Authors — Lauren Wissot
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“The Power Was in the Conversations, So I Knew I Had to Help the Viewer to Hear Them”: Tomasz Wolski on his Doc Fortnight-Debuting 1970
Tomasz Wolski’s 1970 is a riveting work of ingenious artistry. (And one of the highlights of last November’s IDFA, where it screened in the Best of Fests section.) It was during that chaotic titular year that food prices skyrocketed, and Gdansk’s striking shipyard workers would spark nationwide protests across Poland, which would culminate in the triumphal Solidarity movement a decade later — but not before the Communist leaders at the time decided to quash the threatening uprising with lethal force, calling in army units, tanks, and militiamen with guns. None of which we actually see in 1970. Indeed, the veteran Polish documentarian has […]
by Lauren Wissot on Feb 27, 2022 -
Wreckers of Civilization : Marcus Werner Hed and Dan Fox on their Doc Fortnight-premiering Other, Like Me: The Oral History of COUM Transmissions and Throbbing Gristle
Marcus Werner Hed and Dan Fox’s Other, Like Me: The Oral History of COUM Transmissions and Throbbing Gristle, which NY-premiered February 24 as part of this year’s hybrid Doc Fortnight, certainly lives up to its billing as “a unique portrait of living for art’s sake.” The story began in the UK’s pre-punk days in Hull — a port city never to be remembered for its music scene — when a group of resident weirdos rebranded themselves as COUM Transmissions and began staging colorful happenings on the city’s grey streets. Artists and musicians came and went (and moved to London); the […]
by Lauren Wissot on Feb 27, 2022 -
“The Pandemic was Raging but the People I was Filming were Unfazed”: Jenny Perlin on her Doc Fortnight-Opening Bunker
Multimedia artist Jenny Perlin, whose work includes 16mm hand-drawn animated films, videos, installations, and drawings (some of which are in MoMA’s collection), opens this year’s hybrid Doc Fortnight with Bunker, a literal underground film. Beginning back in pre-pandemic 2018 Perlin took a cross-country road trip, hoping to explore the lives of men (almost all straight, white and middle-aged) who call decommissioned nuclear silos and military bunkers home. Along the way, she also meets the (demographically similar) businessmen building, selling and sometimes even living the fear-driven American dream. Filmmaker caught up with Perlin a few days before the doc’s February 23rd […]
by Lauren Wissot on Feb 22, 2022 -
“I Believe that Valuing African Audiences Will Break the Pattern of Cliches That We Have Become Accustomed To”: Akuol de Mabior on Her Berlinale-Debuting doc No Simple Way Home
South Sudanese director Akuol de Mabior’s No Simple Way Home is a gorgeous example of what African filmmakers can accomplish if Westerners would just get out of their way. A world premiere in the Panorama section of this year’s Berlinale, the doc is produced by Kenyan filmmaker Sam Soko (Softie) and the South African duo Tiny Mungwe and Don Edkins of STEPS (Social Transformation and Empowerment Projects) as part of the organization’s Generation Africa initiative, “a pan-African anthology of 25 documentary films from 16 countries in Africa, on the topic of migration.” And it tells a tale not of folks […]
by Lauren Wissot on Feb 18, 2022 -
“… A Person Deprived of a Legal Status is Further Denied a Voice and an Image”: Philip Scheffner and Merle Kröger on their Berlinale-Debuting Europe
World-premiering in the Forum section (February 13) at this year’s Berlinale, Philip Scheffner’s Europe is a work at once as simple and complex as its title might imply. “Europe” is the name of a bus stop in Europe (specifically in the small French town of Chatellerault) where the main character Zohra, an Algerian citizen, catches a ride from her housing block flat to her job sorting secondhand clothes at an NGO-run warehouse and also to various doctor and physical therapy appointments – her reason for coming to France in the first place. Fortunately, the numerous surgeries and treatments for her debilitating scoliosis […]
by Lauren Wissot on Feb 14, 2022 -
“Security Considerations on this Film Were Everywhere, All the Time”: Snow Hnin Ei Hlaing on Her Sundance-Debuting doc Midwives
With grace and humility, Midwives, the feature debut of Snow Hnin Ei Hlaing, puts a nuanced human face on a complicated conflict long flattened by the Western press. Back in 2012 the director returned to her birthplace in Rakhine State, an area of Myanmar now infamous for the ethnic cleansing of its Rohingya population, yet also a place where Buddhists and Muslims lived in harmony at the time Snow was growing up. There she met two equally complicated women: Hla, a Buddhist midwife and the hardened business-minded owner of a medical clinic, and her young apprentice Nyo Nyo, a dreamy […]
by Lauren Wissot on Jan 28, 2022 -
“I Wanted to Enchant the Birds and the Increasingly Poisonous Skies They Fall Out Of”: Shaunak Sen on His Sundance-Debuting Doc All That Breathes
“You don’t care for things because they share the same country, religion or politics. Life itself is kinship. We’re all a community of air.” Those are the poetic words heard in the closing voiceover of Shaunak Sen’s mesmerizing All That Breathes. World-premiering in the World Cinema Documentary Competition (January 21) at this year’s Sundance, the film’s an ambitiously intricate study of the intersection of environmental collapse, religious tension, and the love of two Muslim brothers for a feathered scavenger unnervingly falling from a smoggy Delhi sky. With stunning cinematography and utmost attention to the tiniest detail (down to mosquitos buzzing […]
by Lauren Wissot on Jan 26, 2022 -
“LDS Folk Are the Same Whether They’re North Americans or Finns”: Tania Anderson on Her Sundance-Debuting Doc The Mission
World premiering January 24th in the World Cinema Documentary Competition at this year’s Sundance, The Mission marks the feature-length doc debut of Helsinki-based writer and journalist Tania Anderson, who, on a cold winter day back in 2016, happened to pass by a pair of English-speaking young men in familiar suits discussing the perils of temptation. Which prompted the open-minded British-Swiss-American to wonder not, “What the heck are Mormon missionaries doing in Finland?” (my first question), but “What makes them tick?” And from this combination of curiosity and accidental eavesdropping the idea for The Mission was born. To find out more about the film, which […]
by Lauren Wissot on Jan 24, 2022 -
“Who Does Visibility Serve and Who Does it Harm?”: Chase Joynt and Morgan M. Page on Their Sundance Doc Framing Agnes
Framing Agnes, the title of Chase Joynt’s (No Ordinary Man) latest genre-queering film – world premiering in the Next section at this year’s Sundance – refers to a controversial trans woman who, in the 1960s, participated in a groundbreaking gender health research study at UCLA. It also refers to the fact that, historically, trans people have never been allowed to leave the frame. Or, paradoxically, enter the frame (if not a blond beauty like Agnes or Christine Jorgensen). So how does Joynt place Agnes in his cinematic frame without framing her? The answer is with an abundance of artistic ingenuity […]
by Lauren Wissot on Jan 24, 2022 -
I Wanted To Go Deeper Than Just a Portrait of a Band”: Rita Baghdadi on her Sundance-Premiering doc Sirens
Trying to make it as a twenty-something in a band is hard enough. But when that band is Slave to Sirens, the Middle East’s first all-female metal group, the stakes and the obstacles can seem off the charts. Which is exactly what makes Moroccan-American director and cinematographer Rita Baghdadi’s Sirens, world-premiering in the World Cinema Documentary Competition at this year’s Sundance, so engrossing. The film focuses on the band’s co-founders and guitarists Lilas and Shery, who over the course of a brisk 78 minutes navigate friendship and sexuality, artistic vision and international fame – all within the explosive confines of […]
by Lauren Wissot on Jan 23, 2022
