Opening this edition’s DOC NYC on November 9th is Greg Barker’s The Final Year, a truly up-close-and-personal, behind-the-scenes look at the Obama administration and its foreign policy team during its last 12 months. To say that Barker gained unprecedented access to the president’s men (and one woman) during that period is an understatement. The veteran documentarian (Homegrown: The Counter-Terror Dilemma, Manhunt: The Inside Story of the Hunt for Bin Laden, etc.) managed to shadow three heavyweight insiders — Secretary of State John Kerry, Ambassador to the United Nations Samantha Power, and “Assistant to the President and Deputy National Security Advisor […]
by Lauren Wissot on Nov 8, 2017This year’s 20th anniversary edition of the SCAD (Savannah College of Art and Design) Savannah Film Festival, which lays claim to being the largest university-run film fest in the world, continued its two-decades-long tradition of mixing Hollywood wattage with downhome southern hospitality. Once again the fest honored an eclectic mix of celebrity guests of all ages (elder statesmen and women included Richard Gere, Sir Patrick Stewart, Aaron Sorkin, Salma Hayek Pinault, Holly Hunter, and Kyra Sedgwick, while the “youngsters” featured the likes of John Boyega, Zoey Deutch, Robert Pattinson, Andrea Riseborough, and Willow Shields). The festival also played host to […]
by Lauren Wissot on Nov 6, 2017During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? Green Berets refer to themselves as “The Quiet Professionals,” and see themselves as a breed apart from more boastful units of the Special Forces, like SEAL Team Six, with their lucrative book deals and pumped-up war stories. So the biggest challenge on this production was simply convincing these guys that now was the time to finally open and reveal themselves – and not as stereotypical super-human war […]
by Filmmaker Staff on Jan 20, 2017Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? What a great […]
by Filmmaker Staff on Jan 17, 2014[PREMIERE SCREENING: Sunday, Jan. 20, 11:30am — The MARC, Park City] Sacrifice? Come on! For the past 18 months I’ve had the opportunity to immerse myself in the fascinating and morally complex world of the CIA’s long search for Osama bin Laden and conflict against al Qaeda — a secret war that began nearly 20 years ago for the small team of extraordinary women inside the CIA, known as “the Sisterhood,” whose stories are at the heart of my film. These are people for whom trust is everything. Very little could be discussed on the phone, and almost every conversation […]
by Filmmaker Staff on Jan 19, 2013Koran by Heart, premiering on HBO today, comes out at a time when it couldn’t be more necessary. In the wake of July’s attacks in Norway and the Islamophobic response in Western media outlets, the film offers a composed perspective of life in the Muslim world. Koran by Heart follows three Muslim youths — Nabiollah from Tajikistan, Rifdha from the Maldives, and Djamil from Senegal — as they enter into an annual Koran-reciting competition in Cairo, Egypt. The competition attracts hundreds of Muslims from all over the world, many of whom don’t speak Arabic, but are able to recite the […]
by Daniel James Scott on Aug 1, 2011The Good Life is not about the good life, but the bad life. Mother Mette and daughter Anne lived a life of wealth and privilege, and then the husband-father died and the inherence dwindled, and finally the money ran out. Today the two survive on the mother’s minuscule pension in a small apartment in Portugal. While the mother seems resigned to her impoverished fate, the daughter is anything but resigned. She views life without wealth and servants as terribly unfair to her. At the age of 56, daughter Anne has never held a job — not one! “Work is still […]
by Stewart Nusbaumer on May 2, 2011