The FBI can’t prove that North Korea is responsible for hacking into Sony, releasing thousands of documents and confidential company information. So it can’t be said with any certainty that the hack was launched as an official attack on James Franco and Seth Rogen’s forthcoming let’s-assassinate-Kim Jong-un comedy The Interview, although the outraged North Korean government has expressed their approval, stating that “hacking into Sony Pictures might be a righteous deed of the supporters and sympathizers with the DPRK.” Regardless of how it shakes out, what better time to revisit Jim Finn’s peerlessly odd, deadpan take on North Korean propaganda? 2008’s The Juche […]
by Vadim Rizov on Dec 9, 2014James Franco, it seems, spent the majority of his Tisch career translating the lives and work of tormented American poets. There was C.K. Williams with the Tar omnibus, Hart Crane with The Broken Tower and Frank Bidart with the just released Herbert White. Franco and Michael Shannon played lovers in the largely misguided Broken Tower, and here, Shannon, fulfilling his menacing hulk of a persona, prefers dead girls. Franco discusses his adaptation of the Bidart poem with Matt Rager, his co-writer on As I Lay Dying and The Sound In The Fury (Faulkner, being yet another poet of sorts), over at Vice. For those who are largely uninterested in the musings […]
by Sarah Salovaara on Jul 14, 2014Continuing to disprove the assertion that there are 24 hours in a day, prodigious multi-hyphenate James Franco, who has taught at USC, UCLA, CalArts and NYU, and his Rabbit Bandini producing partner Vince Jolivette are launching another new venture: an online course, “Introduction to Screenwriting for Short Films,” on the Skillshare site. Over 30 short video lessons beginning screenwriters will learn the craft by penning an eight-page adaptation of one of three texts: John Steinbeck’s Pastures of Heaven, a story from The Spoon River Anthology, or Sherwood Anderson’s Winesburg, Ohio: A Group of Tales of Ohio Small-Town Life. Right now […]
by Scott Macaulay on Jun 11, 2014This year marks the 25th anniversary of NewFest (September 6-11), kissin’ cousin of LA’s OutFest. Before the acronym LGBT became a more inclusive umbrella for groups stigmatized on account of sexual and gender preference, an earlier incarnation of a queer film event, The New York Gay Film Festival (1979-1987), was the only game in town. Founded by Peter Lowy, it took place at the Thalia cinema, then a film-buff paradise on the Upper West Side, and filled a huge gap for many of us. Distributors were fearful of gay-themed films. Of the selection, recurring topics included coming out and of […]
by Howard Feinstein on Sep 6, 2013In the year of our Lord, 2013, the chances are that if you stand in any one place for long enough, some or other cultural product bearing traces of the involvement of prolific polymath James Franco will drift into your orbit. This general rule of thumb goes treble for festivals, and this year’s Venice has been no exception. Unfortunately (or fortunately, if my festival flatmates’ vituperative reactions were anything to go by) I missed the Franco-directed, necrophilia-laced Cormac McCarthy adaptation Child of God, and I also spotted his name in the written credits, presumably as a talking head, for the […]
by Ashley Clark on Sep 3, 2013While I was in graduate school, many years ago, I wrote a master’s thesis on William Faulkner’s As I Lay Dying and have always loved the novel’s rich layering of the multiple, fragmentary points-of-view. Faulkner used to this technique — which he once described as “thirteen ways of looking at a blackbird” — to depict the Bundren family’s mock epic journey from their little hamlet to the county seat of Jefferson, where they have promised to bury the family’s matriarch, Addie. Because of my knowledge of the novel, I approached James Franco’s adaptation with a great deal of trepidation. Add […]
by Chuck Tryon on May 21, 2013There’s a trend in actor-turned-director helmed films at Cannes this year, an impeccable direction of the people on screen. You can tell there’s a sense of trust and cohesive goal to create something great. One of the clearest examples of this is James Franco’s new feature film, As I Lay Dying, based on the great American classic by William Faulkner, the story of the death of Addie Bundren and her family’s quest to honor her wish to be buried in the town of Jefferson. The vivid characters have come to life on the big screen through Franco’s split-screen filmmaking, led by […]
by Ariston Anderson on May 21, 2013Last year, in order to spotlight the talents emerging from NYU’s graduate film program, students Ash Bhalla and Shandor Garrison created the Purple List, the university’s answer to the Blacklist. The notable success of the 2012 Purple List was Shaka King’s stoner comedy Newlyweeds, which premiered this January at Sundance and was picked up for distribution by Phase 4 Films. The 2013 list was announced this morning, and was chosen by a panel of judges including Sundance Labs’ Rachel Chanoff, IFP’s Amy Dotson, actor Peter Dinklage, filmmaker Karyn Kusama and cinematographer Andrij Parekh. The scripts honored by the 2013 Purple […]
by Nick Dawson on Mar 14, 2013Having established himself as a painter, photographer, and sculptor, Carter continues to expand his art repertoire with his newest feature film, Maladies. After working with James Franco on his directorial debut, Erased James Franco, Carter decided to write another film with Franco in mind. Maladies follows the relationship of a former actor who befriends a family of artists. All equally eccentric, their interactions explore the struggle artists often have with creativity. The movie also stars Catherine Keener, David Strathairn, and Fallon Goodson, who also acted as a producer. Maladies premiered at the Berlin Film Festival in February and makes its North American debut […]
by Alexandra Byer on Mar 12, 2013San Francisco-based gay filmmaker Travis Mathews built his reputation as one of the leading figures in the latest new wave of gay independent cinema on the back of a series of award-winning intimate, confessional documentary films about young homosexual men, In their Room. His first narrative feature, I Want Your Love, explored gay friends negotiating their way towards and through sexual relationships and featured unsimulated sex. His new film, Interior. Leather Bar, co-directed with the actor James Franco, is just as honest in its depictions. This film within a film begins with a re-imagining of the lost 40 minutes of […]
by Julian Hoxter on Jan 19, 2013