Léa Seydoux was a talented young French actor when she reached planet-wide stardom with her incredible performance in Blue Is The Warmest Color (she even shared the Palme d’Or at Cannes, which had never been awarded to actors before). Since then she has invaded Hollywood, starring in James Bond movies and Wes Anderson films, but also continuing to turn in exceptional performances for international directors like Yorgos Lanthimos, Arnaud Desplechin, Ildikó Enyedi, and, for her latest film, France, Bruno Dumont. In this episode, she talks about the “sweet craziness” of working with Dumont, the importance of learning the “language” of […]
by Peter Rinaldi on Dec 10, 2021Looking back at Scott Speedman’s work in the early days of Felicity is a bit surprising. His acting had a wonderfully nuanced authenticity even then. Two decades later, that natural artistry has grown into a charismatic intensity and assuredness. It’s on display this year in the third season of You, the eighteenth season of Grey’s Anatomy, and the charming indie film Best Sellers. When we spoke he had just wrapped films with David Cronenberg and Lena Dunham. He talks about working with those two very different directors, the secret to good onscreen chemistry, how fatherhood might deepen his work, and […]
by Peter Rinaldi on Dec 7, 2021Rebecca Wisocky plays Hetty Woodstone, the deceased Lady of the Manner, on the new CBS series Ghosts, where she’s a stand-out among stand-outs in its impressive comedy ensemble. In this episode, she talks about the absolute pleasure of working on that set and the interesting ways in which the large cast, who more often than not act together in the same shot, find the “music of the scene” together. She has pretty much mastered the art of the guest star role, and has played more than her share of villains. I get her to breakdown her latest in a recent […]
by Peter Rinaldi on Nov 30, 2021Ruth Negga loves words. And even someone who doesn’t particularly love words falls in love with the ones spoken by Ruth Negga. It’s not just her Irish accent. She uses words like a master craftsman uses tools. A profound humbleness. No pretension. Just the right tool, used at the right time, to make you understand, to make you believe. Obviously this goes for her acting work too. But, in true master-craftsman-style, there’s no sign of craft. You just believe. Loving got her an Academy Award nomination, her Hamlet got raves on both sides of the pond, and now Passing, Rebecca […]
by Peter Rinaldi on Nov 9, 2021After 30 years in the business, with credits ranging from Angels in America to the Harry Potter films and everything in between, Jason Isaacs has cultivated an approach to the craft of acting aimed at bringing himself fully into the moment. As he talks about in this episode, that approach involves not memorizing his lines, erasing all descriptors in the script, making no decisions before seeing what the other actors bring. “I try to do nothing. I try to be an empty vessel.” In Fran Kranz’s Mass—a real-time, one-room, four-hander where every actor shines—Isaacs plays a father of a child […]
by Peter Rinaldi on Nov 2, 2021He already had an Olivier Award for his amazing performance as Miss Trunchbull in Matilda when Bertie Carvel made his Broadway debut in that unforgettable role. He went on to win a Tony the next time he stepped on the New York stage, playing a young Rupert Murdoch in Ink. Notable recent television credits include the BBC series Jonathan Strange & Mr. Norrell, Doctor Foster, and in November he stars in Dalgliesh on Acorn TV. In this hour, I get him to reflect objectively about his process and philosophically about acting in general. He talks about why collaboration (or even […]
by Peter Rinaldi on Oct 26, 2021Phantom Thread solidified Vicky Krieps as an acting force to be reckoned with. Her incredible performance in that film felt new, like a beginning of sorts. Her latest is Mia Hansen-Løve’s Bergman Island. She talks about figuring out ways to turn the difficulties of that production into opportunities to create something magical. Plus she gives us a glimpse inside her process-less process, made up of deconstruction, openness, acceptance, listening, embracing chaos, exploding the method, living with failure, holding space for the unknown, and letting intuition lead the way. Back To One can be found wherever you get your podcasts, including […]
by Peter Rinaldi on Oct 19, 2021Noomi Rapace returns to the podcast (first time: Ep. 43) to talk about her new film, the atmospheric, slow-burn thriller Lamb. Set in Iceland, which Noomi knows well from her childhood, the film’s landscapes feel almost like supporting characters. She talks about using the emotions they brought up in her, and the delicate way she entered grief into the performance. After I share my embarrassing animal parenting story, Noomi matches it, and illustrates why it was not hard at all to make her motherly love for the lamb baby believable. She schools us on the importance of not sticking to […]
by Peter Rinaldi on Oct 12, 2021Julia Ducournau’s new film Titane is, on many levels, an overwhelming cinematic experience. If you’re like me, it might take a second viewing to begin to fully appreciate the astounding work Agathe Rousselle and Vincent Lindon deliver (no pun intended) to us in this film. Lindon is a seasoned actor with decades of accolades and experience in French cinema, and Rousselle is a wet-behind-the-ears newcomer making her feature film debut. But, serendipitously, as you’ll gather from this discussion, that is precisely what each of them needed in the other to energize their own performances. They talk about facing fears, letting […]
by Peter Rinaldi on Oct 5, 2021Tom Skerritt is the very definition of a veteran actor. MASH, Alien, Steel Magnolias, Top Gun, A River Runs Through It, and countless other supporting credits in films and television grace his esteemed resume, plus an Emmy for Picket Fences. But never a lead role in a feature film! Until now. East Of The Mountains just might be 88-year-old Tom Skerritt’s best work on the screen. It’s an assured, vulnerable, simple yet extremely powerful performance, utilizing, as he describes in this episode, his “less is more” approach to acting. He talks about what he learned mentoring with Robert Altman and […]
by Peter Rinaldi on Sep 28, 2021