Streaming
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“The Term ‘No-Budget Can Be Tricky… It’s More Important as an Attitude or Ethos…” Kentucker Audley on NoBudge’s New Streaming Platform
NoBudge, the website devoted to ultra-low-budget and truly independent short films, recently launched a major new expansion of the organization’s mission and business: a subscription-based streaming platform that combines films from its collection with new shorts, features and music videos uploaded daily, many of which are exclusive to NoBudge. With Apple TV, Roku, Amazon Fire TV, iOS and Android apps, NoBudge costs $5.99 a month, and 60% of revenues flow back to filmmakers. One of the most remarkable elements of the NoBudge story is that over its history founder Kentucker Audley — selected for Filmmaker‘s 25 New Faces series in […]
by Scott Macaulay on May 11, 2021 -
Criterion Collection to Launch Their Own Streaming Channel Post-FilmStruck
Some good news for those crushed by the looming demise of FilmStruck: The Criterion Collection, a major part of the cinephilic streaming site that’s coming to an end on Nov. 29, will be launching its own freestanding service. Their solo venture is scheduled to go live in spring of 2019, and it will act much as it did on its FilmStruck channel, with thematic programming, spotlights, retrospectives, supplemental features, double features and guest introductions. Those interested in signing up as a “charter member” — meaning you’ll be notified when the service is officially launching and receive a subscription at a […]
by Matt Prigge on Nov 16, 2018 -
BitTorrent Launches BitTorrent Now with Streaming Option for Creators
BitTorrent Bundle will re-launch as BitTorrent Now, extending the platform with new streaming apps for Apple TV, iOS, and Android, as well as introducing advertising as a new revenue stream for creators, BitTorrent announced today. Straith Schreder, BitTorrent’s VP of Creative Initiatives, who has been the principal driver of this initiative, told Filmmaker, “we wanted to build a platform with the ability for creators to connect with their audience no matter where they are in the world. So being able to bring their project to what’s now an audience of 200 million passionate fans of indie film and indie music and to be able […]
by Paula Bernstein on Jun 23, 2016 -
TCM and Criterion Partner on FilmStruck, Streaming Service for Cinephiles
If Netflix, Hulu, Amazon, and Fandor aren’t satisfying your cinematic cravings, you’re in luck. Turner Classic Movies has partnered with Criterion Collection on FilmStruck, a new subscription-based streaming service which will feature hundreds of contemporary and classic arthouse, indie, foreign and cult films from both independent and Hollywood studios. It will also be the exclusive streaming home for Criterion Collection, which, until now, has been exclusively available at Hulu and Fandor. FilmStruck’s library will feature a deep roster of films from such independent distributors as Janus Films, Flicker Alley, Icarus, Kino, Milestone and Zeitgeist, along with movies from Hollywood’s major movie studios including […]
by Paula Bernstein on Apr 26, 2016 -
“Giving Access Back to the People”: Fandor CEO Ted Hope on FIX and the Festival Alliance
Back in July, Fandor announced the implementation of two new initiatives, FIX and the Fandor|Festival Alliance. The former aggregates the work of over a hundred participating filmmakers, fostering audience interaction, while the latter assists festivals with technological services and highlights their programming. When I spoke to Fandor CEO Ted Hope last week, in what I deemed a belated inquiry, he appropriately countered that there is no such thing in the digital era. “Nothing is grounded as this is how it is, it’s constantly being iterated. What we launched with is not where our goal is,” he said of FIX. In our […]
by Sarah Salovaara on Sep 9, 2014 -
Streaming More Eco-Friendly Than DVDs, Study (Sort Of) Says
A study published last week in the journal Environmental Research Letters under the self-explanatory title “The energy and greenhouse-gas implications of internet video streaming in the United States” looks at numbers from 2011 to conclude that streaming services and servers have become much more energy efficient. As a result, streaming consumes significantly less energy and emits less carbon dioxide than the manufacture and distribution of DVDs. (This is all explained in plain language here and here). The easy-to-extrapolate conclusion is not only that streaming is the increasingly dominant distribution platform of choice but that that turns out to be a […]
by Vadim Rizov on Jun 3, 2014 -
“Theatrical is Still the Event that Brands a Property for Decades of Downstream Consumption”: The Business of Media Distribution Author Jeff Ulin
Jeff Ulin, a former executive at Lucasfilm and Paramount, has spent a big chunk of his career thinking about one of the most vexing issues facing filmmakers and other media professionals today: the problem of media distribution. Ulin has recently revamped the first edition of his classic text, The Business of Media Distribution (published in 2009) with a second edition that addresses many of the radical changes to the media industries that have taken place since two significant events — the economic crash of 2008 and the widespread adoption of digital delivery tools — upset traditional models of distribution, changing […]
by Chuck Tryon on Nov 25, 2013 -
Netflix Originals “Exclusively” Acquires The Square
When Netflix announced this past July that they wanted to expand their original programming beyond wildly successful TV serials to documentaries, I figured an Alex Gibney commission wasn’t far off. Instead, the Internet was met with the puzzling news earlier today that the streaming giant acquired the very much completed, newly edited, festival-circuit debutant The Square. “Original,” it seems, lends itself to a different definition when Netflix is doing the talking. Though The Square is currently making a self-financed, Oscar-qualifying theatrical run in New York and Los Angeles, Netflix said in a statement that they will exclusively “premiere” the documentary […]
by Sarah Salovaara on Nov 4, 2013 -
Seed&Spark’s WestFest: Streaming to Theaters
Both a selective crowdfunding site and curated streaming platform, Seed&Spark has proven itself a unique enclave for filmmakers and viewers since its inception in 2012. From October 1-3, the hybrid will fully realize its “Cinema” component with a three-part film program at The HUB LA. Screening a total of six films from the recently launched Conversation series, the festival calls upon S&S founder Emily Best, Sundance programmer Christine Davila, and Twitch Film editor Ben Umstead to bring their selections to a live format. Filmmaker spoke with Seed&Spark’s director of content, Amanda Trokan, about the unprecedented event, and bridging the gap between online and […]
by Sarah Salovaara on Sep 25, 2013 -
Indieflix’s Scilla Andreen Announces “Royalty Pool Minutes”
Payment models in the digital film distribution world can be surprisingly confusing once you get past the simple straight cut of a Vimeo or iTunes download. Streaming in particular can raise questions. How much should a filmmaker make when his or her film is only viewed partially? Indieflix CEO Scilla Andreen proposes one answer she calls RPM — “royalty pool minutes.” It’s the new artist payment model for her site, and in an interview at Sundance, she argued for its simplicity and clarity. “We take a percentage of the overall monthly revenue coming to Indieflix,” Andreen explains. “We’ve evolved to […]
by Scott Macaulay on Jan 23, 2013
