Kickstarter
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KICKSTARTER: MATT PORTERFIELD’S “I USED TO BE DARKER”
What do you do when your first Kickstarter campaign, which included a heartfelt personal direct-address video, has been cited as one of the best, and most successful, indie film ventures on the crowdfunding site? Well, you mix it up a bit for the next one. Putty Hill director Matt Porterfield is raising money for the production of his new feature, I Used to be Darker, which is shooting in three weeks. It’s a drama about marriage and divorce, and it’s set within the Baltimore music industry. Here’s the synopsis: When Taryn, a Northern Irish runaway, finds herself pregnant in Ocean […]
by Scott Macaulay on Jul 15, 2011 -
The Microbudget Conversation: Call To Arms
Our last few posts have really sparked a great conversation and it seems to be one of definition. Not just of micro’s structure, but definition of our stance on art vs. commerce, and our perspective of micro’s purpose. A while back I made a half-joke on this column that someone should write a manifesto for micro-budget filmmakers. The more I thought about what it would contain, the more I realized I was writing one of my own. I immediately contacted one of our column alums Jamie Heinrich. Jamie is in the process of financing and shooting his next feature via […]
by John Yost on Jun 15, 2011 -
KICKSTARTER: IRA SACHS’ “KEEP THE LIGHTS ON”
Sundance Grand Prize-winning filmmaker Ira Sachs (40 Shades of Blue) is fundraising for his new feature, Keep the Lights On, through Kickstarter. Here, from his Kickstarter page: I began working on Keep the Lights On with my co-writer Mauricio Zacharias because we were both frustrated by how few films exist that reflect life as we have known it as gay men living in New York City. I also wanted to make a very personal film, in the vein of some of the filmmakers that I have most loved, artists like Jean Eustache, Jacques Nolot, Chantal Akerman, and that great film-memoirist […]
by Scott Macaulay on May 24, 2011 -
JAY DUPLASS TALKS KEVIN GANT
While I usually avoid Q&As (due to my impatience with too many audience members making statements rather than asking actual questions) I’m glad I stuck around after the screening of Jay Duplass’s short biopic Kevin, if only to meet the doc’s admirable director and arrange for an interview later. Unlike other filmmakers attending this year’s Arizona Int’l Film Festival, Duplass wasn’t in Tucson to publicize his film, per se, so much as to promote its subject Kevin Gant (who also showed up to treat us to a post-screening acoustic set), the Duplass brothers’ musical hero in the early ’90s who […]
by Lauren Wissot on May 20, 2011 -
KICKSTARTER: “BE LIKE AN ANT”
Rocks. That’s what you get when you support Mike Plante’s hour-long portrait film, Be Like An Ant. But they aren’t just everyday rocks. They are rocks from underneath the subject of the film’s home, and he has selected, polished and cut them. Here’s how Plante describes his project: The story: Post-Vietnam, Paul bought a trailer for his family to live in. Annoyed by how bad living inside a mobile home during winter could be, he took matters into his own hands and started to build a house – around the trailer. He never made any blueprints. As the house took […]
by Scott Macaulay on Apr 25, 2011 -
KICKSTARTER: “IN THE FOREST ONE NIGHT”
A number of former “25 New Faces” are involved with the production of Sarah Daggar-Nickson’s short film, In the Forest One Night. They include the cinematographer Sean Kirby and executive producers Lars Knudsen and Jay Van Hoy. Also involved are producers Tory Lenosky and Andrea Roa, and production designer Amanda Ford. Rewards include the director’s own DVDs and books of poetry, and a pitch-meeting with the two exec producers. According to her Kickstarter bio, Daggar-Nickson “specializes in stories from the darker side of life, where hope shines a little brighter.” I like that. Check out the video and consider supporting.
by Scott Macaulay on Apr 25, 2011 -
OPEN SOURCE FILM TOUR – OR HOW I’M TRYING TO SPARK A POPULIST FILM MOVEMENT
“You have no idea what you’ve created, and how many people this will help” I was wrapped in warm embrace with a woman I had just barely met when she whispered this sentence into my ear. We were standing in the lobby of the Egyptian Theater in downtown Boise, Idaho where my film, JENS PULVER | DRIVEN, had just let out after a lengthy and fairly emotional Q&A with me and Jens Pulver, the subject of my film. This surprising interaction was the first of many that night, and one that came as quite a shock to both myself and Pulver. I […]
by Gregorybayne on Apr 4, 2011 -
DUSTIN GUY DEFA’S “BAD FEVER”
Screening Times: Friday March 11th, 8:45pm (Alamo Lamar B), Monday March 14th 4:00pm (Alamo Ritz 2), Thursday March 17th, 3:00pm, (Rollins Theatre) SXSW stalwarts Kentucker Audley and Eleonore Hendricks star in Bad Fever, the debut from Brooklyn-based newcomer Dustin Guy Defa about the wistful, misbegotten almost, but not quite love affair between a couple of drifters, one of whom seems to videotape everything she does with an antiquated video camera. Filmmaker: How did you first conceive of Bad Fever? Defa: I was in the middle of writing a different screenplay and working as a carousel operator. One night this couple […]
by Brandon Harris on Mar 11, 2011 -
WHAT’S IN MY INSTAPAPER: SUNDAY MORNING LINKS, 1/9/11
Here are some articles of interest I’ve sent to my Instapaper this week. At Script Shadow, Carson Reeves lists the 10 ways he knows he’s reading an amateur script. All of these are quotable, but here’s one: BORING ON-THE-NOSE DIALOGUE – This is probably the biggest clue that you’re dealing with an amateur. The dialogue is really straightforward and boring. Characters say exactly what they mean: “You make me so angry!’ Characters get way more specific than people in real life would: “I’m going to head over to get a cheeseburger at Portillo’s and then call my mom.” (instead of […]
by Scott Macaulay on Jan 9, 2011 -
A COME-FROM-BEHIND, 9TH INNING KICKSTARTER WIN
It’s 12:01 as I type this, and Lucas McNelly’s Kickstarter project “A Year Without Rent” has just closed out its successful campaign, raising $12,178 from 243 backers — $178 over the project’s goal. What’s absolutely remarkable about the project’s success is that the great majority of its money — over 75% — was raised in the final days and hours of the campaign. Now, come-from-behind Kickstarter successes are not that uncommon as many filmmakers line up backers ready to cinch their campaigns with large, last-minute donations. But I don’t think that’s what McNelly pulled off. In fact, looking at the […]
by Scott Macaulay on Jan 8, 2011
