Sundance Film Festival
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SUNDANCE INSTITUTE ANNOUNCES THIS YEAR’S CREATIVE PRODUCING INITIATIVES
The Sundance Institute announced today the participants for its annual Creative Producing Labs and Creative Producing Summit, which will take place in Sundance, Utah starting July 18. From the 18-22, ten projects will participate in the Labs (five narrative, four documentaries) and receive ongoing support throughout the year. Following the Labs, from the 22-24, leaders in the independent film community will partake in the Summit that will include case study sessions, panels, roundtable discussions, one-on-one meetings and pitching sessions. Summit panelists include Josh Braun (Submarine Entertainment), Victoria Cook (Frankfurt Kurnit Klein & Selz), Liesl Copland (William Morris Endeavor), Eric d’Arbeloff […]
by Jason Guerrasio on Jul 12, 2011 -
Dark Days — A Hammer to Nail Review
(The 10th anniversary of Dark Days will be re-released through Oscilloscope Laboratories beginning Friday.) Things keep happening that make me feel old. No I don’t have any major age-related illnesses. I haven’t been getting copies of AARP magazine in the mail. “Are you even 30 yet?” is still a legitimate question to ask me upon any encounter. For the record, I’m not (yet) 30, but still I can’t help getting the creeping sense that, in the words of LCD Soundsystem, “I’m losing my edge.” Upon learning that the Cinema Village was going to open British documentarian Marc Singer’s seminal 2000 […]
by Brandon Harris on Jun 30, 2011 -
MIA TRACHINGER, “REVERSION”
Three years ago Sundance played host to Mia Trachinger’s weird, beguiling take on the low-fi, sci-fi dystopia genre, Reversion. Odd, playful, melancholy and ultimately riveting, it bounced around the fest circuit for the past couple of years without finding a home with specialty distributors, perhaps a sign of just how ahead of its time it was. A couple of years later Sundance began its NEXT section, a category for films just like Reversion; adventurous, low budget mindbenders, genre deconstructions and idiosyncratic visions that SXSW would normally be the target destination for. Trachinger, whose Bunny was a success of the festival […]
by Brandon Harris on Jun 8, 2011 -
“3 BACKYARDS”: THE DARK SPACES BETWEEN EVERYDAY LIVES
(Distributed by Screen Media, 3 Backyards opens theatrically in NYC at the IFC Center on Friday, March 11, 2011. Visit the film’s official website to learn more.) What do you want from a film experience? If I am going to schlep into Manhattan and pay money for a ticket I want the large-screen experience to be something specifically cinematic. I don’t need any William Castle-like “transmedia” gimmicks or 3D to prod me into the seat. I just need to know that I will be in the hands of a director who understands that narrative cinema can operate in a space […]
by Mike S. Ryan on Mar 10, 2011 -
DAVID MICHOD, “ANIMAL KINGDOM”
Originally posted online on August 11, 2010. Animal Kingdom is nominated for Best Supporting Actress (Jacki Weaver). Like his stunning short films Netherland Dwarf and Crossbow, David Michod’s terrific and terrifying feature debut, the 2010 Sundance World Dramatic Competition winner Animal Kingdom, is a smoothly photographed, moodily scored tale of a trapped, dim and docile young man who suffers at the hands of a careless and, in this case, criminal family. As in his previous work, Michod relies on an insistent voiceover to provide biting interiority while the unrelentingly grim working-class Melbourne milieu is strikingly depicted in slow-motion shots and […]
by Brandon Harris on Feb 26, 2011 -
JOHN CAMERON MITCHELL, “RABBIT HOLE”
Originally posted online on December 16, 2010. Rabbit Hole is nominated for Best Actress (Nicole Kidman). David Lindsay-Abaire’s Pulitzer Prize winning play Rabbit Hole might seem like an odd choice for helmer John Cameron Mitchell, a director whose reputation wasn’t gained built on tasteful, upper-middle-class family dramas. Perhaps he’s mellowed, and given the results, why not? The film’s story of parental grief, that of a Westchester County couple (Aaron Eckhart and Nicole Kidman) who, eight months later still lack the emotional wherewithal to deal with the accidental death of their young son, may seem like the stuff of so many […]
by Brandon Harris on Feb 22, 2011 -
Sebastian Junger and Tim Hetherington, Restrepo
Originally posted online on June 23, 2010. Restrepo is nominated for Best Documentary. Most documentary filmmakers attempt to see the world through the lens of the subjects they’re shooting, but few put their lives on the line to do so. That perhaps is what most separates first-time directors Sebastian Junger and Tim Hetherington from a few of their colleagues who didn’t take home the Grand Jury Prize for U.S. Documentary at this year’s Sundance Film Festival. Their award-winning Restrepo is the result of a near yearlong embedment with the Second Platoon, Battle Company in eastern Afghanistan’s deadly Korengal Valley, […]
by Lauren Wissot on Feb 21, 2011 -
“MARGIN CALL,” “CIRCUMSTANCE” BOOKEND 40th NEW DIRECTORS/NEW FILMS
In a release sent out today the Museum of Modern Art and the Film Society of Lincoln Center announced the full lineup for the 40th edition of New Directors/New Films, which will take place March 23 – April 3. Highlighting 28 feature films (24 narrative, 4 documentaries) from 22 countries, ND/NF will open with J.C. Chandor‘s investment banker drama, Margin Call. His debut feature stars Kevin Spacey, Paul Bettany, Demi Moore, Stanley Tucci and Jeremy Irons. Closing the festival will be Maryam Keshavarz‘s Circumstance, which looks at today’s Iranian youth culture through the eyes of two teenage girls. The film […]
by Jason Guerrasio on Feb 16, 2011 -
MORE THOUGHTS ON WALKING OUT OF MOVIES
Every Thursday we do a weekly newsletter that includes links to that week’s content, festival deadlines, and an original letter from me which I usually don’t repost on the blog. (And if you don’t get this newsletter, why not? You can subscribe here. It’s free.) But I’ll reprint this week’s because it’s a response to James Ponsoldt’s blog post about walking out of movies. “When is it okay to walk out of a movie?” James Ponsoldt asked on the Filmmaker blog yesterday. The post was inspired by his sitting through at Sundance a film he loathed; it was his attempt […]
by Scott Macaulay on Feb 10, 2011 -
When Is It Okay To Walk Out Of A Movie ?
Sundance is over. Ditto, Rotterdam. With Berlin right around the corner, it seems a good time to ask the question: When is it okay to walk out of a movie? I saw over 25 features at Sundance this year. Many of those films will receive serious releases in 2011 and wind up on “Best of” lists at the year’s end. Some of my favorites are still seeking distribution. I interviewed directors of a number of films. Of the features I haven’t already written about, personal favorites include Pariah, Terri, Catechism Cataclysm, The Mill and the Cross, Hell and Back Again, […]
by James Ponsoldt on Feb 9, 2011
