Authors — Jim Hemphill
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The Sin of Nora Moran, True Colors, The Carole Lombard Collection: Jim Hemphill’s Home Video Recommendations
Shifting points of view, complicated flashbacks, elaborate optical effects and a fluid approach to objective reality are not typically characteristic of American movies released in the early sound era, which makes Phil Goldstone’s 1933 picture The Sin of Nora Moran a real discovery. Goldstone was a producer and director who worked on Hollywood’s “poverty row,” the section of studios located around Sunset and Gower that cranked out extremely low budget features designed to fill out the bottom halves of double bills; like Frank Capra, Edgar G. Ulmer, and several other filmmakers who spent all or part of their careers on […]
by Jim Hemphill on Jul 31, 2020 -
“You Get to Be Your Own Editor as You’re Watching It”: Catherine Hardwicke on Quibi Series Don’t Look Deeper
Ever since she made her directorial debut in 2003 with Thirteen, Catherine Hardwicke has been one of the American cinema’s great chroniclers of young people navigating the transition to adulthood. In films as diverse as Lords of Dogtown, Twilight, Red Riding Hood and The Nativity Story, Hardwicke has explored teenage crises and discoveries with serious intent and the sharp attention to visual detail that she developed as a production designer on movies like Three Kings and Vanilla Sky. Her work on those films and other often demonstrated a bold and original approach to color, and this is true of her […]
by Jim Hemphill on Jul 27, 2020 -
“The Key Word on Set was ‘Darker'”: DP Jeremy Osbern on The Big Ugly, The First Feature to Shoot on a RED Gemini
Writer-director Scott Wiper’s The Big Ugly is the best kind of genre film, a crime movie aware of the traditions in which it’s working but not beholden to them; combining elements of ’40s and ’50s crime fiction (Jim Thompson seems to be a particular touchstone) with the flavor of ’70s Sam Peckinpah and Walter Hill filtered through the visual grammar of ’90s Tony Scott, The Big Ugly synthesizes its influences into a unique and compelling western noir. Its emotional power comes largely from Wiper’s richly textured script and the performances by his consistently riveting ensemble, which includes Vinnie Jones, Malcolm […]
by Jim Hemphill on Jul 21, 2020 -
The Whistlers, The Room, Marriage Story and Cannery Row: Jim Hemphill’s Home Video Recommendations
My first two recommendations this week are two excellent thrillers from last year that are newly available on DVD, The Whistlers and The Room. The Whistlers, which premiered in competition at the 2019 Cannes Film Festival, is a gleefully twisty, darkly hilarious Romanian crime film that recalls movies like Stanley Kubrick’s The Killing and Quentin Tarantino’s Reservoir Dogs in its jigsaw structure and fluid loyalties but finds a unique tone all its own thanks to director Corneliu Porumboiu’s approach. He adopts a whimsical attitude toward his eccentric group of cops playing both sides of the law and the criminals they’re […]
by Jim Hemphill on Jul 17, 2020 -
Bruce Lee: His Greatest Hits, Hair and Wild Palms: Jim Hemphill’s Home Video Recommendations
It’s often hard for me to avoid using superlatives when writing about the work done by the Criterion Collection, and they’ve made it even more difficult with their new Blu-ray set Bruce Lee: His Greatest Hits, a seven-disc package that ranks with the company’s best releases – which means it’s one of the best Blu-ray releases ever, period. The box contains the four features martial arts icon Lee made at the height of his powers (The Big Boss, Fist of Fury, Way of the Dragon, and Enter the Dragon) as well as two films cobbled together after his premature death […]
by Jim Hemphill on Jul 10, 2020 -
“Is Evil Outside of Us, Or Does It Come from Within?”: D.P. Fred Murphy on Shooting Evil, Wide-Angle Lenses and Working with Wim Wenders
Evil was one of the best new television series of the 2019-2020 season, a thoughtful consideration of a vast array of moral, spiritual and sociopolitical issues in the guise of a supernatural procedural. The show follows Kristen Bouchard (Katja Herbers), a clinical psychologist with a complicated family life who teams up with David Acosta (Mike Colter), a haunted ex-journalist who works for the Catholic Church as an assessor; he investigates – then confirms or debunks – incidents involving miracles, demonic possessions, and the like. Series creators Robert and Michelle King (the husband and wife team responsible for The Good Wife […]
by Jim Hemphill on Jul 7, 2020 -
Sukiyaki Western Django, Django and Dream Demon: Jim Hemphill’s Home Video Recommendations
Japanese horror and action master Takashi Miike is one of those directors who’s so prolific that it’s easy to take him for granted; ever since he caught American cinephiles’ attention in 1999 with Audition and Dead or Alive, he’s been cranking out something close to a half-dozen movies each year, releasing his kinetically supercharged orgies of style and violence faster than some viewers can keep up with them. While I wouldn’t try to make the case that all 100-plus Miike productions are masterpieces, when he’s firing on all cylinders – as with Audition, or last year’s First Love – he’s […]
by Jim Hemphill on Jul 3, 2020 -
Tokyo Olympiad, Blood on the Moon and When the Daltons Rode: Jim Hemphill’s Home Video Recommendations
Ever since the 1912 Olympics in Stockholm, the International Olympic Committee has commissioned films of the games to be produced in collaboration with their host countries; though many of them are relatively traditional sports documentaries, there are a handful – such as the experimental anthology film Visions of Eight, which chronicles the 1972 Summer Olympics via segments by Arthur Penn, Milos Forman, John Schlesinger, and other major directors – that are cinematically significant even for viewers who couldn’t care less about anything athletic. The best of the Olympic films that I’ve seen is Kon Ichikawa’s 1965 masterpiece Tokyo Olympiad, a […]
by Jim Hemphill on Jun 27, 2020 -
Gandhi, Gladiator and Narrow Margin: Jim Hemphill’s Home Viewing Picks
To borrow a turn of phrase from Mark Twain, the rumors of physical media’s death have been greatly exaggerated, at least if the first half of 2020 is any indication – this year has been a bonanza for cinephiles who collect 4K and Blu-ray upgrades of important films. Independent labels like Indicator, Shout Factory, Kino Lorber and Criterion continue to release a steady stream of special editions, and recently the major studios == particularly Paramount and Warner Bros. — have become more aggressive than ever about capitalizing on their catalogs. The most impressive recent package that I’ve come across in […]
by Jim Hemphill on Jun 19, 2020 -
An Unmarried Woman, Urban Cowboy and Pretty in Pink: Jim Hemphill’s Home Video Recommendations
The best films of writer-director Paul Mazursky feel like small miracles, movies that are carefully crafted yet give the impression of life caught on the fly; they have the enthusiasm and audacity of Mazursky’s idol Fellini, but their subjects are almost entirely, gloriously American and their harsh truths are presented in a warm comic voice that is as accessible to mainstream audiences as it is sophisticated. His 1978 dramedy An Unmarried Woman is a case in point, a picture that was a box office smash (after being turned down by financiers all over Hollywood) yet still manages to deliver the […]
by Jim Hemphill on Jun 12, 2020
