You have a killer idea. A great script. Actors or producers that love it. You get it budgeted… then get realistic and drop that number down to something more reasonable. You open an LLC, a bank account, and now you own 100% of nothing but a great idea. If you have representation, you send out your materials to potential financiers in hopes that just one of them tells you an astounding, “Yes!”. But as an emerging feature filmmaker, the odds are not in your favor, especially in an industry that’s relying more and more on pre-vetted IP, in-house development and […]
by Thomas Kim on Oct 13, 2022While streamer-backed productions promise a golden future for a lucky few, for most independent filmmakers these days, it’s more challenging to subsist by making the sort of professionally budgeted, less than $3 million films that used to be hallmarks of the sector. One significant reason, according to producers, is that it’s much more difficult to shoot a nonunion film. IATSE has become a more dominant force in the independent industry, which has consequently expanded budgets well above that number. “I don’t think you can do a union movie for less than $3 million,” says one producer. Although some nonunion shows […]
by Anthony Kaufman on Jul 12, 2021Dear filmmakers, surveillance capitalism is your friend. Like every other thing we purchase nowadays, movies have been subsumed into the new digital economy, where behavioral data, influence campaigns and social media marketing are an integral part of doing business. Morally, you might have a problem with Mark Zuckerberg’s corporate practices, but there’s no getting around the fact that Facebook and Instagram hold some of the most powerful tools to reach people and manipulate their decision-making—including their choice of which movie to see on a given weekend. “It’s definitely been a help for smaller filmmakers,” says Stephen Metzger, director of marketing […]
by Anthony Kaufman on Mar 17, 2020Jim Cummings’ performance in the Sundance winning, one-shot short film Thunder Road was the talk of the indie film world in 2016. Then he turned it into a feature, and it won the Grand Jury Prize at the SXSW Film Festival. Now Cummings has decided to turn down less than thrilling distribution offers and make the risky decision to distribute Thunder Road himself. It was the right move. The film has not even hit American screens yet and it has already made its money back and more. He talks to me about “performing” the script into existence, mastering the long […]
by Peter Rinaldi on Oct 23, 2018“Making movies is really me feeling like I shouldn’t be writing something on Facebook,” Jim Cummings says. “It’s taking that energy and making a short film that can be a timeless thing.” When Topic commissioned the writer, producer, director, actor to make a short film series for the website’s inaugural launch in July, Cummings knew exactly the ideas he wanted to pitch — all subjects dealing with epidemics happening in America that were “going kind of unnoticed.” Within five weeks after meeting Topic Studio’s Nick Borenstein at his SXSW screening of The Robbery, Cummings had not only sculpted his ideas […]
by Taylor Hess on Sep 6, 2017As the 2017 Sundance Film Festival wraps up another edition of high-profile features with notable stars, secret screenings and exorbitant sales, attention must be paid to the less-covered but no less worthy shorts that premiered in Park City last week. Brought together in eight blocks (Animation, Documentary, Midnight, and Shorts Programs 1-5), these films represent an equal mix of prolonged, thought-out narratives and fleeting moments of inspiration discovered on the fly. For better or worse, shorts are often seen as a director’s calling card for upcoming feature work. While that’s all well and good (and I hope further success comes their way!), […]
by Erik Luers on Jan 26, 2017A calling card to showcase proficiency and ambition, a vehicle to find resources for a larger project, or simply the most appropriate, or simply cost effective, way to tell a story, short films continue to be crucial for the development and discovery of emerging storytellers. The lack of access to more substantial budgets and the relative democratization of the medium via new technologies are major reasons why filmmakers continue to rely on short form narratives to fine-tune their craft at a lower risk. Today, festivals are receiving more and more short film submissions, making standing out from the pack increasingly […]
by Carlos Aguilar on Aug 23, 2016Following a heartfelt public campaign to convince Bruce Springsteen — or, perhaps, his battery of lawyers, publishers and master owners — to let him affordably release his short film, Thunder Road, director Jim Cummings prevailed. The result is that this excellent short, fully deserving of Sundance’s Best Short prize, is now screening online, for free. Cummings himself stars as a young man who decides to evoke The Boss while eulogizing his mom at her funeral, and the short is an example of a game-changing work that can make a career. (Cummings is on every agent’s radar now as an actor […]
by Scott Macaulay on Jul 19, 2016“You won a trophy in a bowling alley — get it together!” Thunder Road short film award-winning director Jim Cummings deals with sudden success in this final installment of his video diary series from the Sundance Film Festival. There are parties and drugs, bad behavior in the snow, nods to Kanye and Birdman, and much more. Check it out above.
by Scott Macaulay on Feb 5, 2016In part three of Jim Cummings and team’s video diary documenting their time at Sundance, Thunder Road wins a jury prize! But before that, there’s more anxiety about networking to get through, both before and after the awards. Part one is here, part two is here.
by Vadim Rizov on Feb 1, 2016