Authors — Filmmaker Staff
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“We are Comfortable Treating Rushes as You Would Piecing Together a Doc”: Editor Bryan Mason on Animals
Australian editor and cinematographer Bryan Mason has collaborated with director Sophie Hyde before; their first was 52 Tuesdays, a mother-daughter drama in which the latter is transitioning genders. Adapted by Emma Jane Unsworth from her novel, Animals examines another kind of relationship at a moment of change, tracking two Dublin friends in their early 30s whose years of boozing and companionship are starting to be too much to handle. Also serving as the project’s DP, via email Mason discussed the challenges of editing a project with input coming from Australia, the UK and Ireland, getting lost in early edits, and reshaping the […]
by Filmmaker Staff on Jan 29, 2019 -
IFP-Blackhouse Multicultural Producers Lab, With Seven Inaugural Female Fellows, Announced at Sundance
The Independent Filmmaker Project, Filmmaker‘s parent organization, announced Friday a partnership with The Blackhouse Foundation, a non-profit organization that works to expand opportunities for black multi-platform content creators, to launch the IFP-Blackhouse Multicultural Producers Lab, sponsored by HBO Corporate Social Responsibility Department, beginning in January 2019. From the press release: A cohort of seven (7) producers of innovative fiction and nonfiction projects (film, television, and digital media) were selected by IFP, Blackhouse, and HBO. These Fellows will participate in this year-long, collaborative program to expand the number of multicultural production companies; to increase their pipeline of content; and to support the sustainability of mid-career independent producers and the scale […]
by Filmmaker Staff on Jan 29, 2019 -
“We Had Less than Two Hours”: Creator, Writer and Star Danielle Uhlarik | Bootstrapped
Whenever directors watch their own films, they always do so with the knowledge that there are moments that occurred during their production — whether that’s in the financing and development or shooting or post — that required incredible ingenuity, skill, planning or just plain luck, but whose difficulty is invisible to most spectators. These are the moments directors are often the most proud of, and that pride comes with the knowledge that no one on the outside could ever properly appreciate what went into them. So, we ask: “What hidden part of your film are you most privately proud of […]
by Filmmaker Staff on Jan 29, 2019 -
“Creative Solutions for Blocking and Information”: Director Patrick Brice | Corporate Animals
Whenever directors watch their own films, they always do so with the knowledge that there are moments that occurred during their production — whether that’s in the financing and development or shooting or post — that required incredible ingenuity, skill, planning or just plain luck, but whose difficulty is invisible to most spectators. These are the moments directors are often the most proud of, and that pride comes with the knowledge that no one on the outside could ever properly appreciate what went into them. So, we ask: “What hidden part of your film are you most privately proud of […]
by Filmmaker Staff on Jan 29, 2019 -
“There’s a Lot of Hidden Pipework Pumping Out Information”: Director Stephen Merchant | Fighting with my Family
Whenever directors watch their own films, they always do so with the knowledge that there are moments that occurred during their production — whether that’s in the financing and development or shooting or post — that required incredible ingenuity, skill, planning or just plain luck, but whose difficulty is invisible to most spectators. These are the moments directors are often the most proud of, and that pride comes with the knowledge that no one on the outside could ever properly appreciate what went into them. So, we ask: “What hidden part of your film are you most privately proud of […]
by Filmmaker Staff on Jan 28, 2019 -
“What’s So Bad About a Biopic?” Director and Producer Janice Engel | Raise Hell: The Life & Times of Molly Ivins
Whenever directors watch their own films, they always do so with the knowledge that there are moments that occurred during their production — whether that’s in the financing and development or shooting or post — that required incredible ingenuity, skill, planning or just plain luck, but whose difficulty is invisible to most spectators. These are the moments directors are often the most proud of, and that pride comes with the knowledge that no one on the outside could ever properly appreciate what went into them. So, we ask: “What hidden part of your film are you most privately proud of […]
by Filmmaker Staff on Jan 28, 2019 -
“Documentary Felt Messier to Me, In a Good Way”: Director Liza Mandelup | Jawline
Whenever directors watch their own films, they always do so with the knowledge that there are moments that occurred during their production — whether that’s in the financing and development or shooting or post — that required incredible ingenuity, skill, planning or just plain luck, but whose difficulty is invisible to most spectators. These are the moments directors are often the most proud of, and that pride comes with the knowledge that no one on the outside could ever properly appreciate what went into them. So, we ask: “What hidden part of your film are you most privately proud of […]
by Filmmaker Staff on Jan 28, 2019 -
“Living and Working with Each Other for Those Three Years in Almost Unbearable Life Conditions”: Directors Ljubo Stefanov and Tamara Kotevska | Honeyland
Whenever directors watch their own films, they always do so with the knowledge that there are moments that occurred during their production — whether that’s in the financing and development or shooting or post — that required incredible ingenuity, skill, planning or just plain luck, but whose difficulty is invisible to most spectators. These are the moments directors are often the most proud of, and that pride comes with the knowledge that no one on the outside could ever properly appreciate what went into them. So, we ask: “What hidden part of your film are you most privately proud of […]
by Filmmaker Staff on Jan 28, 2019 -
“Whenever You Build a World You Open Yourself Up to It”: Director Sophie Hyde | Animals
Whenever directors watch their own films, they always do so with the knowledge that there are moments that occurred during their production — whether that’s in the financing and development or shooting or post — that required incredible ingenuity, skill, planning or just plain luck, but whose difficulty is invisible to most spectators. These are the moments directors are often the most proud of, and that pride comes with the knowledge that no one on the outside could ever properly appreciate what went into them. So, we ask: “What hidden part of your film are you most privately proud of […]
by Filmmaker Staff on Jan 28, 2019 -
“I Had to Grow Up”: Director Hepi Mita | MERATA: How Mum Decolonized the Screen
Whenever directors watch their own films, they always do so with the knowledge that there are moments that occurred during their production — whether that’s in the financing and development or shooting or post — that required incredible ingenuity, skill, planning or just plain luck, but whose difficulty is invisible to most spectators. These are the moments directors are often the most proud of, and that pride comes with the knowledge that no one on the outside could ever properly appreciate what went into them. So, we ask: “What hidden part of your film are you most privately proud of […]
by Filmmaker Staff on Jan 28, 2019
