Star Wars
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David Lynch, Breitbart and Star Wars: Episode IX—The Rise of Skywalker
I was reading Room to Dream, David Lynch’s memoir-of-sorts, on the way to Star Wars: Episode IX—The Rise of Skywalker. For Lynch, writes his biographer/interlocuter Kristine McKenna, “The 1950s have never really gone away […] classic rock ‘n’ roll; diner waitresses wearing cute little caps; girls in bobby sox and saddle shoes, sweaters and pleated plaid skirts—these are elements of Lynch’s aesthetic vocabulary.” It then occurred to me to check whether Lynch and George Lucas are contemporaries, which they are (born 1/20/46 and 5/14/44, respectively). For Lynch, these images are eternally recurring, whereas Lucas got them out of his system exactly once, in American […]
by Vadim Rizov on Dec 18, 2019 -
Toy Story and Little Miss Sunshine Screenwriter Michael Arndt on How to Craft Good Beginnings and Endings
As with life, beginnings are easy but endings are hard. At least, that’s what one might take away from the two very different running times of videos screenwriter Michael Arndt (Toy Story, Little Miss Sunshine) has posted about these crucial elements of any movie. His “beginnings video” runs eight minutes while his video on endings has a whopping feature-length running time! Using three films as his examples — Star Wars, The Graduate and Little Miss Sunshine — Arndt talks about internal and external conflict, philosophical resolutions and much, much more. As the screengrab above illustrates, Arndt is heavy into structure, […]
by Scott Macaulay on Jul 8, 2018 -
A Spoiler-Free Review of Rian Johnson’s Star Wars: Episode VIII — The Last Jedi
When The Force Awakens came out, I was totally fine with it; judging by IRL/online post-screening reactions, Rian Johnson’s The Last Jedi is going to be broadly received as definitely better, possibly great. (That’s the “objective” opinion fanboy types say they’re looking for when angrily commenting on reviews disparaging their favorite properties.) Meanwhile, I had a strange experience, asking myself throughout why I wasn’t having a better time. Making a new Star Wars film is both hard (big production, managing continuity within the greater franchise universe, executing coherent and hopefully exciting action sequences) and not: almost everyone showing up will have some […]
by Vadim Rizov on Dec 12, 2017 -
On Being an Independent Filmmaker and Watching Star Wars: The Force Awakens Six Times
Like a lot of people, I went to see Star Wars: The Force Awakens when it opened in December. By my fourth screening, I started to feel embarrassed. By my sixth, I was at peace again. Most times, I went with combinations of family and friends (though that third screening was definitely solo) because Star Wars had helped shape these relationships years ago. Just as important, it was the series that hooked me and so many of us on filmmaking. In 1983, PBS aired From Star Wars to Jedi: The Making of a Saga during their December telethon. I was […]
by Tom Quinn on Feb 8, 2016 -
“We’re Making Fat Cells, Arteries, and a Heart:” Bill George on Innerspace
Today teenagers interested in the world of special effects are a few tutorials and some affordable software away from getting their feet wet. In 1977, the requirements were a bit more elaborate. It involved woodshop, sheets of styrene, and maybe a few surreptitious pictures taken at a screening of Star Wars. That’s how a teenaged Bill George got his start – making models from scratch dedicated to George Lucas’s space opera. Four years later, George was working on the crew of Return of the Jedi. Now in his 33rd year at Industrial Light & Magic, George has been a part […]
by Matt Mulcahey on Sep 16, 2015 -
Trailer Watch: Star Wars: The Force Awakens
It’s the reboot round two. A year in advance of its December release, Disney has given us the first glimpse of the 7th episode in the Star Wars series, The Force Awakens. Directed by J.J. Abrams, the film picks up 30 years after Return of the Jedi. There’s not a whole lot to glean from, but presumably enough to get the diehards excited.
by Sarah Salovaara on Nov 28, 2014 -
Save the Baby! On the Benefits of the Three-Act Screenplay Structure
Poor old three-act structure. It gets hammered away at, like an old punching bag, every time someone wants to challenge the primacy of the formulaic Hollywood screenwriting methods. “Take that! You follow-the-dots, color-within-the-lines, stodgy old armature!” Poor, poor three-act structure. So much to offer. So misunderstood. What if I were to tell you that in the 2,500-year history of Western dramatic literature, three-act structure is actually a radical new innovation? What would you think if I also said that its radical impact, towards the end of the 19th century, was to finally free dramatists from a highly proscriptive, closely dictated […]
by Jennine Lanouette on Nov 19, 2014 -
Did George Lucas Mastermind an Illegal Wage-Fixing Conspiracy?
A class action lawsuit alleging that a group of Silicon Valley companies, including Google, Apple, Pixar, Intuit and Intel, conspired to fix the wages of computer engineers has been cleared to proceed by the 9th Circuit Court of Appeals. Writes Mark Ames at Pandodaily, “…Apple’s Steve Jobs sealed a secret and illegal pact with Google’s Eric Schmidt to artificially push their workers wages lower by agreeing not to recruit each other’s employees, sharing wage scale information, and punishing violators.” The suit is the result of a 2010 Obama Department of Justice anti-trust investigation. Pando has extensive details and has also […]
by Scott Macaulay on Jan 25, 2014 -
“Don’t Go Through The System”: John Singleton Talks in Toronto
John Singleton was raised on silent movies. The 45-year-old director of Boyz in the Hood and the Shaft remake grew up next to the Century Drive-In in Inglewood, California. As a boy, he’d literally peek out his window and watch his heroes Bruce Lee and Billy Jack‘s Tom Laughlin battle on-screen without sound. “The first breast I saw was Pam Grier’s,” Singleton confessed to a rapt audience at Toronto’s TIFF Bell Lightbox Tuesday night, hosted by director Clement Virgo as part of the city’s Black History Month celebrations. “Every time I see Pam Grier I tell her, ‘You made me want […]
by Allan Tong on Feb 14, 2013 -
UPDATES TO OUR CURATED KICKSTARTER PAGE
I just added several projects to Filmmaker‘s curated Kickstarter page. They include Galileo, a cool new device that adds remote control functionality to your iPhone; The Miracle Mile Paradox, an ARG (alternate reality game) set in both viritual space as well as L.A.’s museum strip; The Man’s Guide to Love, a fiction feature film developed from the filmmaker’s two-year old website containing short-form doc content on men in love; The First Hope, a UCLA film student’s short about a young boy’s romantic life beginning when he sees Luke Skywalker and Princess Leia kiss; Brendt Barbur’s The Commentator, a doc featuring […]
by Scott Macaulay on Mar 25, 2012
