The last time I saw Seattle, Barack Obama was a president-elect. I arrived November 2008 on a road trip with two close friends, both of whom had worked full-time to get Obama elected. The trip had a practical function — to help one of them move to L.A. — but in earnest it felt like a victory lap. We traveled through Denver, Missoula and Vancouver before reaching Seattle, our last stop as a trio. We celebrated Thanksgiving in the city. We caught a screening of Rachel Getting Married, Jonathan Demme’s ode to a multicultural America. With the end of the […]
by Soheil Rezayazdi on Jun 2, 2018I normally go to the Seattle International Film Festival towards the end, when the festival hosts its largest contingent of industry types and you get to go to the top of the Space Needle, where the annual awards brunch is held, for free. As an out-of-towner, it’s necessary to focus on a weekend or two; Seattle’s is the country’s largest festival by sheer volume of films, screening exactly 400 this year, so it’s clearly impossible to see a significant chunk of the program — even if you decided to stay for the fest’s entire entire three-and-a-half week duration. Of the […]
by Brandon Harris on Aug 8, 2017By the time most of the prominent guests, critics and industry hangers-on arrive at the Seattle International Film Festival every year, the show is almost over. The red carpet is rolled out for “gala” screenings during each of its four weekends, but the well-orchestrated influx of movie business types occurs only at the end of the affair. To say, as a visiting film critic — one who might enjoy the luxury of the Kimpton hotel guest lodging, or the effortless springtime beauty of the Emerald City — that you have any handle on the entirety of programming director Beth Barrett’s […]
by Brandon Harris on Jun 24, 2016The 41st Seattle International Film Festival ran for 24 days. To put that in context, it began one day after Cannes and remained in full effect for two weeks after the red carpet was rolled up on the Croisette. Arriving to such a long-running event for the closing weekend had the effect of making me feel like a cinephile-come-lately, an outsider there to scavenge the crumbs of a very elaborate cake. It also made writing a summation of the nearly month-long affair feel like a fool’s errand: 450 films comprised SIFF’s program this year; I saw approximately 1% of them. […]
by Michael Nordine on Jun 16, 2015IFP Deputy Director and Head of Programming Amy Dotson gives a keynote (or not!) speech today at the Seattle International Film Festival’s Catalyst brunch. She has kindly provided the text to Filmmaker, which we are printing below. You are not a filmmaker. “The Treachery of Images” was a painting by Belgian surrealist Rene Magritte. The picture he painted was simply of a pipe, with a rally cry of a scrawl below it reading: “This is not a pipe.” His paintings were an attempt to understand the impossibility of reconciling words, images and objects and challenged the very notion of what […]
by Amy Dotson on May 30, 2015At film festivals worth their metaphorical salt (or just the free labor the volunteers put into them), there is too much to see, too much to do. Your existential clock gets real prominent: time is going to run out and you’ll inevitably have missed most of the fun. You try to make four screenings a day but make three if you’re lucky and two if you’re acting like a relatively normal human, one who tries to consume food at a pace that doesn’t upset the stomach. That 10 am panel sounds real promising until you get wasted the night before […]
by Brandon Harris on Jun 11, 2014After ten years of being the scrappy little guy to the Seattle International Film Festival’s big kahuna, the Seattle True Independent Film Festival has run its course — which is exactly why I decided to visit the tech-addicted city (as a guest of the fest) to check out the outgoing underdog. Rather than pluck along as second fiddle for another 10 years, STIFF has done what I wish more regional festivals would do: rebrand for the future. As of this year STIFF now stands for the Seattle Transmedia Independent Film Festival, putting the focus squarely on “web series, video game […]
by Lauren Wissot on May 28, 2014Closing this past weekend with the North American premiere of Sofia Coppola’s The Bling Ring, a rousing if troubling film from the talented poster child of Hollywood nepotism, the Seattle International Film Festival ended another stellar edition in appropriately laidback style for this sneakily large, aesthetically pleasing, generally all-too-inviting, pot-positive town. SIFF is a mammoth event, a well-oiled machine, smartly run and elegantly programmed; if there is a festival with a more devoted community of volunteers and board members, cultish cinephiles and casual participants making it into a unique and unusual thing, I don’t know of it. More on that […]
by Brandon Harris on Jun 11, 2013On still mornings in the “Windy City,” a select few people can be seen careening down the high rises that mark Chicago’s skyline. While the buildings they descend contain people waking up for their daily routines—or the destinations of such routines—these men are living out their routines. In the short documentary Paraíso (Paradise), newcomer Nadav Kurtz delves into the lives of three Mexican immigrants working as window washers in Chicago. The film, which won Best Documentary Short awards at this year’s Tribeca International Film Festival and the Seattle International Film Festival, portrays a segment of the workforce for Chicago’s largest […]
by Daniel James Scott on Jun 18, 2012When you go to the Seattle International Film Festival, you hear often that it is the largest, most highly attended film festival in the United States. 460 Films! 25 Days! 70 Countries! 160,000 attendance! Bigger is better! However, as I learned during the dying days of this year’s event, what makes SIFF one of the country’s more interesting festivals isn’t its size per se. Sure, other than pre-Rutger Wolfson Rotterdam, I can’t think of a festival that has approached this level of sprawl. So one can with relative fleetness dispense with the “this is my grand theory of modern cinema in […]
by Brandon Harris on Jun 12, 2012