Documentary
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Director Alex Gibney on Catching Hell
Few documentary filmmakers’ careers are as fascinating to follow as that of Alex Gibney (Taxi to the Dark Side, Enron: The Smartest Guys in the Room), and that’s not just because of the consistent quality of his films, but because of the astonishing rate at which he produces them. In the midst of three other projects — an untitled Wikileaks documentary in pre-production; The Road Back, about Lance Armstrong, in post-production; and the newly completed Magic Bus, about Ken Kesey and the Merry Pranksters — Gibney was at this year’s Tribeca Film Festival with his sports documentary Catching Hell, which […]
by Daniel James Scott on May 2, 2011 -
SURVEYING THE DOCS AT TRIBECA
Attempting to wrap your mind around a film festival’s totality is an exercise of dubious value. Still, the dubious can be exceedingly difficult to resist. It seems to me that the documentary films at the Tribeca Film Festival are of a consistently higher quality than the narratives. But what doc rat doesn’t believe this at every festival? Still, there are extremely few stinker docs at Tribeca, and forget the bombs. After the screenings the descriptive word that I hear the most from the audience members is “good,” occasionally “outstanding,” but never “bad.” Stinker docs need not apply. The universal […]
by Stewart Nusbaumer on Apr 29, 2011 -
The Arbor — A Hammer to Nail Review
“Time heals all wounds,” goes an old adage with which everyone involved in The Arbor would likely take issue. Clio Barnard’s cinematic assemblage on English playwright Andrea Dunbar is certainly a document of sorts, but to call it a documentary would be to slight it: The Arbor is equal parts fact, reenactment, and archival footage. Adding to the genre-blending is a series of audio interviews recorded with Dunbar’s siblings, children (particularly Lorraine, in many ways the main “character” of the film), and acquaintances which Barnard then had actors lip-synch onscreen. The result is at first off-putting, eventually immersive, and unlike any […]
by Michael Nordine on Apr 28, 2011 -
IFP Partners with UN and HBO for Envision
This past weekend, the documentary as a tool for change was discussed at “Envision: Addressing Global Issues Through Documentary,” a forum co-sponsored by the IFP in partnership with the United Nations Department of Public Information. In her introductory remarks, Joana Vicente, IFP’s executive director, said that the goal of the event was to unite the “filmmaking community with the activist [community].” It was a sentiment echoed by Kiyo Akasaka, the Under-Secretary-General for Communications at the UN who encouraged the activists and filmmakers in the attendance to partner with each other “to envision a better world” and “meet the needs of […]
by Mary Anderson Casavant on Apr 11, 2011 -
OPEN SOURCE FILM TOUR – OR HOW I’M TRYING TO SPARK A POPULIST FILM MOVEMENT
“You have no idea what you’ve created, and how many people this will help” I was wrapped in warm embrace with a woman I had just barely met when she whispered this sentence into my ear. We were standing in the lobby of the Egyptian Theater in downtown Boise, Idaho where my film, JENS PULVER | DRIVEN, had just let out after a lengthy and fairly emotional Q&A with me and Jens Pulver, the subject of my film. This surprising interaction was the first of many that night, and one that came as quite a shock to both myself and Pulver. I […]
by Gregorybayne on Apr 4, 2011 -
Le Quattro Volte — A Hammer to Nail Review
(Distributed by Lorber Films, Le Quattro Volte opens theatrically at the Film Forum on Wednesday, March 30, 2011. Click on one of the previous links to learn more.) They’re called motion pictures, but in the case of Michelangelo Frammartino’s Le Quattro Volte, that term isn’t quite accurate. Motion painting is more like it. Spiritual yet not overtly religious, playful yet dramatic, patient yet never ponderous, Frammartino’s extraordinary celebration of the cycle of life is as close to church as cinema can get. The beauty of this masterfully wrought docu-poem is that for all its superficial “art film” trappings, Le Quattro […]
by Michael Tully on Mar 31, 2011 -
“TEENAGE” WILDLIFE
Matt Wolf, one of our 25 New Faces of 2008, and author and critic Jon Savage are collaborating on a feature doc, Teenage, based on Savage’s 2007 book, Teenage: The Creation of Youth Culture. Although it may seem that being a teenager is an ahistorical fact of life, Savage’s book detailed the cultural creation of the teenage class, tracing its relationship to art, political movements, and the rise of consumer culture. Their feature will bring this all to life with, as their new teaser trailer exhibits, archival footage, an evocative voiceover by Jena Malone, and music by Deerhunter’s Bradford Cox. […]
by Scott Macaulay on Mar 21, 2011 -
ANNE BUFORD’S “ELEVATE”
Screening Times: Sunday March 13th, 4:30pm (Vimeo Theater), Tuesday march 15th, 10:00pm (Alamo Lamar C), Thursday March 17th, 6:00pm (Rollins Theatre) Half a decade in the making, Anne Buford’s Elevate chronicles how a group of gifted West African basketball players respond as they are feverishly recruited by American schools on the promise of their skills on the hardwood, and how coping with the adjustment to American life may be the toughest thing of all. Filmmaker: How did you first hear of the West African basketball players whose stories Elevate chronicles? Buford: In the Fall of 2004, RC Buford, who besides […]
by Brandon Harris on Mar 15, 2011 -
TRIBECA ANNOUNCES SPOTLIGHT, CINEMANIA, TRIBECA/ESPN & SPECIAL SCREENINGS
The Tribeca Film Festival announced today the films selected for the Spotlight, Cinemania, Tribeca/ESPN Sports Film Festival and Special Screenings sections for their 10th edition, which takes place April 20 – May 1. Some of the highlights include Sundance favorites Beats, Rhymes & Life: The Travels of A Tribe Called Quest, The Guard starring Don Cheadle and Brendan Gleeson, and Higher Ground which is starred and directed by Vera Farmiga. There’s also Revenge of the Electric Car, the follow-up to Chris Paine‘s doc Who Killed the Electric Car?, and Tribeca regular Alex Gibney returns with Catching Hell. Chosen as the […]
by Jason Guerrasio on Mar 14, 2011 -
CHICKENS, VINYL AND LOST & FOUND IN AUSTIN: JEANIE FINLAY AT SXSW
My name is Jeanie Finlay and I’m an artist and filmmaker from the U.K. I’m in Austin for my very first SXSW and the world premiere of the feature documentary Sound it Out which I produced and directed. Sound it Out is a documentary portrait of the very last record shop in Stockton-on-Tees in Teesside, my home town. It’s a small shop in a small town. It’s a film about men and music and passion and the North East of England. It’s the most personal film I’ve ever made for the lowest budget and I’m frankly still a bit gobsmacked that my […]
by Jeanie Finlay on Mar 13, 2011
