The following article was originally published in Filmmaker‘s Fall, 2020 print edition. We’re drowning in entertainment. Dozens of streamers, from mainstream catnip like Netflix and Disney+ to niche platforms like the Criterion Channel, each offer hundreds of feature films, limited series and TV shows. National theater chains like AMC and arthouse cinemas like the Alamo Drafthouse—at least before and hopefully after the pandemic—serve up fresh options every week on more than 40,000 screens. And legacy networks on basic cable, from NBC to TBS, continue to deliver a firehose of prerecorded content and live broadcasts every day. How to choose? Simple: […]

“We don’t call you ’hun’ or ’sweetheart’ or ’baby,’” says Theresa (Debra Winger) to her daughter Old Dolio (Evan Rachel Wood) late in Miranda July’s new Kajillionaire, the filmmaker’s dreamily eccentric interrogation into the social construct of familial love. “We don’t wrap little birthday presents with ribbons,” she continues, acidly, as Old Dolio looks on in despair. Old Dolio has just brought in $1,575 from an airport luggage scam—the family, which includes dad Robert (Richard Jenkins), makes their living from a succession of convoluted small-time cons that net in the two and three and, only sometimes, four figures—and she’d just […]

Six months ago, I was considering an update to my now biennial guide on how to prepare your film for festival exhibition. The 2018 version of that guide is available on the Filmmaker website and is a good reference if you are showing your film at a drive-in or outdoor screening that has a DCP server or some other file-based playback system. However, the majority of festival screenings happening this fall and into next year will be on virtual festival platforms. Pre-pandemic, I would’ve told you that the widespread adoption of a streaming component to festivals was as likely as […]

“My thinking is silly. My memories are preposterous. My ideas are laughable. I am a pompous clown. I can, on occasion, become aware of this. There are moments of clarity that I find all the more humiliating because I can see myself as others likely do, but I cannot control any of it. The pathetic, comical thought process continues, almost as if a script is playing out. Almost as if I myself am a puppet, defined by some external force, written to be the foil in some strange cosmic entertainment witnessed by someone somewhere. But who or what? And why? […]

The following interview with Darius Marder about Sound of Metal, currently streaming on Amazon Prime Video, was originally published in Filmmaker‘s Fall, 2020 print edition. Darius Marder’s Sound of Metal stars Riz Ahmed as Ruben, the drummer for a two-person heavy metal band who loses his hearing and, for much of the film, his perspective and sense of self as a result. His hearing falters and almost entirely disappears early in the film during the middle of a tour with his girlfriend/bandmate Lou (Olivia Cooke). Both are recovering addicts, and as their world is turned upside down, Lou fears Ruben […]

The daunting prospect of capturing the attention and engagement of new audiences is not a recent development. For years, the Film Festival Alliance has held panel sessions like “What Millennials Want” and “Cultivating A Love of Cinema Culture in Young People,” but the pandemic, which has people affixed to their devices 24/7, has certainly heightened the urgency for film festivals, while also blowing the lid off an old model, exposing all of its cracks and forcing us to do the essential hard work of thinking differently. In a post-COVID-19 world, assuming a vaccine does become readily available late next year, […]

The following article on film-set COVID-19 safety departments was originally published in Filmmaker‘s Fall, 2020 print issue.  When Heather Drake-Bianchi landed her first job as a COVID-19 compliance supervisor, the New York–based set medic didn’t realize the gravity of the responsibility she’d been given. “At first, I thought I was just going to be like a ’set medic plus,’ Drake-Bianchi said. “Then, on day one of the shoot, when we did the first morning safety briefing, one of the producers said, ’Just so everybody knows, whatever Heather says goes. She has the capacity to shut this entire shoot down.’” Drake-Bianchi’s […]

Time may be running out for independent filmmakers.  Sure, even as the pandemic has completely disrupted their entire workflows and business models, they’re a scrappy and resourceful bunch. Like restaurants pivoting to drive-thru, delivery and take-out to outlast our current infectious plague, filmmakers are moving forward in myriad ways, whether in post-production on already completed films, developing new scripts or trying to produce new films self-insured by funders with scaled-down crews and robust coronavirus prevention measures in place. But survival is tricky right now and dogged perseverance may only work for so long.  To stay afloat, for example, one New […]

“Do disability differently,” disability activist and media critic Lawrence Carter-Long begs in his irreverent survey of the state of disability on film for the recent manifesto issue of Film Quarterly. Defending genre curios such as the 1970s exploitation thriller Mr. No Legs, about a drug ring enforcer with shotguns built into his wheelchair, as more interesting than treacle like the Andrew Garfield–starring biopic Breathe, about British independent-living activist Robin Cavendish, Carter-Long points to a common complaint within disability circles about the narrow frames of reference through which disabled people tend to be seen. Disability movies, the thinking goes, too often […]

Welcome to Filmmaker’s 28th anniversary edition. If you are reading this editor’s letter, there’s a good chance you are reading it in a print issue that has been delivered to your mailbox or that you purchased at a newsstand or bookstore. After a summer issue break, when Filmmaker went PDF due to bookstores closing and all the uncertainty around the pandemic, we’re grateful to be back with a physical edition—grateful to our advertisers, our publisher, IFP and to you for your continuing readership and support. There’s a reason we pushed hard to return to print with this issue, and it’s partly sentimental: […]