World-premiering at the hybrid CPH:DOX (April 21-May 12), and co-presented with the all-digital Hot Docs (April 29-May 9), Life of Ivanna is one preconceived-notion-upending film. The story of an Arctic woman struggling to raise five young children as her often abusive husband spends more time drinking than working is a situation sure to strike concern in the hearts of many — alhough the chain-smoking, no-nonsense protagonist at the heart of this particular tale would likely scoff at anyone’s condescending sympathies. Indeed, with steely will the titular, tough-as-nails member of the Nenets of the tundra is able to stare down whiteouts […]
by Lauren Wissot on May 13, 2021A feel-good film about end-of-life care for those whose minds have already departed might strike some as a radical notion. But no more so than the philosophy behind the Danish retirement home at the heart of Louise Detlefsen’s uplifting It is Not Over Yet, world-premiering at this year’s Hot Docs (April 29-May 9). With this latest project Detlefsen — whose last doc Fat Front delved into another unconventional subject, Scandinavia’s feminist body-positive movement — embeds, almost imperceptibly, in a female-founded, women-run facility. And one that covertly gives the finger to Big Pharma and corporate nursing homes by going back to […]
by Lauren Wissot on Apr 29, 2021I last interviewed Yung Chang (Up the Yangtze, China Heavyweight) before the TIFF premiere of 2019’s This Is Not a Movie, which follows the uncompromising humanitarian war correspondent Robert Fisk (who died just this past October) on his eternal mission to give the lie to bothsidesism. And while Chang’s latest doc Wuhan Wuhan – an on-the-ground account of life during lockdown from the perspective of several brave and traumatized frontline workers – might seem a breaking news departure, it’s actually very much in line with the multiple award-winning filmmaker’s character-first approach. Whether tackling issues of capitalist exploitation, controversial righteous journalism, […]
by Lauren Wissot on Apr 29, 2021Premiering online timed to Earth Day from Field of Vision is a stunning and poetic Arctic-shot short, UTUQAQ, directed by Iva Radivojević. Acting as her own cinematographer, Radivojević counterpoints elegant and abstract patterns across sweeping planes of ice with more human-scale documentation of the work of four researchers drilling ice cores in the region’s freezing temperatures. The narration — in Kalaallisut (West Greenlandic) by Aviaja Lyberth — is from the point of the view of the ice itself, evoking the earth’s geological memory as it confronts efforts of the researchers working in the moment to learn about what is being lost […]
by Scott Macaulay on Apr 22, 2021Currently competing for both the Dox:Award and the Politiken Danish:Dox Award at this year’s hybrid CPH:DOX (April 21-May 5), Camilla Nielsson’s President is a riveting followup to 2014’s Democrats, which centered on two political rivals in a Sisyphean quest to transform Zimbabwe from a corrupt dictatorship into a fledgling democracy. It’s also a film Nielsson never intended to make. But that was before a ban, a military coup, and the rise of two new political rivals led the undaunted director to pick up her camera once again. With President Nielsson focuses on the young and charismatic leader of the MDC (Movement for Democratic Change) Nelson […]
by Lauren Wissot on Apr 21, 2021Having rolled out its inaugural edition in the wake of 9/11, Doc Fortnight will now be celebrating its 20th anniversary virtually (from March 18-April 5), the result of another world-upending tragedy (politically and personally dissected in Nanfu Wang’s compelling, opening night feature In the Same Breath). And yet the full-steam-ahead spirit of MoMA’s Festival of International Nonfiction Film and Media remains. The 2021 lineup, both eclectic and ambitious, spotlights 18 features and four shorts – another 10 films screen in the “Non/Fiction 20 Years of Doc Fortnight” sidebar – alongside a revival of Moroccan director Mostafa Derkaoui’s banned/lost/found doc-fiction from […]
by Lauren Wissot on Mar 19, 2021Amazon’s Prime Video Direct (PVD) service has a message for independent documentary and shorts filmmakers: You need not apply. Last week, Amazon’s PVD self-publishing program issued a change in policy: “At this time, we’re no longer accepting unsolicited licensing submissions via Prime Video Direct for non-fiction and short form content. We’ll notify you if these categories become available for consideration.” Suddenly, one of the largest streaming platforms in the world was out of reach for vast numbers of companies and content creators. Filmmakers across the world have used PVD, while established indie distributors such as Samuel Goldwyn Films, Kino Lorber, […]
by Anthony Kaufman on Feb 16, 2021Filmmaker, video artist and “cultural worker” Marta Popivoda has spent much of her career focusing on philosophies and movements through a decidedly feminist lens. Her first feature, 2013’s Yugoslavia, How Ideology Moved Our Collective Body, premiered at the Berlinale and went on to become part of the permanent collection at MoMA. And now with Landscapes of Resistance, which debuted in the Tiger Competition at IFFR 2021, the Berlin-based filmmaker returns to her native Belgrade with her partner, and the film’s co-writer, Ana Vujanović. Together they gently probe and cinematically preserve the memory of Vujanović’s grandmother Sonja, who brings to life an […]
by Lauren Wissot on Feb 10, 2021Salomé Jashi is not a name I was familiar with before catching her exquisitely crafted Taming the Garden, which made its Sundance debut on January 31 in the World Cinema Documentary Competition. That said, the Georgian director (and founder of not one but two production companies), whose 2016 doc The Dazzling Light of Sunset took top honors at Visions du Réel, is certainly a prolific filmmaker I’ll now be keeping an eye out for. With her latest, Taming the Garden, a “cinematic environmental parable,” Jashi weaves together a series of perfectly composed shots, containing the lush magical nature on the […]
by Lauren Wissot on Feb 1, 2021Hogir Hirori’s Sabaya is a harrowing tale of heroism from a filmmaker all too familiar with the wartime struggles of those he documents. With his latest, the final piece of a cinematic trilogy that includes The Deminer (which nabbed the Special Jury Award for Feature-Length Documentary at IDFA 2017), the Swedish director, who fled his native Kurdistan in 1999, returns to the battle zone to spotlight the dedicated civil servants of the Yazidi Home Center. Putting their lives on the line 24/7, two brave men and a slew of extraordinary, anonymous female “infiltrators” fight, using phones more than guns, to save […]
by Lauren Wissot on Feb 1, 2021