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How Camera Movement Shapes A Narrative
Ryan Connolly of Film Riot is a rather perky fellow, but he’s also got some good insight into how camera techniques affect a film’s narrative. Connolly begins with a simple scene of two actors walking across a yard, examining how a dolly versus a tripod versus a handheld shot conveys tonality to the audience. A tripod pan, for instance, may insinuate that the actors are being watched. Connolly covers a number of mechanisms — including the implications of a jib — in the above video, which serves as a helpful reminder that the camera should always being doing more than just capturing the action: it should be telling a story.
