ground
CJ Hunt is a NYC-based comedian and filmmaker, and currently a field producer on The Daily Show with Trevor Noah. But back in 2015 Hunt was still a resident of New Orleans, having spent nearly a decade teaching in its school (and after-school) system, assisting in its public defender’s office — and yes, pursuing his passion for comedy at night. So when Mayor Mitch Landrieu announced he’d be asking the city council to remove four monuments to the losing side in the Civil War, the stand-up/educator immediately thought to call his good friend (producer Darcy McKinnon, a “25 New Face” […]
by Lauren Wissot on Jun 18, 2021 -
“An Overt Anti-Patriarchal, Anti-Assimilationist Gesture Within the Framework of ‘Queer Refusal'”: Angelo Madsen Minax on His Tribeca-premiering North By Current
One of the most thrillingly radical aspects of Angelo Madsen Minax’s astonishing North By Current, which premiered at the Berlinale and now makes it North American debut at Tribeca, is the film’s centering of absence, of its maker’s firm belief in the idea that “a viewer is not entitled to every piece of information.” Minax began shooting North By Current upon his return home to rural Michigan after the death of his niece, a toddler whose passing put Minax’s emotionally fragile sister and her formerly incarcerated husband in the crosshairs of Children’s Protective Services (which in turn led to law […]
by Lauren Wissot on Jun 14, 2021 -
“… the Convergence of Many Different Narratives Clashing All at Once”: Dan Chen on his Tribeca-Debuting High School and College Admissions Doc, Accepted
Filmmaker Dan Chen planned to make an inspiring doc about a group of high-achieving students attending a most unconventional school in rural Louisiana, one that had a 100 percent college acceptance rate and sent its BIPOC kids to the likes of Harvard, Yale and Stanford. Well, so much for best laid plans. Unfortunately, right in the midst of production, the Ivy League dreams of Alicia, Adia, Isaac and Cathy, along with the rest of their classmates who were already under immense pressure from the unrelenting boot camp tactics of the school’s founder Mike Landry, morphed into a slow-motion nightmare. Even […]
by Lauren Wissot on Jun 14, 2021 -
“I’m Drawn to Spaces Where the Paradoxes of Everyday Life are Made Apparent”: Jessica Kingdon on her Tribeca-Premiering Ascension
An all-female factory floor that manufactures made-to-order sex dolls (which seems every bit as titillating as crafting car parts). A workshop featuring a social media entrepreneur who rhapsodizes about the “fan economy.” (Why be a regular boss when you can be a “star boss”?) An instructor in a class on business etiquette quizzing the Stepford Wives-creepy assemblage on how many teeth should be displayed when smiling at a client. (The correct answer? The “upper eight teeth.”) A dinner conversation in which the wealthy discuss the pros and cons of vacationing in Xinjiang. These are just a few of the unnerving glimpses […]
by Lauren Wissot on Jun 14, 2021 -
What to See (Virtually and Virtually for Free) at the Full Frame Documentary Film Festival
After canceling last year’s festival Full Frame is back in virtual form this June (2-6) for its 24th edition. And because the Durham-based fest is probably as famous for its Southern hospitality and intimate atmosphere (that naturally leads to a wealth of networking opportunities) as it is for its stellar cinematic selections, I had to wonder if capturing the fest’s spirit online would even be remotely (no pun intended) possible. But then I realized “intimacy” also implies exclusivity. And Full Frame has always been on a parallel mission to expand access to documentary filmmaking and its tools to all. To […]
by Lauren Wissot on Jun 2, 2021
