Documentary
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Detective Agencies, Film Noir and Society’s Relationship to the Elderly: Maite Alberdi on Her Doc, The Mole Agent
Responding to a help-wanted ad, 85-year-old Sergio Chamy agrees to infiltrate a Santiago nursing home as a “mole agent” to find out if a client’s mother is being abused. As a “spy” he uncovers a hidden world of frustration and loneliness. Maite Alberdi’s documentary borrows from film noir before evolving into an unsettling look at the lives of the elderly. It was developed with the help of the Sundance Institute Documentary Film Program and the Tribeca Film Institute. The Mole Agent screened at Sundance, and is available on demand starting September 1. Filmmaker spoke with Alberdi from her office in […]
by Daniel Eagan on Sep 1, 2020 -
“An Example of What Gets Lost as Life Goes More and More Online”: Directors Puloma Basu and Rob Hatch-Miller on Their Doc, Other Music
According to various studies, anywhere from 30% to 80% of American small businesses will not survive the pandemic. And would they all receive documentary tributes as lovingly made and artfully constructed as the one Puloma Basu and Rob Hatch-Miller have made for shuttered New York record store, Other Music! Opened in 1995 directly across from Tower Records on East 4th Street street in lower Manhattan, Other Music was more than just a record store. It was an invigorating place for cultural discovery, a site of musical education, a community hub. Until its closure in 2016, by which time a new […]
by Scott Macaulay on Aug 28, 2020 -
Forbidden Truths, the Symmetry of Myth, and a Friendship Uninterrupted by Death: Werner Herzog on Nomad: In the Footsteps of Bruce Chatwin
“Beware, O wanderer, the road is walking too.” — Jim Harrison For anyone — show of hands now — locked in an all too familiar, selfsame cycle of recurrent dread, it’s no great mystery that cinema can (and maybe even should) offer familiar, welcome respite. Allowing a sense of escape while borders are closed, cinema’s palliative possibilities also remind us of our unsteady balance, as we strive to outlast whatever this current period is. In this mode, patience is currency. Yet, confined to our spaces and neighborhoods, we are all prone to a sense of restlessness. In the course of […]
by Evan Louison on Aug 28, 2020 -
“Cinema is Prophecy — It Creates Truth”: Hubert Sauper on his Sundance Grand Jury Prize winner, Epicentro
“What kind of future does tourism portend?” wonders a Cuban character rhetorically in Epicentro, the latest work of cinematic nonfiction from Oscar-nominated filmmaker Hubert Sauper (Darwin’s Nightmare, We Come as Friends). “None! It is only devouring the future,” the Havana man declares. Indeed, it devours the “past and the culture,” rendering everything “superficial.” But then comes the real multimillion-dollar question, “How much does cinema resemble tourism?” Winner of the Grand Jury Prize for World Cinema Documentary at this year’s Sundance, Epicentro — an allusion to the northern Caribbean island’s place at the epicenter of the Americas, both geographically and politically — is […]
by Lauren Wissot on Aug 28, 2020 -
“There is No Expiration Date on Your Sexuality”: Josie Hess and Isabel Peppard on Their Fantasia Festival-Debuting Doc Morgana
The bored and lonely housewife embarking on a life of erotic pleasure has been a porn-movie trope since at least the days of the 8mm-stag film. But the Belle de Jour-style protagonist is never an unhappy Australian mom who goes from planning suicide, to radically reclaiming agency by hiring a male escort, to soaring to international fame as an award-winning feminist pornographer. Until now. Meet Morgana Muses, the unlikely star of Josie Hess and Isabel Peppard’s Fantasia Film Festival-premiering documentary Morgana. Hess, a filmmaker and pornographer, and her co-director Peppard, who is also an animator and visual artist, began collaborating […]
by Lauren Wissot on Aug 20, 2020 -
“Very Much Like Short Cuts, and the Medfly was Duterte — That Was My Pitch”: Ramona S. Diaz on A Thousand Cuts
While recent right-wing attacks on the free press here in the US have rightly been sounding alarm bells, in a global context they are merely wake-up calls. Sure, Trump deeming the “lamestream” media “fake news” is dangerously juvenile, but it’s also a far cry from, say, the Duterte administration finding the founder and CEO of the Philippines’s top online news site Rappler guilty of “cyber libel” — a travesty of justice that happened just this past June. And the politically orchestrated verdict comes with both a hefty fine and potential prison time for “2018 Time Person of the Year” Maria […]
by Lauren Wissot on Aug 6, 2020 -
“This Movie is a Cry for Help from the Members of Congress to the American People”: Daniel DiMauro and Morgan Pehme on Their HBO doc The Swamp
To call HBO’s The Swamp a thrilling character-based portrait of three conservative white guys might seem oxymoronic, but in the capable hands and open minds of co-directors Daniel DiMauro and Morgan Pehme (Get Me Roger Stone) it’s a completely apt description. The doc is an unexpected, up-close look at the daily D.C. lives of a trio of House members who few subscribers to HBO would ever conceive of voting for: far right-wingers Matt Gaetz (R-FL 1st District), Thomas Massie (R-KY 4th District), and Ken Buck (R-CO 4th District). In other words, it’s exactly the caricature-busting film that progressives (like myself) really need […]
by Lauren Wissot on Aug 4, 2020 -
Pamela Cohn’s Lucid Dreaming Podcast Debuts with Documentary Filmmaker Penny Lane
Critic and programmer Pamela Cohn recently published her first book, Lucid Dreaming, a collection of extremely thoughtful and probing interviews with boundary-pushing non-fiction filmmakers. (Read an excerpt of the book’s conversation with Donal Foreman here.) And now an extension of the book, the Lucid Dreaming podcast, has just launched. The first guest is Penny Lane, well-known to Filmmaker readers for films like Our Nixon and Hail, Satan?, as well as for her occasional Notes on Real Life column. You can listen to Lane’s interview and subscribe so you don’t miss future episodes here.
by Scott Macaulay on Jul 23, 2020 -
“We Worked With as Many BIPOC Womxn Crew Members as Possible, Whenever Possible!”: Linda Goldstein Knowlton on We Are The Radical Monarchs
The Black Panther Party, with its firm commitment to nourishing and nurturing the children of Oakland’s barely served African-American community, was founded all the way back in 1966. So it’s a bit shocking that it took nearly half a century later for the Radical Monarchs to be born. Or maybe not. After all, historically, queer women of color — like the Monarchs’ tireless co-founders Anayvette Martinez and Marilyn Hollinquest — had never been given leading roles in the Black Panther show. Fortunately, dedicated feminist and filmmaker Linda Goldstein Knowlton and her all-female team (including EP Grace Lee) are now shining […]
by Lauren Wissot on Jul 20, 2020 -
“His First Question To Us Was, ‘What Are Your Astrological Signs?'”: Cristina Costantini, Kareem Tabsch and Alex Fumero on Mucho Mucho Amor
Premiering at Sundance back in the pre-pandemic festival days (uh, January) Mucho Mucho Amor is a much-needed uplift in these trying times. Co-directed and produced by Cristina Costantini (Science Fair) and Kareem Tabsch (The Last Resort), and produced by Alex Fumero (I Think You Should Leave with Tim Robinson), the doc, which hits Netflix today, is a fascinating odyssey into the beautifully eccentric world of Walter Mercado. Combining the fashion sense of Liberace with the relentless positivity of Tammy Faye Bakker, the Puerto Rican astrologer, psychic and defiantly nonbinary pioneer spent decades spreading his mantra of “mucho mucho amor” to an audience […]
by Lauren Wissot on Jul 8, 2020
