Lixin Fan
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The POV Conversation: Lixin Fan and Stephen Maing on Telling a Story
Last year, to celebrate POV’s 25th anniversary, Filmmaker organized a series of conversations between documentary directors whose work had been featured on the PBS non-fiction showcase. This year, we continue this series with a fascinating discussion between Stephen Maing — whose debut feature on Chinese citizen bloggers, High Tech, Low Life, is currently streaming for free on the POV website — with Lixin Fan, the Chinese filmmaker whose Last Train Home, an intimate portrait of a fractured family of migrant workers in China, won him great acclaim in 2009. In the conclusion of this five-part discussion, the two discuss how to construct a story through intimacy. High […]
by Filmmaker Staff on Jul 26, 2013 -
The POV Conversation: Lixin Fan and Stephen Maing on the Filmmaker and the Subject
Last year, to celebrate POV’s 25th anniversary, Filmmaker organized a series of conversations between documentary directors whose work had been featured on the PBS non-fiction showcase. This year, we continue this series with a fascinating discussion between Stephen Maing — whose debut feature on Chinese citizen bloggers, High Tech, Low Life, is currently streaming for free on the POV website — with Lixin Fan, the Chinese filmmaker whose Last Train Home, an intimate portrait of a fractured family of migrant workers in China, won him great acclaim in 2009. In the fourth segment of this five-part discussion, the two documentarians discuss the co-dependent relationship between the filmmaker […]
by Filmmaker Staff on Jul 25, 2013 -
The POV Conversation: Stephen Maing and Lixin Fan on the Importance of Unpredictability
Last year, to celebrate POV’s 25th anniversary, Filmmaker organized a series of conversations between documentary directors whose work had been featured on the PBS non-fiction showcase. This year, we continue this series with a fascinating discussion between Stephen Maing — whose debut feature on Chinese citizen bloggers, High Tech, Low Life, is currently streaming for free on the POV website — with Lixin Fan, the Chinese filmmaker whose Last Train Home, an intimate portrait of a fractured family of migrant workers in China, won him great acclaim in 2009. In the third of this five-part discussion, the two filmmakers discuss how unforeseeable circumstances have contributed to their documentary films. […]
by Filmmaker Staff on Jul 24, 2013 -
The POV Conversation: Stephen Maing and Lixin Fan on Discovering Documentary Filmmaking
Last year, to celebrate POV’s 25th anniversary, Filmmaker organized a series of conversations between documentary directors whose work had been featured on the PBS non-fiction showcase. This year, we continue this series with a fascinating discussion between Stephen Maing – whose debut feature on Chinese citizen bloggers, High Tech, Low Life, is streaming for free on the POV website from today – and Lixin Fan, the Chinese filmmaker whose Last Train Home, an intimate portrait of a fractured family of migrant workers in China, won him great acclaim in 2009. In the second of this five-part discussion, the two discuss […]
by Filmmaker Staff on Jul 23, 2013 -
The POV Conversation: Stephen Maing and Lixin Fan on Growing Up with Film
Last year, to celebrate POV’s 25th anniversary, Filmmaker organized a series of conversations between documentary directors whose work had been featured on the PBS non-fiction showcase. This year, we continue this series with a fascinating discussion between Stephen Maing – whose debut feature on Chinese citizen bloggers, High Tech, Low Life, airs tonight on POV – with Lixin Fan, the Chinese filmmaker whose Last Train Home, an intimate portrait of a fractured family of migrant workers in China, won him great acclaim in 2009. In the first of this five-part discussion, the two discuss their early cinematic experiences. High Tech, […]
by Filmmaker Staff on Jul 22, 2013 -
“LAST TRAIN HOME” | director, Lixin Fan
[PREMIERE SCREENING: Saturday, Jan. 23, 12:00 pm — Screening Room, Sundance Resort] The most difficult decision I had in the making of Last Train Home is one that spans from shooting ground to editing room. It was at the painful moment when the crew and I witnessed the father become frustrated and hit his daughter right after they arrived at their village home before New Year’s Eve. To film or not to film? The ultimate question in documentary filmmaking was being put in front of me. In a filmmaking sense, this was a rarely intense moment, which revealed incredible personalities […]
by Jason Guerrasio on Jan 23, 2010
