Authors — Alicia Van Couvering
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VOD: Where are the Numbers?
Alicia Van Couvering on the mysteries of VOD reporting.
by Alicia Van Couvering on Jan 29, 2013 -
Sundance: Death by Twitter, Computers vs. Brains
You are at the premiere of your own film. The screening is packed. The credits begin to roll…and 500 glowing screens appear in the darkness. You sit there, watching the phones, helpless as strangers and bloggers decide your fate 140 characters at a time. Perhaps the Variety critic delivers the first blow: a decisive mediocre. The indieWIRE stringer declares the audience underwhelmed, #sundance. At a party that night, people tell each other that they heard the movie was “only OK.” In the olden days, crowds of press and industry would gather outside the theatre to discuss their thoughts and settle on […]
by Alicia Van Couvering on Jan 23, 2013 -
Calling the Shots
TV FOR FILM Original characters. Unlikely relationships. Undiscovered locations. The purview of independent filmmakers is increasingly the stuff of television, and filmmakers are making the small screen a bigger part of their careers. Creative crossover is not breaking news, of course; shows like Mad Men, Breaking Bad, Boardwalk Empire, In Treatment, Enlightened and dozens more regularly hire directors from independent film and have for a long time. But now more and more independent film writers and writer/directors are making the leap — pitching, developing and producing original series. Meanwhile, reliable outlets like Netflix and IFC/Sundance Channel have slowed down their […]
by Alicia Van Couvering on Apr 17, 2012 -
SXSW: Tchoupitoulas vs. Beasts, Battle for the Innocents
Bill and Turner Ross’ new documentary Tchoupitoulas premiered in Emerging Visions this year at SXSW. The film was eagerly anticipated by fans of their debut feature, 45365, the Documentary Jury Prize winner a few years ago. Three young brothers in Louisiana take a ferry into New Orleans, observe and engage in everything from transvestite clubs to street musicians Mardi Gras floats to an abandoned ship yard on the outskirts of town. Pretty soon the youngest brother, William, a sensitive kid who plays the recorder at school, starts to get tired. “I’m just a child,” he insists, to the jeers of his brothers, who want to stay up […]
by Alicia Van Couvering on Mar 16, 2012 -
PAUL SIMON, JAMES MURPHY AND THE RESPONSIBILITY OF THE MODERN ARTIST
Does the culture make the artist, or does the artist make the culture? Two Sundance documentaries — Shut Up And Play the Hits, which follows James Murphy through the last concert of his band LCD Soundsystem in 2010, and Under African Skies, Joe Berlinger’s history of Paul Simon’s seminal Graceland – might seem to be unlikely bedfellows. Both films are brilliantly executed portraits of musicians walking the tightrope of cultural relevance and personal expression. The differences between the two stories illustrate fundamental changes in our popular culture over the last 30 years. Both films seek to explore “a moment in […]
by Alicia Van Couvering on Jan 27, 2012 -
SUNDANCE: THE “FUTURE NORMAL” OF NEW FRONTIER
Now in its sixth year, the New Frontiers section at Sundance premiered yesterday at its new home at The Yard, in an unassuming building across from a snow-cloaked cemetery. Presenting the year’s crop of new media, transmedia and experiential video art to a room of press, Sundance programmer Shari Frilot explained her curatorial criteria, though not before a number of the pieces had to turn off their sound (a booming heart beat coming through the wall of Ho Tzu Nyen’s The Cloud of Unknowing on her left, the Wagnerian glory coming from Marco Brambilla’s Evolution (Megaplex) to her right.) “What […]
by Alicia Van Couvering on Jan 21, 2012 -
Director Terence Nance on An Oversimplification Of Her Beauty
Watching Terence Nance’s Oversimplification Of Her Beauty is like being talked through the contents of a shoebox, each item another memento of The One That Got Away. Live action, animation, claymation reenactments, direct-to-camera address by him, on-camera interviews of her by him, blurry, amateur footage shot by her of him, all guided by a formally written voice over, delivered with somber, staccato clarity by an anonymous older man. Descriptions and depictions of other girls slide in and out of the narrative, intercut with shots of The One, whose name is Namik. One animation of a long-distance affair depicts a hand-drawn […]
by Alicia Van Couvering on Jan 19, 2012 -
SUNDANCE: MISTAKES WERE MADE
In the interest of community-building and vulnerability, I have decided to share some of my most humbling Sundance mistakes and the subsequent lessons learned in the five years I have attended the festival as an assistant, journalist, lab fellow and producer. 1. SNOW Through either sloth or lack of funds, I have always found myself on a connecting flight into Salt Lake City in the middle of winter. This has been a lucky break in some ways (the time I had to share that hotel room in Chicago with the nice lady who worked in biochemical fuel systems; the time […]
by Alicia Van Couvering on Jan 18, 2012 -
TORONTO: WOMEN IN CHAINS
I heard a woman complaining in the women’s bathroom after Trishna. “But she just did what he said for two hours! It was like looking at a sphinx.” Later that day I found myself staring into the eyes of a thirteen-year-old Russia girl named Nadya as she dutifully trudged across the floor, on display in front of a group of Japanese fashion designers, close to paralyzed with alienation and helplessness. The latest by Michael Winterbottom, Trishna follows Freido Pinto as a very poor oldest daughter of a rural Indian family in an adaptation of Thomas Hardy’s Victorian novel Tess […]
by Alicia Van Couvering on Sep 14, 2011 -
TORONTO IS A PUZZLE
This is my first time at TIFF, and I have to admit, it is a puzzle. Look at this picture — that’s only the press and industry screenings! Notice the puzzlement and confusion of the professionals, even. I also find the transportation system puzzling, and spend a lot of time in taxis. Everyone likes to complain about traffic in Toronto and it is de rigeur to show up to a screening at the AMC Theatres panting and sweating. I had two films premiere this weekend (three cheers!!) and they were very well-received (three cheers!!) But mostly every buyer I meet […]
by Alicia Van Couvering on Sep 12, 2011
