Authors — Sarah Salovaara
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Sundance 2015: Results, Entertainment and The Witch
He may not be your bag, but it’s tough to deny that Andrew Bujalski is one of the most distinctive American independent filmmakers working today. So distinctive that even when he sets his sights on the pseudo-pedestrian genre of the romantic comedy, he finds a way to completely reconfigure the shape of its central love triangle. In Results, Trevor (Guy Pearce) is an Australian in Austin who owns the Power 4 Life fitness studio, living and breathing his own advertising mantras about self-improvement. The recently divorced, suddenly rich Danny (Kevin Corrigan, brilliant) is new in town and eager to buy […]
by Sarah Salovaara on Jan 29, 2015 -
2015 Sundance Short Film Award Winners
Last evening at Jupiter Bowl in Kimball Junction, the 2015 Sundance Short Film Awards were doled out over a somewhat temperamental microphone. Stationed at the foot of a bowling alley, Director of Programming Trevor Groth said a few words before turning it over to Jared Hess, who is at the festival with his latest, Don Verdean. Hess told a nice anecdote about forcing his wife Jerusha Hess to invite Pauly Shore to a screening of their first Slamdance short decades back, before reminding the audience that any interest you court in a short film is reason to stay true to that unadulterated vision. The mic […]
by Sarah Salovaara on Jan 28, 2015 -
Sundance 2015: Unexpected and H.
There are two worthwhile concepts that skirt the heavily sketched plot of Kris Swanberg’s Unexpected: working motherhood and the white savior. Unfortunately, both are dropped just as soon as they are addressed in this saccharine tale of an unlikely, intergenerational friendship between two pregnant women. Sam Abbott, who has the great fortune of being played by the appealing Cobie Smulders, is a science teacher at an inner city Chicago high school that’s set to close at the end of the semester. Unexpectedly pregnant (requisite peeing, WebMD scenes and all), Sam marries her boyfriend John (Anders Holm) at City Hall to the chagrin of her overbearing — […]
by Sarah Salovaara on Jan 27, 2015 -
Sundance 2015: Mistress America and It Follows
Modern media has a perverse fascination with pinpointing the motivations of the millennial. When not publishing extensive reports on “hookup culture,” many publications are transfixed by the generation’s ostensible desire to simultaneously better themselves and the world, while still being unable to get it together and move out of their mom’s basement. With Mistress America, Noah Baumbach and Greta Gerwig have created a precise portrait of a woman who embodies the ephemeral essence of a do-it-all, self-entitled millennial without dispensing any blanket, generational theses. This character, however, is not the film’s purported protagonist — that would be 18-year-old aspiring writer Tracy, played by a nicely understated […]
by Sarah Salovaara on Jan 25, 2015 -
Sundance 2015: The Bronze, The Summer of Sangaile and Finders Keepers
If you’re feeling generous, you might pat the programmers on the back for trying their luck with a raunchy comedy like The Bronze in one of the opening night slots of the Sundance Film Festival. But if you’re feeling frank, you may just go ahead and call this overlong Olympic satire from first time director Bryan Buckley for what it is: a solid, third tier effort. Co-writer Melissa Rauch stars as Hope Ann Gregory, some kind of Kerri Strug has-been who spends her days snorting pills and masturbating in her father’s basement to a languishing VHS tape of her bronze victory decades prior. When she […]
by Sarah Salovaara on Jan 24, 2015 -
Five Questions with Pervert Park Directors Frida and Lasse Barkfors
First-ime feature filmmaking couple Frida and Lasse Barkfors set their sights on unraveling the taboo yet widespread condition of the sex offender in Pervert Park. At the Florida Justice Transitions trailer park in St. Petersburg, the film’s ostracized subjects work towards societal reintegration through group therapy and unflinching self-reflection. Filmmaker spoke to the Barkfors about building relationships with guarded subjects, objectivity, and how they first came across FJT. Pervert Park has its North American premiere in the World Documentary Competition at the Sundance Film Festival tonight. Filmmaker: As Scandinavians, how did you come across Florida Justice Transitions, and what led […]
by Sarah Salovaara on Jan 23, 2015 -
“Someone Always Has to Compromise”: Peter Strickland on The Duke of Burgundy
With The Duke of Burgundy, the cinephilic English director Peter Strickland has made his third — and perhaps best — film to playfully riff on genre conventions. What begins as a bloodless tale of mistress and maid blossoms into a poignant, cyclical exploration of a couple’s inability to compromise on sexual predilections. Best experienced with an uninitiated pair of eyes, The Duke of Burgundy is an increasingly rare film that, for all its reflexive homages and aural intricacies, never forgoes substance for style. Filmmaker spoke to Strickland about scripting tone, genre aesthetics, and the ways in which his film aims to […]
by Sarah Salovaara on Jan 22, 2015 -
Five Questions with Mulignans Director Shaka King
Certain to be one of the most intelligent films at Sundance, Shaka King’s Mulignans is four minutes of biting, vicious satire that ably turns the tables on its viewer. A response to the casual and not-so-casual racism of your average gangster film, King and his cohorts commiserate from the stoop of their Bed-Stuy brownstone about the influx of white people in the neighborhood, in thick Italian accents, wild gesticulations and track suits. Even before King’s character is throwing his cigarette butt at a passing white boy or casually calling a white woman the n-word, you sense just how deeply absurd it is that […]
by Sarah Salovaara on Jan 22, 2015 -
From My Screen to Yours: Carlos Marques-Marcet on 10.000 KM
Technical pyrotechnics are a relative concept, to say the least. Hollywood-style CG can create alien worlds or giant explosions in tentpole films as well as illusorily seamless cinematography in mid-level independent dramas such as Birdman. Still, seldom do these applications seem to come from a place of necessity as opposed to an external, directorial flourish. The 23-minute unbroken take — realized practically, without effects — that opens Carlos Marques-Marcet’s quietly transfixing debut, 10.000 KM, is the best kind of pyrotechnic: scarcely noticeable and utterly essential. Over the course of these 23 minutes in a dimly lit Barcelona apartment, Alex (Natalia […]
by Sarah Salovaara on Jan 21, 2015 -
From Kickstarter to PBS: ornana on Confusion Through Sand
Nearly a year after its SXSW premiere, ornana’s Confusion Through Sand will have its PBS premiere tonight, ahead of Dan Krauss’ The Kill Team. The animated short will be available for free on Vimeo tomorrow, but for the time being, you can watch a behind the scenes video of the collective’s creative process. Filmmaker spoke to director Danny Madden and producers Jim Cummings and Ben Wiessner about the trajectory of their latest film, from a joint Kickstarter campaign, through division of labor, and securing distribution. Filmmaker: You packaged your Kickstarter campaign as a sort of two for one deal, raising post funds for euphonia and production funds for Confusion Through Sand. […]
by Sarah Salovaara on Jan 19, 2015
