Sundance 2020
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Human Experience is the New Fossil Fuel: Jeff Orlowski on His Big Tech Critique, The Social Dilemma
From Arab Spring uprisings to Russian disinformation campaigns, social media platforms have swung from heralded saviors to all-purpose bogeymen with breakneck speed. So how did we get here? And can online life even be fixed? Was it all the inevitable result of a worldwide collective bargain with the Big Tech devil? (Nothing in life is free, and that goes double in Silicon Valley.) With Jeff Orlowski’s The Social Dilemma, which premiered at Sundance — as did the director’s 2017 doc Chasing Coral and 2012’s Chasing Ice — these consequential questions and more get addressed through a most unusual format. The […]
by Lauren Wissot on Sep 9, 2020 -
“Cinema is Prophecy — It Creates Truth”: Hubert Sauper on his Sundance Grand Jury Prize winner, Epicentro
“What kind of future does tourism portend?” wonders a Cuban character rhetorically in Epicentro, the latest work of cinematic nonfiction from Oscar-nominated filmmaker Hubert Sauper (Darwin’s Nightmare, We Come as Friends). “None! It is only devouring the future,” the Havana man declares. Indeed, it devours the “past and the culture,” rendering everything “superficial.” But then comes the real multimillion-dollar question, “How much does cinema resemble tourism?” Winner of the Grand Jury Prize for World Cinema Documentary at this year’s Sundance, Epicentro — an allusion to the northern Caribbean island’s place at the epicenter of the Americas, both geographically and politically — is […]
by Lauren Wissot on Aug 28, 2020 -
“His First Question To Us Was, ‘What Are Your Astrological Signs?'”: Cristina Costantini, Kareem Tabsch and Alex Fumero on Mucho Mucho Amor
Premiering at Sundance back in the pre-pandemic festival days (uh, January) Mucho Mucho Amor is a much-needed uplift in these trying times. Co-directed and produced by Cristina Costantini (Science Fair) and Kareem Tabsch (The Last Resort), and produced by Alex Fumero (I Think You Should Leave with Tim Robinson), the doc, which hits Netflix today, is a fascinating odyssey into the beautifully eccentric world of Walter Mercado. Combining the fashion sense of Liberace with the relentless positivity of Tammy Faye Bakker, the Puerto Rican astrologer, psychic and defiantly nonbinary pioneer spent decades spreading his mantra of “mucho mucho amor” to an audience […]
by Lauren Wissot on Jul 8, 2020 -
“We Prioritized Hiring Trans Crew, and When We Couldn’t do That We Mentored Trans People on Set”: Sam Feder on Disclosure
Disclosure, directed by Sam Feder (Kate Bornstein is a Queer & Pleasant Danger) and executive produced by Laverne Cox, debuts on Netflix today, June 19th. And in the wake of the whiplash from the Trump administration’s decision to erase healthcare protections for trans people, followed by the US Supreme Court’s momentous ruling protecting those same folks from workplace discrimination, it couldn’t have arrived at a better time. The doc is an exhaustive and entertaining look at how trans individuals have historically been depicted onscreen through surprising archival footage (Birth of a Nation and Bugs Bunny make appearances) and insightful interviews […]
by Lauren Wissot on Jun 19, 2020 -
“I See How Prevalent Transphobia Was and Still Is All Over the Media We Consume”: Editor Stacy Goldate on Disclosure: Trans Lives on Screen
Director Sam Feder grapples with the legacy and representation of transgender actors and characters onscreen in Hollywood. While these depictions have been overwhelmingly negative and lacking in a nuanced understanding of trans identity, the reality of American anxieties surrounding gender are explicitly conveyed through these depictions. Featuring interviews with Laverne Cox, Lily Wachowski and Yance Ford among other trans thinkers and creatives, Disclosure: Trans Lives on Screen chronicles a difficult legacy of trans characters in the industry, while also pointing to a more fruitful future for trans actors and representation on screen. Editor Stacy Goldate speaks about the use of […]
by Filmmaker Staff on Feb 3, 2020 -
“There Was So Much to Shoot in Such Little Time”: DP Matt Maio on La Leyenda Negra
In Compton, California, a teenage girl named Aleteia copes with being the new girl at school by immersing herself in underground activism. Aleteia grew up in the United States, but as an immigrant from El Salvador, she suddenly finds her protected status under attack. During this tumultuous time, Aleteia unexpectedly falls in favor with one of the most popular girls at school, Rosarito, and as their friendship blossoms, Aleteia finds it more important than ever to find a way to stay in her hometown. DP Matt Maio talks about the advantages of working with director Patricia Vidal Delgado and the […]
by Filmmaker Staff on Feb 3, 2020 -
“Not Playing Any Moment Expressly for Laughs Without Emotion”: Editor Robert Grigsby Wilson on The 40-Year-Old Version
Radha Blank writes, directs and stars in The 40-Year-Old Version, about a woman named Radha who struggles with the stigma of being single and struggling with her art at the age of 40. After what seems like a barrage of rejections from theater companies, Radha finally feels reinvigorated when she revisits her long-forgotten love of rapping. She eventually feels torn when interest is finally shown for a play of hers when she is in the midst of working on a rap demo tape. Editor Robert Grigsby Wilson talks about his own love of hip-hop, his own professional trajectory as an […]
by Filmmaker Staff on Feb 3, 2020 -
“Pretty Much Everything in Life Influences My Shooting”: DP Reuben Aaronson on The Cost of Silence
On April 20, 2010, BP’s Deepwater Horizon offshore drilling unit experienced a deadly explosion that would be the worst environmental disaster in U.S. history. Over the course of 87 days, 130 million gallons of oil spilled into the Gulf of Mexico, and deadly chemicals were used in the lengthy clean-up process that civilians and workers were not warned about, leading to the effective poisoning of those in close proximity of the disaster. The U.S. government and the petrol companies have not been held accountable for the misuse of this chemical nearly a decade after the incident occurred. DP Reuben Aaronson […]
by Filmmaker Staff on Feb 3, 2020 -
“It Was Primarily a Process of Just Grinding It Out. And Grinding…And Grinding”: Editor Joe Beshenkovsky on Into the Deep
On August 10, 2017, journalist Kim Wall accompanied Peter Madsen on his homemade submarine in order to report a story about the charismatic inventor—but she never emerged to write the story, as Madsen murdered her while the submarine was submerged in the waters outside of Copenhagen. The murder shocked the global community, prompting discussions about protections for journalists and the underlying cruelty of Madsen. Director Emma Sullivan had actually began documenting Madsen the year before he murdered Wall, eventually culminating into the documentary Into the Deep about the culture surrounding Madsen and what led to Wall’s murder. Editor Joe Beshenkovsky […]
by Filmmaker Staff on Feb 3, 2020 -
“Getting Things Right Is Always an Exercise in Perseverance”: Editor Steven Moyer on La Leyenda Negra
Aleteia, a teenage girl from El Salvador who has spent most of her life in the U.S., finds herself as the new girl at a high school in Compton, California. Amid the awkward feelings of being an outsider, Aleteia finds solace in underground activism, where she feels valued and heard. But suddenly, her own protected status as an immigrant comes under attack, and she unexpectedly finds comfort in a budding friendship with Rosarito, one of the most popular girls at her school. Finally feeling a sense of belonging, Aleteia takes it on herself to figure out a way to stay […]
by Filmmaker Staff on Feb 3, 2020
