Marielle Heller, a New York-based screenwriter, actor and playwright, is attending the June Sundance Directors Lab with her project, The Diary of a Teenage Girl. “In the haze of 1970’s San Francisco, a teenage artist with a brutally honest perspective tries to navigate her way through an affair with her mother’s boyfriend,” is its description, and the film is being adapted from the graphic novel by Phoebe Gloeckner. Here is Heller’s first blog post from the Sundance Resort in Utah. It’s the end of our first week of four at the Sundance Directors Lab. I feel as though I’ve been […]
by Marielle Heller on Jun 7, 2012The Sundance June Directors Lab is underway, and blogging here at Filmmaker from the Sundance Resort in Utah will be two of the Lab’s filmmakers. First up, Carson Mell, attending with his dark comedy, Ajax, about “a band of alcoholic astronauts and a young woman adrift in outer space [who] become at odds with one another after discovering the purpose of their mysterious mission.” I remember when I was first moving from a community college to a “legitimate” film/art school my dad told me that the best part about it would be how intimidated I would be by the other […]
by Carson Mell on Jun 7, 2012The Sundance Institute announced today the roster for its June Directors and Screenwriters Lab. The complete press release follows. Los Angeles, CA — Sundance Institute today announced the 13 projects selected for its annual June Directors and Screenwriters Labs, taking place at the Sundance Resort in Utah from May 28 through June 28. Under the leadership of Michelle Satter, Founding Director of the Institute’s Feature Film Program, and the artistic direction of Gyula Gazdag, the projects selected for this year’s program include emerging filmmakers and projects from the United States, Italy, Romania, Australia, Algeria, France, Chile and the UK. Directors […]
by Scott Macaulay on May 8, 2012A Filmmaker reader recently emailed me with a simple question. After going to film school, making some shorts and working conspicuously within his means, he’s now written a script purely from the imagination — not censoring himself by thinking of things like money and production requirements. The resulting project, I take it, is too big for his usual DIY methods. He asked, “What do I do now?” A tough question, not knowing the filmmaker very well and not having read the script. There are easier-said-than-done answers: “Find a producer! Get an agent!” But just sending out a bunch of PDFs, […]
by Scott Macaulay on May 2, 2012(Gun Hill Road world premiered in the U.S. Dramatic Competition at the 2011 Sundance Film Festival, which is when the original version of this review was first published at Hammer To Nail. It was picked up for distribution by Motion Film Group and opens theatrically in New York City on Friday, August 5, 2011, and Los Angeles on Friday, August 12th. Visit the film’s Facebook page and official website to learn more.) A late work by the Cuban director Tomas Gutierrez Alea called Strawberry And Chocolate is one of the few films I’ve ever seen to confront the strange relationship […]
by Mike S. Ryan on Aug 4, 2011Here is part two of Rachel Libert’s diaries from the Sundance Labs. Read part one here. The busloads of people arriving at the Sundance Resort for the Creative Producing Summit signaled the end of the Creative Producing Lab. Twenty narrative producers, twenty documentary producers and dozens of high-level industry representatives are sequestered in the privacy of the Wasatch Mountains. We’re participating in an information marathon. We are a think tank in which our collective brainpower evaluates the industry and its future. For the Documentary Creative Producing Lab fellows there’s a palpable shift from our tight knit group discussions about the […]
by Scott Macaulay on Aug 28, 2010Here is the first of two diaries from Rachel Libert, a producer and director who brought her project Semper Fi: Always Faithful to the Sundance Doc Film Creative Producing Lab. I’m on my way home from the Sundance Documentary Film Creative Producing Lab and Summit and struggling to describe the experience. Nearly four years ago I was researching a documentary film about a public health organization and, while the idea was intriguing, it was becoming increasingly obvious that it was an impossible film to make. Before I graciously made my exit from the project I went to lunch with the […]
by Scott Macaulay on Aug 27, 2010Here is the first of two filmmaker reports filed from the just-finished Sundance Producer’s Lab. Reporting back here is Amy Lo. The Sundance Lab was my rehab. In the most transformative, astonishing way. Here we are, Day One, four fellow Fellows and me gathered up from parts east, west and south, hurtling up the hill, forward-pressing and fueled by anxious hope. We come to a sudden stop, a moment to inhale and exhale. High-elevation, low-oxygen. Rising disorientation. The Sundance Creative Producing Lab spans five days of project-focused tough love, naked honesty, catharsis and renewal. All framed by breath-taking mountainous isolation. […]
by Scott Macaulay on Aug 25, 2010Indiewire has posted the writers and directors participating in the Sundance June Labs. Here’s the list and the descriptions of the projects: “A Breath Away”/Kit Hui (writer/director), U.S.A./ChinaAs a typhoon approaches Hong Kong, the residents of a high-rise apartment explore their need for human connection, family, and cultural identity in their increasingly isolated worlds.Born and raised in Hong Kong, Kit Hui immigrated to the United States at age 16. She received her MFA from Columbia University’s Graduate Film Program. Her short film “Missing” screened at the 2005 Tribeca Film Festival and the 2005 Cannes Film Festival, and she was recently […]
by Scott Macaulay on Apr 26, 2006If you pick up the new issue of Filmmaker, you’ll notice by reading our cover articles on Miranda July and her first feature, Me and You and Everyone We Know, the large role the Sundance Institute had in developing that film and supporting its production. July’s film was a Summer 2003 Sundance Lab project and it went to become a hit at the Sundance Film Festival and will open from IFC Films this June. And then there’s another Lab project I’m very interested in — David Jacobson’s Down in the Valley, which I thought was an amazing script and which […]
by Scott Macaulay on Apr 27, 2005