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Every Day I Write the Book
Emma Watson, Saoirse Ronan, Eliza Scanlen and Florence Pugh in Little Women (courtesy of Sony) Creating cinema without concern for the economic system in which you operate is a privilege few can exercise. Like most filmmakers I know, I make films not only as a form of expression but also as a means of financial subsistence. I wrestle with the impact this dependency has on my work on a daily basis. Greta Gerwig’s Little Women, a film that she pitched as being about “art and women and money,” examines the complex relationship between profit and power in storytelling. Gerwig’s adaptation of the century-and-a-half-old text boldly restructures the narrative and further blurs the line between author […]
