In Big Easy Express, director Emmett Malloy documents a tour by three cult-favorite indie-folk bands: Edward Sharpe and The Magnetic Zeros, Old Crow Medicine Show, and Mumford & Sons. But the free-wheeling travelogue that develops is equal parts itinerant jam, extended family picnic, and traveling carnival, with Malloy and his crew as the cinematic roustabouts getting it all down for posterity. The film follows the three bands from Oakland to New Orleans, giving us a glimpse not only of their concerts but of their camaraderie as they live and travel on a train together, sharing songs, time, and experiences, and […]
by Jim Allen on Jun 22, 2012
The self-described “grandmother of performance art,” Marina Abramovic has for almost 40 years been one of the leading lights of a still-marginalized form. Born to ex-partisan parents in 1946, in the early days of Tito’s Yugoslavia, she is the fascinating subject of Matthew Akers’ new documentary, Marina Abramovic: The Artist is Present. Despite her international renown, the Belgrade-born, New York-based Abramovic failed to enter the public consciousness in the States until her blockbuster 2010 MoMA retrospective. Akers’ film is a sinewy tour through Abramovic’s peculiar life and working process as she embarks upon her most high profile performance yet, one […]
by Brandon Harris on Jun 13, 2012The following article about Lisanne Pajot and James Swirsky’s documentary Indie Game was published during the Sundance Film Festival. The film opens today in Los Angeles, New York (at the IFC Center), San Francisco and Phoenix. For a complete list of venues and upcoming screenings, check out the website. Independent film, depending on how you define it, has had many births. But for the purposes of this blog post, let’s consider the one in the 1980s, just before the launch of this magazine. She’s Gotta Have It, Parting Glances, Poison, True Love — these were narrative features made by lone […]
by Scott Macaulay on May 18, 2012
One of the highlights of the 2012 San Francisco International Film Festival, which boasted a great lineup of films and filmmakers, was the new “live documentary” by Sam Green, The Love Song of R. Buckminster Fuller, featuring Green and Yo La Tengo live on stage. The notion of the live documentary is exciting as a new film movement, a far more powerful one than the overrated reemergence of 3-D. As part of their Buckminster Fuller exhibit, SFMOMA commissioned Green to create a live documentary on Fuller in the spirit of the filmmaker’s previous work Utopia in Four Movements. Fuller is […]
by Mike Plante on May 7, 2012With her debut documentary, Beetle Queen Conquers Tokyo, Jessica Oreck reinvented the nature doc. Oreck, an entomologist who worked as a docent at the American Museum of Natural History, made a film about an insect that was as much about man’s fascination with that creature as it was the creature itself. To top it off, she made her poetic and allusive picture in Japan, exploring the country’s endemic beetle-mania through evocative cinematography and haunting voiceover. When so many documentary filmmakers make their artistic choices based on the desires of their funders, Oreck chooses the harder path. Her latest film, Aatsinki, […]
by Scott Macaulay on May 1, 2012At 85, Tony Bennett looks and sounds great. In The Zen of Bennett, which premiered at the Tribeca Film Festival and will soon appear on Netflix, Bennett relies on a single word, repeated over and over throughout the documentary, to describe his life philosophy. That word is “quality.” For the clothes he wears, for the songs he sings, for the people who are his friends, for everything, quality is his guiding principle. Conversely, the elderly singer with the smoothest pipes in the business, disparages cheap songs, crude and outlandish behavior, and anger. “Everything you do should be done with love, […]
by Stewart Nusbaumer on Apr 30, 2012
Independent documentary filmmaker Lee Storey has won her long battle with the Internal Revenue Service over deductions related to her film, Smile ’til it Hurts: The Up with People Story. The IRS’s case against Storey panicked the documentary community as it was poised to declare documentary filmmaking itself “a hobby” and not a professional, profit-seeking endeavor eligible for tax deductions. However, the same judge, Tax Court Judge Diane L. Kroupa, who said during a hearing, “By its very nature, a documentary to me means that it’s not for profit. You’re doing it to educate. You’re doing it to expose,” has […]
by Scott Macaulay on Apr 20, 2012
At first it seems curious that the starting point of this brilliant, definitive documentary about the late Jamaican reggae sensation Bob Marley is archival footage of Cape Coast Castle in Ghana, the facility from which 60 million Africans were crammed through the Door of No Return to commence lives of total servitude in the West. Marley was the offspring of a black Jamaican mother and a white English father (who posed as a captain), whom he met only a handful of times. In the film there is no mention of slavery in the family history. Late in this elegantly elliptical movie, Marley […]
by Howard Feinstein on Apr 18, 2012Envision 2012, a program presented by IFP, the United Nations and the Ford Foundation exploring the subject of “Stories for a Sustainable Future,” will be streamed live tomorrow on the Envision website. Launching this evening and continuing Tuesday, the Envision sessions are filled with talks concerning the role documentary film can have in shaping discussion and action on pressing global issues. Filmmakers Jessica Yu, Rachel Grady, Alexandra Cousteau, and Lixin Fan, among others, will be presenting, and special guests include Don Cheadle and Michael Franti. Tune in tomorrow beginning at 9:30 AM for this thoughtful and engaging event. A complete […]
by Scott Macaulay on Apr 16, 2012I remember when I first typed documentary filmmaker Laura Poitras as one cool customer. I was interviewing her on the phone about her 2010 documentary, The Oath — for my money the best of the year. The film is about two Yemeni brothers-in-law, one a low-level driver for Osama bin Laden and the other a soldier who became an al-Qaida member and one of bin Laden’s personal bodyguards. But only one was sent to Guantanamo Bay — the driver, not the bodyguard who, at the film’s start, is seen driving a cab through Yemen and discussing jihad with the young […]
by Scott Macaulay on Apr 9, 2012