While introducing War Don Don at last night’s Stranger Than Fiction, SXSW programmer Janet Pierson said that while many great documentaries were submitted to last year’s festival, there were few with the “clarity” of Rebecca Richman Cohen’s directorial debut. It was a sentiment later echoed by Raphaela Neihausen, the executive director of Stranger than Fiction who praised Richman Cohen for her ability to “break down a complex issue” but still keep the “nuance.” Three years in the making, War Don Don follows the UN Special trial of Issa Sesay, one of the leaders of the RUF, an incredibly violent rebel […]
by Mary Anderson Casavant on Nov 10, 2010While introducing Wo Ai Ni Mommy (I Love You Mommy) at last night’s Stranger Than Fiction, programmer Thom Powers thanked the Sadowsky family for allowing director Stephanie Wang-Breal to document their experiences adopting an eight-year-old girl from China, pointing out that “it’s not an easy thing to let a camera into your life.” Startlingly intimate, Wo Ai Ni Mommy follows the Sadowsky family as they struggle to incorporate their new daughter, who speaks no English, into their family. When the girl, Faith, demands to know why her parents would even want a Chinese daughter, her parents are shocked that multiculturalism is a concept […]
by Mary Anderson Casavant on Nov 3, 2010For most curators, programming the Toronto Film Festival would be a full plate, but Thom Powers’ appetite for documentary knows no bounds. In between programming and promoting Stranger than Fiction, his weekly documentary series at the IFC, he and Raphaela Neihausen, his wife and business partner, have co-founded DOC NYC, a New York based documentary festival. It’s a festival of riches for documentary lovers — five days of documentary screenings, panels and stars (Werner Herzog and Errol Morris will be in attendance). A celebration of documentary media of all kinds, in addition to the many screenings there are also panels […]
by Mary Anderson Casavant on Nov 1, 2010There’s an explosion. Children play on swings, unaware of a darkening cloud on the horizon. A man opens the back of his toilet only to discover it’s filled with black sludge. Just a few scenes from On Coal River, last night’s selection for Stranger Than Fiction, the weekly documentary series hosted by Thom Powers at the IFC Center. Significantly more frightening than your average horror flick, On Coal River follows a group of West Virginia activists in their fight against Massey Energy and its practice of “mountaintop removal mining,” a type of strip mining where they literally blow off the top […]
by Mary Anderson Casavant on Oct 28, 2010Ever since the great documentarian Robert Drew turned his camera on then Presidential candidate John F. Kennedy in the 1960 documentary, Primary, the campaign film has been one of the great genres of documentary filmmaking. So, it was no small compliment to director Josh Seftel when Thom Powers introduced Seftel’s 1996 film Taking on the Kennedys as “one of the great campaign documentaries” at Stranger than Fiction last night. Made when Seftel was only twenty-six years old, Taking on the Kennedys follows the Republican doctor Kevin Vigilante as he runs for Congress against Patrick Kennedy, Ted Kennedy’s youngest son. Despite […]
by Mary Anderson Casavant on Oct 27, 2010Last night’s Stranger Than Fiction, the weekly documentary series at the IFC Center, “completed a circle” for programmer Thom Powers. It was while Powers was judging applications for the Garrett Scott Documentary Development Grant, a grant given by the Full Frame Festival in honor of the talented filmmaker who passed away at the age of thirty-seven, that he first learned about Cameron Yates’ film, The Canal Street Madam. As part of their grant proposal, Cameron Yates and producer Mridu Chandra had submitted a ten-minute reel of highlights from their work-in-progress. The footage impressed Powers, and he selected them as one […]
by Mary Anderson Casavant on Oct 20, 2010At last night’s Stranger Than Fiction, a weekly documentary series at the IFC, host Thom Powers paid tribute to underground comic icon Harvey Pekar, who died in July of this year, by screening American Splendor, the dramatization of Pekar’s celebrated autobiographical comic series about his life as a file clerk. A comics fanatic who became friends with the writer while working in the underground comic scene, Powers described discovering Pekar’s work as “a truly transformative experience.” Powers almost did not attend a screening of the film at Sundance in 2003, terrified it would do something horrible to something “so precious.” […]
by Mary Anderson Casavant on Oct 6, 2010This weekend the documentarian as activist was discussed at “Envision: Addressing Global Issues Through Documentaries,” an event presented by the IFP and UN and hosted by The New York Times at The Times Center. In her introductory remarks, IFP Executive Director Joanna Vicente pledged that the program, now in its second year, would continue to use the UN’s Millennium Development Goals as its focal point and praised the program for attempting to “envision a better world for all and achieving that through media.” It was a sentiment echoed by Kiyoa Akasaka, the United Nations Under-Secretary-General for Communications and Public Information, who professed […]
by Mary Anderson Casavant on Jul 13, 2010Do not ask for whom Kevorkian tolls, Kevorkian tolls for Stranger Than Fiction. Last night, the spring season of the IFC series came to a close with Kevorkian, Matthew Galkin’s profile of the controversial right-to-die-activist’s recent run for Congress. During the nineties, Kevorkian assisted in the suicides of over one hundred people, becoming the center of a media fire storm, a storm he stoked by sending a tape of himself injecting a terminally-ill man with an overdose of drugs to 60 Minutes and then daring prosecutors to come after him. They took him up on his offer. Determined to provoke […]
by Mary Anderson Casavant on Jun 9, 2010Last night Thom Powers screened two docs, Jessica Edwards‘ short, Seltzer Works and Gregory Kallenberg‘s feature, Haynesville as the penultimate screening in his Spring Stranger Than Fiction series. The series rarely features shorts, but Powers credited the move to the fact that both films focused on gas crises – one very small, one very large, both man-made. Deftly shot, Seltzer Works is a carefully composed bit of nostalgia for a time when deliverymen schlepped heavy glass bottles full of fizzy water all over Brooklyn. A portrait of a third-generation seltzer man struggling to survive in a world that no longer needs him, […]
by Mary Anderson Casavant on Jun 2, 2010