Sundance Film Festival
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“Why Not Just Try to Shoot an Entire Feature Film in Four Days?”: Director Andrew Hyland | The 4th
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? The “secret story” of The 4th, without hopefully taking too much away from the audience’s own interpretation. […]
by Soheil Rezayazdi on Jan 29, 2016 -
“Finding Depth and Detail in the Sound of Falling Rain”: Director Peter Middleton | Notes on Blindness
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? Two hidden stories spring to mind. The first is of John’s decision to share his account of […]
by Soheil Rezayazdi on Jan 29, 2016 -
Five Questions for Life, Animated Director Roger Ross Williams
Chances are you’ve experienced one or two-dozen animated films from Walt Disney Studios. Snow White and the Seven Dwarfs, The Little Mermaid, The Lion King: the studio famous for introducing the world to Mickey Mouse has produced some of the most identifiable films (and, subsequently, images) of the twentieth century. One of the studio’s most ardent fans is Owen Suskind, a young man diagnosed as autistic at the age of three and the subject of a memoir, Life, Animated: A Story of Sidekicks, Heroes, and Autism, written by his father Ron Suskind. Using Disney films as a guide to communicate and express himself to […]
by Erik Luers on Jan 29, 2016 -
Jim Cummings’ Thunder Road Takes Sundance, Part Two
In part one of this video series, Jim Cummings and his team got ready to go to Sundance with their short. In this installment, they’re on the ground and feeling shaky. Actor PJ McCabe practices his networking skills in front of a mirror, there are arguments about who was supposed to get tickets to the premiere, and of course there are parties. Funny stuff.
by Vadim Rizov on Jan 29, 2016 -
“He Existed Quietly Orbiting Stars”: Directors JJ Garvine and Tai Parquet | Film Hawk
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? For us, and most cinephiles over a certain age, the name Bob Hawk already carried a certain […]
by Soheil Rezayazdi on Jan 29, 2016 -
Cinematographer Fraser Rice on Finding Poetry in the Shipyards for Sundance Short Mining Poems or Odes
Appearing in the Shorts Program #5 at the 2016 Sundance Film Festival, Mining Poems or Odes tells the Scotland-set story of an ex-shipyard welder turned writer. The short was shot by Fraser Rice, a cinematographer on a number of UK TV series. Rice is also the brother of the film’s director, Callum. Below, Rice discusses the origins and creative goals of Mining Poems or Odes. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Rice: I am a director of […]
by Soheil Rezayazdi on Jan 29, 2016 -
Shane Bruce Johnston and Charles J. Gibson on the Everyday Naturalism of The 4th
Shane Bruce Johnston and Charles J. Gibson are two first time feature film cinematographers on The 4th, the debut feature from director/actor Andre Hyland. Both DPs have worked with Hyland before. Johnston shot Hyland’s 2014 Sundance short Funnel, while Gibson has worked with Hyland in addition to his work such bigger-budget films as Her and Cake. In this interview with Filmmaker, the two DPs discuss shooting without full script, using only natural light, and the “16mm film grittiness” of the Blackmagic Film Camera. The 4th debuted as part of the NEXT program at the 2016 Sundance Film Festival. Filmmaker: How and why did you […]
by Soheil Rezayazdi on Jan 29, 2016 -
DP and Co-Director Lou Pepe on Direct Cinema and the High School Doc The Bad Kids
Lou Pepe has worked with long-time collaborator Keith Fulton ever since the two directed a feature length documentary about the making of 12 Monkeys in 1996. Their latest film, The Bad Kids, is a documentary in the American direct cinema tradition of Frederick Wiseman. In this interview with Filmmaker, DP and co-director Pepe discusses the difficulties of shooting direct cinema with a single camera, working in natural light, and scheduling around teenagers. The film premiered in the U.S. Documentary section of the 2016 Sundance Film Festival. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the […]
by Soheil Rezayazdi on Jan 28, 2016 -
“We Got Attacked by the Taliban”: Pieter-Jan De Pue on Sundance Doc The Land of the Enlightened
Belgian filmmaker and photographer Pieter-Jan De Pue makes his feature film and Sundance debut with The Land of the Enlightened. Shot over five years in Afghanistan, the documentary tracks a group of Kuchi children who unearth old Soviet land mines and sell them to child workers at a nearby mine. De Pue shot, edited and directed the film. Below, he shares stories of a dramatic, at times violent production that placed him and his crew in the Taliban’s crosshairs. The Land of the Enlightened had its world premiere at Sundance 2016 in the World Cinema Documentary Competition. Filmmaker: How and why […]
by Soheil Rezayazdi on Jan 28, 2016 -
DP Tom Bergmann on Filming Autism Up Close in Sundance Doc Life, Animated
An autistic young man finds speech with the help of Disney animated movies in Life, Animated, a documentary based on the best-selling book by Ron Suskind about his son Will. The film was shot by Tom Bergmann, a cinematographer with more than 20 documentary shorts and features to his credit. Below, Bergmann discusses how he and the filmmakers worked to become “like a silent extended family” to Will and his family. Life, Animated premiered at the 2016 Sundance Film Festival. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to […]
by Soheil Rezayazdi on Jan 28, 2016
