During the festival’s 2020 awards ceremony tonight, the Sundance Institute announced Tabitha Jackson, the Director since 2013 of the Institute’s Documentary Film Program, to be the new Director of the Sundance Film Festival. Jackson will succeed John Cooper, who, after 11 years as Director of the Festival, will move into a newly created Emeritus Director role. Said the Sundance Institute’s Executive Director, Keri Putnam, in a press release, “Tabitha is fiercely devoted to independent artists, has been a visionary member of the Sundance Institute’s leadership team for the last six years. Her authenticity, experience and perspective will serve her well […]

Among the 33 non-fiction works comprising the recently announced Sundance Institute Documentary Fund and Stories of Change Grantees is a particularly noteworthy project that’s both the debut documentary by a major international auteur as well as a first-time collaboration between the Sundance Institute and the U.K.’s Institute for Contemporary Art. Chocobar (working title), currently in development, is the first non-fiction film from Argentinian director Lucrecia Martel, whose Zama is bound to top many U.S. critic ten-best lists later this year. It tells the story of murdered photographer and land rights activist Javier Chocobar, slain while fighting the removal of his […]

Tabitha Jackson, director of the Documentary Film Program at Sundance Institute, and Joaquin Alvarado, from Studiotube and former director of Centre for Investigative Reporting, were in discussion in March 2018 at CPH:DOX about the relationship between journalism and creative documentary filmmaking as part of Doc Society’s the Safe+Secure initiative. The following is a lightly edited transcript of their dialogue. Alvarado: When we say documentaries, it means a lot of different things today — they have evolved greatly in the last couple of decades. How you would you sort of level-set for folks the space of documentary and how we talk […]

“We have to make artful films,” declared Tabitha Jackson at this morning’s DOC NYC keynote. Her thoughtful and engaging address — accompanied, half-jokingly, by what she dubbed her first attempt at Powerpoint — was filled not with statistics about audience reach or NGO partnerships but instead illustrations drawn from documentaries as well as poetry, visual art and experimental films. Indeed, this Director of the Sundance Documentary Film Program — one of the field’s most important funders — could not have been clearer about the direction she intends to bring to the program when she said, to applause, “The lingua franca […]