Isabelle Huppert
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“It’s Like Clouds Passing in the Sky”: Isabelle Huppert on her Elusive Acting Process (Back to One, Episode 223)
If Isabelle Huppert is not your favorite actor, she’s the favorite actor of someone you know. Guaranteed. There’s something about her that is unlike any other actor that has ever been on film. But it’s really hard to talk about what that “something” is. In each performance, in every film she’s made, she has such a command of the character, the text, the frame, that we place her in equal authorship with the directors she’s worked with, who happen to be some of most interesting and important in the last half-century—Jean Luc-Godard, Michael Haneke, Claude Chabrol, Michael Cimino, Claire Denis, […]
by Peter Rinaldi on Oct 4, 2022 -
“You Give The Other Artist You Work With Individual Space To Be Free”: Ira Sachs On Writing Frankie With Mauricio Zacharias
Ira Sachs will get a lot of the credit for his latest film, Frankie, an ensemble drama with an all-star cast anchored by top-billed Isabelle Huppert, playing an international movie star whos been diagnosed with terminal cancer. Many will call it “Ira Sach’s Frankie” and single him out as its main creator. But just as the film isn’t only about Huppert’s character (Brendan Gleeson, Marisa Tomei, Greg Kinnear play her blended family), Frankie is not just about Sachs. Only one of his features, his 1996 debut The Delta, has been written solo. And four of the rest, Frankie included, have […]
by Matt Prigge on Sep 20, 2019 -
Trailer Watch: Isabelle Huppert in Neil Jordan’s Greta
Isabelle Huppert may well be the hardest working person in movies, with six films released in the past year. Next on the docket is Neil Jordan’s Greta, which premiered a couple months back at TIFF, and looks to lean heavy on the camp. Huppert stars as the titular Manhattanite who lures a younger woman, played by Chloë Grace Moretz, into an insidious game of cat and mouse. Focus Features will release the film stateside in March.
by Sarah Salovaara on Dec 21, 2018 -
Watch: Isabelle Huppert’s IFP Gotham Awards Acceptance Speech
Isabelle Huppert is unquestionably one of the world’s great actresses. She is also, to put it mildly, not known for the warmth or jollity of her roles — she’s played many tough, complicated women utterly unconcerned with being “likable,” and her complex part in Paul Verhoeven’s Elle is no exception. It’s delightful, and completely out of literal character, to see her smiling and laughing in genuine surprise as she accepted the best actress award at last night’s Gothams for the film. “I didn’t expect that to happen, I promise,” she explains. “They all told me, “It’s a very American award, very New […]
by Filmmaker Staff on Nov 29, 2016 -
Examined Life: Mia Hansen-Løve on Things to Come
There are only a few minutes of calm at the beginning of Mia Hansen-Løve’s fifth feature Things to Come. In a prologue two years before the film’s narrative kicks off, philosophy professor Nathalie (Isabelle Huppert) is on seaside vacation with longtime partner Heinz (André Marcon) and children, a stroll reminiscent of the family outing that kicks off her sophomore film, 2009’s The Father of My Children. In both films, this stroll prefigures much strife to come: shortly after Things’ opening, Nathalie — already frayed by the demands of looking after her elderly mother (Edith Scob) — finds out Heinz is […]
by Vadim Rizov on Oct 20, 2016 -
Things to Come Writer/Director Mia Hansen-Løve on Pain, Acting, and Embracing Complexity
After winning the Silver Bear for Best Director earlier this year at her world premiere in Berlin’s 66th International Film Festival, Mia Hansen-Løve brings her latest picture, Things to Come, to the New York Film Festival’s main competition slate on October 14th. Starring Isabelle Huppert in an arresting performance as Nathalie, a Parisian philosophy professor, Hansen-Løve’s film follows Nathalie as she picks up the pieces of her life even as it is disassembling. While her mother is sick, her job is compromised, and her husband is leaving her, Nathalie forges ahead, carving a new, albeit unfamiliar course for her future. In […]
by Taylor Hess on Oct 13, 2016 -
TIFF Critic’s Notebook 0: The Salesman, Aquarius, Things to Come, Elle
This first dispatch cheats a bit, as will the next few: there was an embarrassment of riches this year in NYC as far as pre-TIFF/long-lead screenings go, so I started writing up the festival before actually getting there to give myself a head start — today’s dispatch, hitting before the festival technically kicks off, digs into some of the Cannes/Berlin titles that are crammed into marathon competitive P&I slots on day one proper. This is my first year attending TIFF, and as excited as I am to finally be attending, it’s inevitable that doing daily coverage will take its toll. Local color perhaps […]
by Vadim Rizov on Sep 7, 2016 -
A New Sound, a New Feeling: Writer/Director Joachim Trier on Louder than Bombs
In Joachim Trier’s Louder than Bombs, Isabelle Huppert plays Isabelle Reed, a celebrated war photographer who, three years before the movie begins, has died, not while on assignment but in a car crash just miles from her home in upstate New York. Her absence in the family is very much a presence in the film. She’s seen repeatedly in flashback, and her death — a suicide, the fact of which has kept from her youngest son, Conrad, a withdrawn player of online roleplaying games essayed with compelling sullenness by Devin Druid — is the fulcrum by which the other actors […]
by Scott Macaulay on Apr 9, 2016 -
“People Assume That I am ‘Isabelle'”: Isabelle Huppert on the Metaphysical Desert Drama, Valley of Love
Playing divorced parents embarking on a strange journey into Death Valley, Isabelle Huppert and Gérard Depardieu bring an easy chemistry and rich shared experience to Guillaume Nicloux’s Valley of Love, opening today in the States from Strand. They both play famous actors, one a skeptic and one a life-after-death believer, yoked together on a road trip conceived by their son, who committed suicide in San Francisco several months earlier. He’s written them both letters and given them a map to seven locations, telling them in his posthumously received correspondence that he’ll appear to them at one of the stops. The premise […]
by Scott Macaulay on Mar 25, 2016 -
Two From Rendez-Vous with French Cinema: Valley of Love and Story of Judas
Greeted with predominantly mixed-to-negative reviews at Cannes, Guillaume Nicloux’s Valley of Love — tonight’s Opening Night selection of this year’s Rendez-Vous with French Cinema — hit me so strongly I had to read up afterwards. Whatever the obvious problems with this movie may be didn’t register with me, so reading the notices helped. This isn’t a case of non-arthouse-friendly viewers finding a movie too slow and boring, but there are, I suppose, some obvious hurdles with this film. It starts as naturalism and unexpectedly keeps left-turning into mysticism, turns too jarring and ill-fitting for some (but, by definition, can’t movies turn […]
by Vadim Rizov on Mar 3, 2016
