Sundance Film Festival 2023
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“The Storm, the Fog, the Humidity” | Christopher Murray, Sorcery
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? I think our obstruction was the unpredictable weather of Chiloe Island at the very south of Chile. The storm, the fog, the humidity. But really, more than an obstruction, I think it was just an intense force to relate to while shooting. In a way, the weather also directed us and the film, as a kind of atmospheric spell. It […]
by Filmmaker Staff on Feb 1, 2023 -
“A Family Drama and a Whodunnit at the Same Time”: Editor Robert Grigsby Wilson on Fancy Dance
Jax (Lily Gladstone) has been taking care of her niece Roki (Isabel Deroy-Olson) ever since her sister’s recent disappearance in Fancy Dance, the feature debut from Indigenous filmmaker Erica Tremblay. When two weeks pass without word from her, CPS shows up at Jax’s door and insists that she’s not a fit guardian for the young girl. As a last resort, she jets off with Roki to attend a powwow she’s long been anticipating—with the lingering hope that her mother might just show up there, as well. Editor Robert Grigsby Wilson talks about cutting the film, touching upon his previous collaboration […]
by Filmmaker Staff on Feb 1, 2023 -
“The Textures, Colors and Feeling of Muscogee Nation Permeate the Screen”: DP Tyler Graim on Bad Press
When the Muscogee Nation begins censoring its free press, reporter Angel Ellis and her colleagues at Mvskoke Media engage in a dogged quest for transparency and government accountability on the behalf its readers and the community at large. This is the fight that unfolds in the documentary Bad Press, from co-directors Rebecca Landsberry-Baker and Joe Peeler, which follows the ramifications of the 2015 Free Press Act’s repeal. Cinematographer Tyler Graim discusses how he approached shooting a documentary full of twists and turns and the influence of “slow cinema” on the film’s visual style. See all responses to our annual Sundance […]
by Filmmaker Staff on Feb 1, 2023 -
“Our Goal Was To Show the Region as We Appalachians See It, As a Place Full of Complexity and Grandeur”: DP Curren Sheldon on King Coal
In Sundance NEXT selection King Coal, Elaine McMillion Sheldon employs a hybrid approach, blending contemporary imagery with archival material and poetic voiceover to explore the impact that coal — the substance and the industry — has had on Central Appalachia. Below, DP Curren Sheldon discusses his collaboration with Sheldon on the picture. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Sheldon: King Coal’s director, Elaine McMillion Sheldon, and I have collaborated […]
by Filmmaker Staff on Feb 1, 2023 -
“We Initially Imagined It as a Rectangle That From the Left Starts Off Dark, Gray and Gloomy”: Editor Iva Radivojevic on King Coal
In Sundance NEXT selection King Coal, Elaine McMillion Sheldon employs a hybrid approach, blending contemporary imagery with archival material and poetic voiceover to explore the impact that coal — the substance and the industry — has had on Central Appalachia. Below, editor Iva Radivojevic, herself a filmmaker, discusses her collaboration with Sheldon on the picture. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Radivojevic: Elaine and I had known each other for about a decade prior to making this […]
by Filmmaker Staff on Feb 1, 2023 -
“There Were So Many Times That This Film Changed in Form, Tone and Story” | Elaine McMillion Sheldon, King Coal
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? See all responses to our annual Sundance Question here. King Coal is whole-heartedly a creative response to the very act of filmmaking. We filmed this over three years and we were led from shoot-to-shoot based on reactions and creative impulses of our team and Appalachians we filmed with. Some ideas for shots and scenes came to me as a single image […]
by Filmmaker Staff on Feb 1, 2023 -
“The Awkwardness in the Air is the Spirit We Want to Capture”: Editor Yang-Hua Hu on The Accidental Getaway Driver
Collateral meets The Desperate Hours against the backdrop of issues of Vietnamese immigration and assimilation in this Orange County-set thriller that marks the feature directorial debut of music video director Sing J. Lee. Below, editor Yang Hua Hu discusses his work in cutting this Sundance 2023 premiering thriller, in which an elderly Vietnamese cab driver is taken hostage by three recently escaped prisoners. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? […]
by Filmmaker Staff on Jan 31, 2023 -
“A Deep Reminder of How Beauty and Darkness are Intertwined”: DP Jenni Morello on Shooting Victim/Suspect
Below, DP Jenni Morello discusses her work on Nancy Schwartzman’s Sundance-premiering Netflix documentary, Victim/Suspect, her follow-up to the doc Roll Red Roll. The film deals with alleged victims rape and sexual assault who find themselves on the other end of legal charges when they are accused of making false accusations. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Morello: I met Nancy in early 2020 (pre-pandemic days) and honestly, I […]
by Filmmaker Staff on Jan 31, 2023 -
“A Few Weeks Into Filming, My Father Died Suddenly” | Victim/Suspect Director Nancy Schwartzman
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? A few weeks into filming Victim/Suspect, my father died suddenly. My entire world crashed around me, and it felt like my soul had left my body. Thirteen days after my father’s death, I flew to location and filmed a key interview with one of our incredible participants. Through intimate vérité, we captured the legal defense team working on her case […]
by Filmmaker Staff on Jan 31, 2023 -
“It Took an Additional 14 Months of Editing” | Joe Peeler, Bad Press
Every production faces unexpected obstructions that require creative solutions and conceptual rethinking. What was an unforeseen obstacle, crisis, or simply unpredictable event you had to respond to, and how did this event impact or cause you to rethink your film? In the fall of 2021, we were about a year into our edit and preparing to submit Bad Press to the 2022 Sundance Film Festival. We had been filming the battle for free press in the Muscogee Nation for two-and-a-half years at that point, and we felt that the story had all but wrapped up. Suddenly, about two weeks before […]
by Filmmaker Staff on Jan 31, 2023
