Guillermo del Toro, best known for directing aesthetically impressive, intellectually thoughtful horror films like Mimic and Pan’s Labyrinth, steps into a slightly different role this summer by presenting Don’t Be Afraid of the Dark, a remake of one of his favorite films as a child. I spoke to del Toro about his decades-long dream of bringing this film to life, the connection between horror and spirituality, and what makes a dark basement so damn scary. Don’t Be Afraid of the Dark opens in theaters on August 26th. Filmmaker: I wanted to start by asking how you began working on the […]
by Farihah Zaman on Aug 12, 2011When I listened to Francis Ford Coppola give a master class at last year’s Marrakech Film Festival, some of the most valuable information imparted was about the creative process. So that’s what struck me when I watched this trailer of his latest film, Twixt, premiering at the Toronto International Film Festival this month. Val Kilmer stars as a mass market horror novelist, and there’s clearly some kind of meditation going on about the workings of the imagination. As quoted at First Showing, Coppola says the film “‘was inspired by the eerie writings of Nathaniel Hawthorne and Edgar Allan Poe’ and […]
by Scott Macaulay on Aug 2, 2011Filmmaker webmaster Michael Medaglia is also a talented director; I really liked his short, Kitty, Kitty — an eerie piece of psychological horror that reminded me of early Cronenberg. Here’s how he describes it: Kitty, Kitty is a short film about love, cats and brain parasites. The disturbing short was inspired by Toxoplasmosis, a disease caused by a brain parasite that can change human behavior and is believe to affect up to a third of the world population. This weekend Medaglia released the film for free on VODO.net, a website that turns filesharing and torrents into a legitimate distribution avenue […]
by Scott Macaulay on Jun 14, 2011Any genre fan will tell you that when it comes to movie beasties, delayed gratification is key. It is considered classic good form to mount anticipation via quick glimpses of scales/fur/claws, or unnerving detritus left in the creature’s wake, all leading up to the spectacular fashion in which the monster will finally emerge. Rather than bend completely to convention, Trollhunter, with dry Scandinavian aplomb, breaks with this rule of horror suspense by having the grizzled titular character run out of the woods, shout “TROLL,” and cause his disbelieving companions to disperse chaotically amid earth-quaking snorts and stomps. The troll isn’t […]
by Farihah Zaman on Jun 10, 2011In so many ruined, dystopian futures, ravenous beings stalk the burned out countryside, praying on the flesh and/or blood of humans, while a small band of tough survivors, almost always including a grim professional killer, a protege and a young refugee, desperately try to escape this world overrun. This basic conceit resembles Jim Mickle’s somber, post-apocalyptic tone poem fashioned as a late night, grindhouse B movie, Stakeland, which proves altogether more satisfying than any of the recent cable and multiplex ready vampire narratives or dystopian dramas (The Road, Time of the Wolf, One Hundred Mornings or Children of Men). Despite […]
by Brandon Harris on Apr 20, 2011I like live tweeting panels if the panels hold up to the process, and yesterday’s “Directing the Dead 2,” here at SXSW, did. (The funny thing about live tweeting is that people entering mid-stream can become confused — as happened yesterday, I realized, as I tweeted Vikram Gandhi’s comments on religion at the Q&A for his Kumare. I’d write, “Ghandi” before his comments, and several people tweeted me Jesus quotes or passages from the Bible back.) The panelists were James Wan (Insidious), Simon Rumley (Little Deaths), Ben Wheatley (Kill List), Jacob Eisener (Hobo with a Shotgun), Nicolas Goldbart (Phase Seven), […]
by Scott Macaulay on Mar 15, 2011Despite their protestations to the contrary, festival programmers are often a competitive bunch, jostling for not only premieres but status. That’s why SXFantastic, now in its third year, is such a welcome event. A collaboration between SXSW and Fantastic Fest, which unspools its own main event in September, SXFantastic brings Fantastic’s genre smarts and midnight-movie acumen to the South By sprawl. The result is a focused section that has been producing its own fan favorites, critical hits and even industry acquisitions. Last year’s successes included Gareth Edwards’ Monsters and the unlikely pick-up A Serbian Film (which just landed the SITGES […]
by Scott Macaulay on Mar 9, 2011NBC Universal’s Short Cuts Film Festival is now accepting submissions for its 2010 edition. Previously known as “Comedy Short Cuts,” the festival, now in its 5th year, has expanded to include drama, horror, and sci-fi. The deadline for submissions is August 13th. Prizes for finalists include an opportunity to pitch NBC Digital Studios, and the winner will receive a pilot script deal with Universal Media Studios. The semi-finals of this bi-coastal fest will take place in New York in September 2010 and the finals will happen in Los Angeles on October 20. Learn how to submit your short here.
by Jaimie Stettin on Jun 9, 2010Part personal history remembrance, part time capsule of a place, part true crime thriller, Cropsey is an absorbing and terrifying piece of filmmaking. A rough hewn, nine years in the making feature directorial debut for narrative film producer turned documentarian Joshua Zeman and NYC Human Resources Administration’s Deputy Commissioner Barbara Brancaccio, it delves into the disappearances of several handicapped children in their native borough of Staten Island during the ’70s and ’80s. The filmmaker trace their distinctive childhood memories of the events as well as those of dozens of Staten Island residents who live on with this disturbing mystery, many unconvinced—even though […]
by Brandon Harris on Jun 2, 2010The most unlikely act of cultural excavation and redemption, Michael Paul Stephenson’s Best Worst Movie is a hilarious and poignant celebration of not only the communal experience of making and watching movies but the sheer randomness of life itself. The doc is Stephenson’s attempt to find out why a seemingly execrable B-movie he made as a child actor, Troll 2, has garnered a cult following of viewers who not only get off on its badness but also find an odd kind of joy in its screwy storytelling. While Stephenson is present in the film, he smartly chooses as the doc’s […]
by Scott Macaulay on May 12, 2010