THE HOUSE I LIVE IN Virgil – out now The definitive American documentary about the defining civil-rights issue of our time, Eugene Jarecki’s The House I Live In is a personal epic, a film that takes Jarecki’s relationship with an African-American family, the matriarch of whom used to be his house cleaner as a child, and uses it as a springboard to investigate the dark secret in the American heart that is our disastrous, 40-year-old drug war. Harrowing and sublime, The House I Live In is aided by a Greek-chorus-like narration from ex-crime reporter and The Wire auteur David Simon. […]
by Filmmaker Staff on Jul 18, 2013James Turrell While a visit to James Turrell’s private, Arizona-based Roden Crater project remains on every art obsessive’s bucket list, the optical mysteries of this groundbreaking artist can be more easily viewed this summer in a monumental three-museum retrospective. Visit the Guggenheim in New York, the Museum of Fine Arts Houston and the L.A. County Museum of Art to experience Turrell’s indescribable, light-based sculptures. Accidental Tech Podcast Developers, consumer tech geeks and, particularly, obsessive Mac fans, there’s a new podcast for you. Three developers and tech journalists (Marco Arment, Casey Liss and John Siracusa) who previously found their home on […]
by Filmmaker Staff on Jul 18, 2013Courtesy of writer/director Carlos Reygadas, below are the script and storyboards from two sequences from Post Tenebras Lux, which opens at Film Forum today. The first sequence is the sauna scene, in which the film’s two central characters, played by Adolfo Jiménez Castro and Nathalia Acevedo, visit a swingers sauna in France, and the second is the closing sequence of the film. 10. Cave. Camera hand held and on tripod. To be determined whether real steam or fake smoke. Juan, Esther and extras. (French). 1. Series of fixed shots of naked people in a steam bath with red light. […]
by Filmmaker Staff on May 1, 2013Last year on the Filmmaker website, we ran a series of pieces in which we profiled a group of finalists for the San Francisco Film Society’s Kenneth Rainin Foundation Filmmaking grant, run through the organization’s Filmmaker360 program. Now there’s a new set of finalists, and we are once again putting the spotlight on all those shortlisted for the grant. You can read Part 1 of this current series here and Part 2 of the series here. JONAS CARPIGNANO (WRITER/DIRECTOR), A CHJÀNA Synopsis: After leaving his native Burkina Faso, Ayiva makes the perilous journey across the Sahara and Mediterranean in search of a better life in Europe. Once in Italy, he […]
by Filmmaker Staff on Apr 9, 2013Last year on the Filmmaker website, we ran a series of pieces in which we profiled a group of finalists for the San Francisco Film Society’s Kenneth Rainin Foundation Filmmaking grant, run through the organization’s Filmmaker360 program. Now there’s a new set of finalists, and we are once again putting the spotlight on all those shortlisted for the grant. You can read Part 1 of this current series here. IAN HENDRIE AND JYSON MCLEAN, MERCY ROAD Synopsis: Based on true events, Mercy Road traces the political and spiritual odyssey of a small town housewife as she turns from a peaceful pro-life […]
by Filmmaker Staff on Apr 1, 2013[PREMIERE SCREENING: Saturday, Jan. 26, 3:30pm — Eccles Theatre, Park City] What I had to sacrifice to make Muscle Shoal was being there for my children. I am a single father of two awesome boys. They need me and I need them. They are my most precious blessing and they make my life rich. They miss me when I’m gone and I miss them. Gone for them isn’t just me being away on a shoot, it’s being at the office late at night trying to make a deadline or trying to press ahead hard when the inspiration is flowing. It’s having to […]
by Filmmaker Staff on Jan 25, 2013[PREMIERE SCREENING: Thursday, Jan. 24, 9:45pm — Eccles Theatre, Park City] It all depends on who you ask. The producers would probably say they sacrificed an ungodly amount of money. Which is true. Good on them. The actors might say they sacrificed a larger paycheck on a bigger movie. To be sure. It’s an indie. The narcissist, which by definition every filmmaker qualifies, says EVERYTHING: grooming, pond-gazing, moonlight sonatas, vengeance against enemies, meditative bowel movements, a drastic reduction in sexual activity (if not a total loss), etc. But we’re twins. So we sacrificed each other. You see, we share everything. […]
by Filmmaker Staff on Jan 23, 2013[PREMIERE SCREENING: Wednesday, Jan. 23, 9:45pm — Eccles Theatre, Park City] I believe with every independent movie the sacrifice is always time versus money. We never have enough of either. However, you find creative solutions when faced with these constraints. As for Big Sur, the location itself sacrificed our crew on a daily basis. It’s basically cliffs, canyons and sea shore. It’s heaven, so there’s some death involved…well, let’s say redemption. Overall it was a religious experience and the author of our bible was Jack Kerouac – a testament to survival.” Sundance Responses 2013
by Filmmaker Staff on Jan 22, 2013Outlet and Universal Studios Home Entertainment have teamed up to celebrate the release of End of Watch, the heart-pounding police thriller starring Jake Gyllenhaal and Michael Pena on Blu-ray™ Combo Pack today. Enter for a chance to win 1 of 5 copies of the pack as well as a cool “dash grip” for your car. To win, be one of the first 5 to answer the below question correctly; send all responses to nick@filmmakermagazine.com: Which actor has appeared in each of director David Ayer’s three features (Harsh Times, Street Kings, and End of Watch) as an FBI agent, pathologist and […]
by Filmmaker Staff on Jan 22, 2013[PREMIERE SCREENING: Wednesday, Jan. 23, 6:30pm — Eccles Theatre] In order to get A.C.O.D. made, I sacrificed a year of television work. I usually write at least one network or cable pilot per year, which is the one stream of income I can always rely on. But with A.C.O.D. close to getting made, I took a gamble and passed on pilot season in hopes of getting a green light. Then pilot season came and went without the film getting off the ground. Just as I began a phase of real self-loathing over my newfound unemployment, my producer called to say […]
by Filmmaker Staff on Jan 22, 2013