The Trials of Gabriel Fernandez is a six-part Netflix docu-series from Brian Knappenberger (Nobody Speak: Trials of the Free Press) that delves into one of the most horrific crimes to hit Los Angeles headlines in recent years — the death of eight-year-old Gabriel Fernandez at the hands of his mother and her boyfriend after years of physical torture and emotional abuse. Taking as its starting point the courtroom drama of death penalty defendant Isauro Aguirre (after one too many outbursts from Gabriel’s mom Pearl Fernandez the accused murderers are ultimately tried separately), the series soon becomes something else entirely — a […]
by Lauren Wissot on Feb 26, 2020Taking place on Friday, February 28th in Amsterdam (or via a live stream near you), “Blue Artichoke Films Presents: Adventures In Intimacy” will be, according to the event’s press release, “a celebration of sex-positive, p*rn-positive, queer-friendly culture as explored by p*rn performers, scientists, and sex educators in their own work.” Organized by the feminist force behind Blue Artichoke Films (which will simultaneously celebrate its platform launch) Jennifer Lyon Bell, the evening’s quartet of speakers, including the host herself, are an international array of notable thinkers on the subject of erotica in cinema. The Netherlands Ellen Laan, a sexologist and “pleasure […]
by Lauren Wissot on Feb 26, 2020On Valentine’s Day 2018 the community of Parkland, Florida was irrevocably transported into the headlines. That was the day when a 19-year old gunman walked into the Marjory Stoneman Douglas High School and took the lives of 17 of its students. In the aftermath of the horrific event news crews descended as grieving parents and children struggled to find footing in a new reality. And while a great many reporters packed up once the soundbites ran out, veteran journalists Emily Taguchi and Jake Lefferman stayed behind — and got to truly know the fathers and mothers and siblings, the significant […]
by Lauren Wissot on Feb 11, 2020Access, access, access — be it physical, emotional, or preferably both — is the doc filmmaker’s equivalent of location. And Brazilian director Petra Costa manages to get it in spades. Currently streaming on Netflix, her Oscar-nominated epic The Edge of Democracy, the third film in a personal, award-winning trilogy that began with the 2009 short Undertow Eyes, followed by her debut feature Elena three years later, is easily Costa’s most ambitious to date. With fly-on-the-wall camerawork, and guided by her eloquent voiceover narration, Costa captures up close and in real time the democratic car wreck of recent corruption scandals in Brazil that led to the […]
by Lauren Wissot on Feb 5, 2020Politics is a dirty business for sure. But too often we in America take for granted what younger democracies would view as unthinkable. That a strongman and his opponent might not broker a shared power arrangement behind closed doors. That police would not blithely shoot people who protest electoral outcomes in the streets. That one uncorrupt citizen determined to make change without paying constituents directly for their votes might be a viable candidate. These are the hopes and dreams embodied by Boniface “Softie” Mwangi, the grassroots activist turned politician star of Nairobi-based director Sam Soko’s intimate, Sundance (World Cinema Documentary […]
by Lauren Wissot on Jan 29, 2020From 2018’s feature doc Oscar winner Icarus, to 2019’s Independent Spirit Award for Best Documentary recipient Won’t You Be My Neighbor?, to the Sundance Grand Jury Prize nabbing Of Fathers and Sons and Dina (in 2018 and 2017, respectively), Impact Partners has been behind some of the most critically acclaimed nonfiction work of recent years. The company’s winning streak, however, actually goes back a decade, all the way to 2010’s Academy Award for Documentary Feature recipient The Cove. And Impact Partners itself goes back even further. Founded in 2007 by Dan Cogan and Geralyn Dreyfous with a mission to bring […]
by Lauren Wissot on Jan 25, 2020Based in NYC but born in Singapore, filmmaker Eunice Lau is intimately familiar with the immigrant experience. And yet, her own history seems a far cry from that of the family portrayed in her most recent (IFP supported) doc Accept the Call. One of my top picks for the Human Rights Watch Film Festival last summer, the nuanced character study centers around Yusuf Abdurahman, a refugee from Somalia who fled that country’s civil war in the ’90s. Abdurahman now lives in Minnesota, where he married (and subsequently divorced), had seven kids who he’s wholeheartedly devoted to, and currently serves as […]
by Lauren Wissot on Jan 17, 2020Born in Jerusalem but based in NYC, Ofra Bloch is a longtime psychoanalyst, an expert in trauma, who’s been making short documentaries for the past decade. Which makes her the perfect guide on the unconventional cinematic journey that is her feature-length debut Afterward. The film follows the director on her own healing excursion, from Germany to Israel and Palestine, in an effort to understand the mindset of those brought up with the tag of victim or victimizer — or in her case both. In Germany Bloch, whose great uncle lost his wife and children in the Holocaust, meets directly, one […]
by Lauren Wissot on Jan 10, 2020Bouncing around the doc fest circuit this past year, I saw more nonfiction films than could possibly be considered mentally advisable, from sneak-out-of-the-theater duds to unheralded gems I couldn’t wait to rave about. And counterintuitively, it’s those in the latter category, the vast majority international cinematic nonfiction, that always leave me most frustrated. While I can talk (and write) about those films, I can’t bring them to a US theater (or streaming service) near you. What I can do is compile a list of the few films that managed to stick in my brain all the way through to the […]
by Lauren Wissot on Dec 30, 2019Winner of the Special Jury Prize at this year’s SXSW, Jennifer McShane’s Ernie & Joe: Crisis Cops is an eye-opening look at the game-changing San Antonio Police Department’s Mental Health Unit through the daily activities of two of its humble leaders. It’s also a master class in policing done right. At first glance the partners-in-fighting-crime protagonists of the film’s title seem straight from Cops central casting — hetero white macho males, one a military vet. But McShane swiftly disabuses us of any preconceived notions we might have with her very first, quite shocking scene, one in which the unassuming heroes […]
by Lauren Wissot on Nov 19, 2019