One of director Joe Dante’s most interesting and underrated films gets the Blu-ray treatment it deserves with the Shout Factory release of Explorers, Dante’s 1985 follow-up to Gremlins that walks a similarly unconventional line between Spielbergian sentiment and Tashlinesque pop satire, with an undercurrent of unsettling melancholy thrown in for good measure. There’s genuine warmth and wonder to spare in the first half of the film as friends Ethan Hawke, River Phoenix, and Jason Presson build their own spaceship; when they actually manage to rendezvous with the aliens who have been communicating with them, the movie shifts gears to become […]
by Jim Hemphill on May 24, 2021Showrunner David Weil’s Amazon series Hunters was one of the most audacious pieces of television I saw in 2020, a profound meditation on morality and history articulated with the exhilarating narrative rush of a great genre film. Epic in its sweep and ambition, the show made me eager to see what Weil would do next—where does a filmmaker go after such a bold swing for the fences? The answer turned out to be Weil’s new show (also for Amazon) Solos, which operates at the other end of the spectrum in terms of scale but is just as daring in its […]
by Jim Hemphill on May 19, 2021Writer-director Eugene Ashe was a successful musician before he started making films, a background evident in every exquisite frame of Sylvie’s Love. Not just because male lead Robert (Nnamdi Asomugha) is a saxophonist and the movie features the best jazz soundtrack since ’Round Midnight, and not just because female lead Sylvie (Tessa Thompson) begins the film working in her dad’s record store and has an encyclopedic knowledge of music and knows how to tailor recommendations to each customer. The musical influence goes beyond these considerations to inform every texture and detail of Ashe’s late ’50s-early ’60s set drama, a gloriously […]
by Jim Hemphill on May 18, 2021One of the great American films of the early 2000s hits Blu-ray for the first time with Imprint’s exceptional special edition of Mark Pellington’s The Mothman Prophecies (2002), a truly unique thriller that has only improved with age. Loosely based on true events, The Mothman Prophecies follows a Washington Post reporter (Richard Gere) who finds himself at the center of a series of inexplicable supernatural events following his wife’s tragic death. Although Pellington explicitly set out to avoid making a conventional horror film – there are very few glimpses of the title creature and no gratuitous shocks – the movie […]
by Jim Hemphill on May 15, 2021I’ve written here before about my fondness for director Michael Ritchie, particularly his streak in the 1970s when he made one great movie after another about the dark side of the American competitive spirit. Most of his best films – Downhill Racer (1969), The Candidate (1972), The Bad News Bears (1976) – are wry meditations on what it really means to win (and lose) in a culture where winning is valued above all else; one of the most memorable moments in all of his work comes at the conclusion of The Candidate, when Robert Redford’s senatorial candidate wins his election […]
by Jim Hemphill on May 7, 2021Director Maja Vrvilo began her career as an editor, and her former job is consistently manifest in her economy of visual expression, impeccably calibrated pacing and use of montage to convey interior states. I first became aware of Vrvilo when she was directing on Hawaii Five-0, a series that made me sit up and take notice of her kinetic action staging and lively handling of actors. That led me to her episodes of Blindspot, MacGyver and other procedurals that all exhibited the sophisticated blocking and precise compositions I quickly realized were hallmarks of her filmmaking. Last year Vrvilo helmed two superb […]
by Jim Hemphill on May 4, 2021When film buffs talk about early sound horror films, they tend to associate the period with Universal and its justly famous monster movies. Yet at around the same time, Michael Curtiz directed three important horror pictures at Warner Brothers, the first two of which are far more transgressive, disturbing, and graphic than anything to come out of Universal City. Doctor X (1932), Mystery of the Wax Museum (1933), and The Walking Dead (1936) aren’t as iconic as later Curtiz classics like The Adventures of Robin Hood (1938), Casablanca (1942), and White Christmas (1954), but they’re every bit as atmospheric and […]
by Jim Hemphill on Apr 16, 2021When writer, director, and film historian Bertrand Tavernier passed away on March 25, the art of cinema lost one of its most eloquent, passionate, and informed partisans. Thankfully, his last great work, the eight-hour documentary series Journeys Through French Cinema, is newly available on Blu-ray from Cohen Media Group and provides a beautiful summation of Tavernier’s devotion and an enlightening introduction to many of his favorite filmmakers. The documentary is a follow-up to Tavernier’s 2016 theatrical feature My Journey Through French Cinema and essentially picks up where that movie left off, exploring directors, actors, composers, and other artists Tavernier wasn’t […]
by Jim Hemphill on Apr 9, 2021The best film by America’s greatest comic filmmaker arrives on Blu-ray this week in the form of Criterion’s release of Albert Brooks’ Defending Your Life. Some Brooks partisans might argue on behalf of the more acidic and self-flagellating Modern Romance or the more influential Real Life (and if you caught me on certain days I could probably be convinced that Mother is as great a movie as anyone has ever made), but Defending Your Life is the director’s most philosophically dense, emotionally satisfying, and conceptually ambitious comedy, an inquiry into the meaning of existence as serious as Tree of Life […]
by Jim Hemphill on Apr 2, 2021The Criterion Collection adds another indispensable boxed set to its library with this month’s release of World of Wong Kar Wai, a package of seven essential features, all restored and remastered and accompanied by an abundance of interviews, deleted scenes, and alternate endings. Chungking Express and In the Mood for Love have been released by Criterion before, but the remaining five films – As Tears Go By, Days of Being Wild, Fallen Angels, Happy Together, and 2046 – are new to the label and presented here in vastly superior presentations to prior U.S. home video releases. The early films are […]
by Jim Hemphill on Mar 26, 2021