I’ll be blogging this week from the 2011 IFP Filmmaker Labs, which are in their third and final session at 92Y Tribeca. This year’s 21 participating documentary and narrative projects, are nearing completion of the grueling post-production process and are now turning their attention towards the marketplace. Things kicked off this morning with a sobering discussion about sales and rights, led by Jon Reiss, co-author of Selling Your Film Without Selling Your Soul (presented by PreScreen and Area 23, also written by The Film Collaborative and Sherri Candler). Alongside the other lab leaders, Reiss stressed that filmmakers should always use […]
by Jane Schoenbrun on Dec 7, 2011As most of us receive our early morning Sundance rejection email (which literally makes us the 99 percenters…again.) we should all take a moment and reflect: what drove us to this? What brought us to this moment where a single email is either enormously heartbreaking, or just another bump on the dirt road of DIY/micro filmmaking? I’ve asked fellow columnist, and bi-coastal filmmaker, Gregory Bayne to shed a bit of light on his practice of treating each project as the first uphill battle of many, and how that journey is essential for the career independent filmmaker. We have an almost […]
by John Yost on Dec 2, 2011Sundance announced today the lineup for their annual New Frontier program, taking place Friday, January 20 through Saturday, January 28 as part of the 2012 Sundance Film Festival. This year’s lineup features installations from multimedia artists such as Gravity Was Everywhere Back Then director Brent Green, 0100101110101101.org creators Eva & Franco Mattes, and indie gaming company Molleindustria. Now in its sixth year, New Frontier provides a venue for innovative media installations, multimedia performances, transmedia experiences, and panel discussions. For the first time, the program will be taking place simultaneously at two locations: The Yard (1251 Kearns Blvd.) in Park City […]
by Jane Schoenbrun on Oct 31, 2011Last night at HSBC’s corporate headquarters in New York, The Blackhouse Foundation celebrated the launch of the 2012 film festival season with a networking event and panel discussion focused on festival strategy. Now in its fifth year, Blackhouse is a non-profit organization set up to support communities of black filmmakers throughout the festival process. The Foundation has had a presence at many of the top North American festivals, including Sundance, Tribeca, Toronto, and the LA Film Festival. Blackhouse exists to help black filmmakers at all stages in their careers, a fact made clear by the event’s attendees. The talent in the […]
by Jane Schoenbrun on Oct 28, 2011Independent Film Week wrapped up last night with a closing night party swankier than most of us in the non-profit indie film world are used to. There were lobster rolls. There was paella (seriously, more paella in one place than I’ve seen over my entire life.) And there were three-hundred underfed indie filmmakers. Not a bad deal This was my third time at Film Week, and easily the best. Over five days, we hosted 2,200 filmmaker/industry meetings, as well as a conference, a screening series and a boatload of other special events. Here are some final photographic highlights: Writer/Director […]
by Jane Schoenbrun on Sep 23, 2011The buzz word at this year’s TIFF is “doc.” For the first time in its 35-year history, the Toronto International Film Festival opened with a documentary: Davis Guggenheim‘s From The Sky Down, which profiles the world’s most popular rock band, U2. Filmgoers and critics are also buzzing over Crazy Horse, by verite legend Frederick Wiseman; Samsara (by Baraka‘s Ron Fricke); Tony Krawitz‘s The Tall Man,; and Girl Model by Ashley Sabin and David Redmon. The doc vibe was in the air on Monday morning at a breakfast launch for Focus Foward. Sponsored by Cinelan and GE, Focus Forward invites big-name documentarians such as Morgan […]
by Allan Tong on Sep 17, 2011In 2010 the Sundance Institute began Sundance Film Festival U.S.A. where a handful of films from that year’s fest screened in select theaters nationwide on one day during the festival. Today Sundance announced the theaters that will take part in the 2012 edition on Jan. 26. The cities and theaters participating are: –Ann Arbor, MI – The Michigan Theatre –Boston, MA – Coolidge Corner Theatre –Brooklyn, NY – BAM –Chicago, IL – Music Box Theatre –Houston, TX – Sundance Cinemas Houston –Nashville, TN – Belcourt Theatre –Orlando, FL – Enzian Theater –San Francisco, CA – Sundance Kabuki Cinemas –Tucson, AZ […]
by Jason Guerrasio on Sep 14, 2011I’ve been pondering Scott Macaulay‘s post WHEN SHOULD YOU GIVE UP? as it’s a question I’ve asked of myself on several occasions, quite recently even. It’s a question that hangs heavy on the psyche of anyone with a will to create and grow beyond the confines of their own feeble inheritance. I know this because I know that anyone who has ever made any attempt to do, or create, or make, anything, ever, has failed. Many times miserably and likely to the point where it feels as if hope has not just vanished from the horizon, but has finally revealed itself to […]
by Gregorybayne on Sep 5, 2011A few weeks ago I attended the third Sundance ShortsLab, a day-long event about short filmmaking organized and conducted by the folks from Sundance (primarily, from what I could see, from the festival side of the house.) Sundance has previously put on two other Shortslabs, one in LA and one in Chicago. This was their first event in New York, and those of us in attendance spent the day in an auditorium at the Brooklyn Academy of Music as a variety of speakers and panels unfolded, and several short films were shown. The day started with Trevor Groth, Sundance’s director […]
by Marc Maurino on Aug 4, 2011I have been thinking about Kevin Smith quite a bit lately. Beyond the obvious happenings with his film Red State and his decision to follow in my footsteps (wink) by embracing the Topspin platform to go about his business of building a media empire, I’ve been a bit in awe of how this guy from New Jersey, who began his journey with a $27,000 ’90s Sundance hit that many in the artistic film world passed off as garbage, has weathered many a storm, some arguably manufactured, to be quite possibly the last man standing and perhaps most forward thinking in […]
by Gregorybayne on Aug 2, 2011