Nandan Rao
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In Conversation: The Second Annual Treefort Film Festival
About halfway through my viewing at the Treefort Film Festival – predominately spent lounging on burlap sacks and church pews, repurposed for the inside of a tent – an anomalous, entirely welcome, framework began to take shape. At most regional festivals, the program tends to be a rather mixed bag, with titles culled from disparate, big name destinations, void of the necessary context for a non-industry crowd. But at the Boise-based, 2nd annual Treefort, the relatively compact, thoughtful selection of shorts and features appeared to be in constant dialogue with one another. Take, for instance, the standing-room-only double feature of Scott Cummings’ Buffalo […]
by Sarah Salovaara on Apr 3, 2015 -
Nandan Rao’s Second Feature Hawaiian Punch Available Online
Following in the footsteps of his debut The Men of Dodge City, Nandan Rao has released his second film Hawaiian Punch for free on Kentucker Audley’s No Budge site. (Just because Kentucker is no longer making independent films, doesn’t mean he can’t afford to support them.) The 66-minute tropical excursion tracks two Mormons (Nicholas Boissonneault, Tor Kristian Anestad) through quotidien, Minimalist circumstances. Though Rao runs Simple Machine, which connects filmmakers with theatrical screening opportunities, at least a fraction of his loyalties appear to lie online.
by Sarah Salovaara on Mar 4, 2014 -
Simple Machine to Award Micro-Festival Grants
Simple Machine, the online distribution platform connecting filmmakers to non-theatrical venues, is offering quarterly $1,000 grants to new small, innovative film festivals. “How can we more fully explore the possibilities of hyper-local events designed to create an effective context for contemporary cinema?” asks Simple Machine’s creator, Nandan Rao, in a statement. “How can we push the film-festival concept into smaller, more intimate nooks and crannies in our societal fabric? What new terms are needed to describe the formats of communal movie watching that resonate with us today? These are the questions we’re hoping our grant-winners will help to answer.” The […]
by Scott Macaulay on Mar 3, 2014 -
Nandan Rao on The Other Men of Dodge City
The following interview took place after 2013 “25 New Face” Nandan Rao had seen for the first time The Other Men of Dodge City, a re-edited version of his own movie The Men of Dodge City cut by fellow 2013 “New Faces” Pete Ohs and Andrea Sisson. The film debuts on NoBudge from Wednesday February 19 at 7pm. You can read Ohs and Sisson’s take on the film here. Filmmaker: What was your reaction when Pete and Andrea first got in contact with you? Do you remember what their pitch was in terms of what they wanted to do? Rao: We have a mutual friend who […]
by Nick Dawson on Feb 19, 2014 -
Andrea Sisson and Pete Ohs on The Other Men of Dodge City
The following was written by 2013 “25 New Faces” Andrea Sisson and Pete Ohs in advance of the first screening of their film The Other Men of Dodge City, a re-edited version of The Men of Dodge City by fellow 2013 “New Face” Nandan Rao. The film plays on NoBudge from Wednesday February 19 at 7pm. Check back tomorrow for Rao’s response to seeing the reworking of his film for the first time. First and foremost, Nandan’s eye is a force to be reckoned with. When we first saw The Men of Dodge City, we laughed at the snail’s pace and non-existent […]
by Andrea Sisson and Pete Ohs on Feb 18, 2014 -
Start Showing Movies: A Call to Arms
Filmmaker and cinematographer Nandan Rao co-founded Simple Machine, an online distribution platform that connects filmmakers with non-theatrical exhibition venues. In this guest editorial, he advocates that we stop looking to others for our exhibition opportunities and invent them ourselves. — SM We Don’t Fit Into Their Business Model “The arthouse theater” is a business like any other and right now it obviously can’t afford to promote new and challenging independent cinema, not in the face of made-up fees and conversion expenses implemented by bigger, sneakier businesses. Their primary concern is getting bodies into seats and keeping the silver-haired donors happy […]
by Nandan Rao and Zach Weintraub on May 29, 2013 -
A Hidden Gem in Eastern Oregon
La Grande, Oregon, is the country’s largest fully enclosed valley and the second largest in the world. The geographical term for this is a continental depression, but there is absolutely nothing depressing about the incredible mountain views that dominate just about every conceivable vantage point in this quintessentially Western town. The same could be said for La Grande’s extraordinary Eastern Oregon Film Festival, which unspooled its fourth event in five years this past weekend. Captained by Christopher Jennings, who unlike many ambitious young locals has stayed in this former gold-mining, sugar-processing and lumber mill town of just over 13,000, the […]
by Brandon Harris on Mar 8, 2013 -
Photos and Notes from the Maryland Film Festival
The Maryland Film Festival, which wrapped its 2012 edition on Sunday, is one of the East Coast’s most intimate and engaging film events. With 40 features, over 70 shorts and an amazingly healthy contingent of loyal filmmakers annually making the trip to Baltimore, Maryland functions as both a discovery festival and friendly pit stop for directors on the independent circuit. John Waters hosts a movie — this year Barbara Loden’s seminal and still influential Wanda — and takes the audience out partying afterwards; the Opening Night consists of shorts, not some star-bloated, sub-standard mini-major feature; and, for the second year […]
by Scott Macaulay on May 11, 2012
