Gus Van Sant
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Dispatches from Cannes and the Los Angeles Film Festival
Cannes by Aaron Hillis The same way New Yorkers love to bitch about living in what they also proclaim to be the world’s greatest city, the Cannes-accredited can spend nearly two weeks in the south of France watching nothing but prestigiously vetted films and have the nerve to call it a “so-so year.” But if that was a too-common sigh, it’s partly because the festival’s main competition had few unanimous hits, which is neither unusual nor taking stock of the parallel pleasures within the Un Certain Regard, Directors’ Fortnight and Critics’ Week sections, or out-of-competition premieres of innovative multiplex fare […]
by Filmmaker Staff on Jul 23, 2015 -
Steven Soderbergh Mashes Up the Hitchcock and Gus Van Sant Versions of Psycho
This is kinda brilliant: a mashup by Steven Soderbergh of Hitchcock’s original Psycho and (now rendered in black and white) Gus Van Sant’s shot-for-shot remake from 1998. Soderbergh is retired from feature filmmaking, but his Cinemax miniseries The Knick is coming soon and, well, this is presumably something he just threw together in his spare time to stave off boredom!
by Nick Dawson on Feb 25, 2014 -
Ten Lessons on Filmmaking from James Franco
There’s a trend in actor-turned-director helmed films at Cannes this year, an impeccable direction of the people on screen. You can tell there’s a sense of trust and cohesive goal to create something great. One of the clearest examples of this is James Franco’s new feature film, As I Lay Dying, based on the great American classic by William Faulkner, the story of the death of Addie Bundren and her family’s quest to honor her wish to be buried in the town of Jefferson. The vivid characters have come to life on the big screen through Franco’s split-screen filmmaking, led by […]
by Ariston Anderson on May 21, 2013 -
Promised Land Giveaway!
Focus Features launched Gus Van Sant’s new environmental drama, Promised Land, into theaters on January 4 and in partnership with Filmmaker, will be giving away some great Focus merch this week. Up for grabs by two lucky winners will be the 15th Anniversary Edition of Matt Damon’s breakthrough collaboration with Van Sant, Good Will Hunting, on blu-ray as well as the Focus Features 10th Anniversary: A Collection of Film Score soundtrack (including scores from movies such as Eternal Sunshine of the Spotless Mind, Tinker, Tailor, Soldier, Spy and Brokeback Mountain). Be one of the first two respondents to answer the […]
by Filmmaker Staff on Jan 7, 2013 -
The Toenail of the Curve: Remembering Harris Savides
In what is easily the most informative internet message board thread I’ve ever come across, “birth – Harris Savides,” which was started on Cinematography.com by a young man you may have heard of named Jody Lipes on November 1, 2004, the conversation turns around midway through to the aggressive underexposure used by Savides on Birth (pictured above). One of the forum’s members, who claimed to have worked on Birth, explained that Savides underexposed the film two stops, and then pulled it two additional stops, netting a total underexposure of four stops – which seems to have sent the head of […]
by Zachary Wigon on Oct 12, 2012 -
GUS VAN SANT CHATS WITH MIKE MILLS ABOUT “BEGINNERS”
Originally published in the Spring 2011 issue. Beginners is nominated for Best Feature and Best Ensemble. “There are no classes in life for beginners; right away you are always asked to deal with what is most difficult.”–Rainer Maria Rilke About the three characters in Mike Mills’s altogether winning second feature — Oliver, a sensitive yet romantically challenged graphic designer in his mid-30s (Ewan McGregor); Anna, a beautiful, single French actress (Melanie Laurent); and the designer’s father, Hal, a retired museum director and widower in his 70s, who has just come out of the closet (Christopher Plummer) — the film’s title, […]
by Filmmaker Staff on Nov 21, 2011 -
JAMES FRANCO & GUS VAN SANT ON “MEMORIES OF IDAHO”
One of the free programs at this year’s Toronto International Film Festival that caught our eye was James Franco and Gus Van Sant‘s installation, Memories of Idaho, which acts as a meditation on Van Sant’s My Own Private Idaho and its lead actor River Phoenix. Here’s a discussion Franco and Van Sant had this past weekend with Noah Cowan at the Bell Lightbox about Memories of Idaho. If you’re in Toronto the installation will be at the Lightbox until Sept. 18. Here’s more about it from the TIFF release: In 1991, Gus Van Sant’s My Own Private Idaho and its […]
by Jason Guerrasio on Sep 14, 2011 -
GUS VAN SANT RETROSPECTIVE AT MUSEUM OF MOVING IMAGE
With his 14th feature, Restless, slated for release on Sept. 16, the Museum of the Moving Image in NYC has announced a retrospective of Gus Van Sant‘s work running Sept. 9-30 with the director on hand for a screening of Restless on Sept. 14. Everything from his debut feature, Mala Noche, to his experimental “Death Trilogy” (Gerry, Elephant and Last Days) to his more commercial successes like Good Will Hunting and Milk (even his less successful shot-for-shot remake of Psycho) will be screened. This is certainly a can’t miss for Van Sant fans and film lovers alike. Most screenings are […]
by Jason Guerrasio on Aug 22, 2011 -
THE 2011 EDINBURGH FILM FESTIVAL
Spend even the shortest amount of time in the delightful and disturbing Scottish capital and you begin to read native Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde as a metaphor for the city itself. Edinburgh boasts a warm and welcoming population residing in an atmosphere where an ever-present hint of menace hangs palpably in the air like its famous rainy mist. (This openness is evidenced by the fact that one early afternoon my sister and I were able to pretty much wander in to a Justice Committee hearing of Parliament debating that day’s front page news […]
by Lauren Wissot on Jun 28, 2011 -
Fuller: On Great, Boring Movies and Cultural Vegetables
Unless you are a very serious basketball player — at minimum serious intramural league level, or one of those Wall Street guys who absolutely must blow off a ton of steam by playing their hearts out on the court or else they’ll absolutely lose their soul — there is a very distinct qualitative difference between what it feels like to play basketball for a while and to run for a while. After you finish playing basketball for a while you feel good, you’ve gotten some good cardio, but that cardio is intermittent, the game being filled with plenty of pauses […]
by Zachary Wigon on Jun 7, 2011
