Authors — Scott Macaulay
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Bruce Sinofsky, 1956 – 2015
Documentary director Bruce Sinofsky, whose Paradise Lost Trilogy collaborations with Joe Berlinger caused the release of the wrongly-convicted West Memphis Three, died this morning of complications from diabetes. Sinofsky’s passing was reported by Berlinger on Twitter. Sinofsky and Berlinger were nominated for an Academy Award in 2011 for the final film in the Paradise Lost trilogy, Paradise Lost 3: Purgatory — the culmination of a filmic and legal odyssey that began in 1996 with Paradise Lost: The Child Murders of Robin Hood Hills. In a 2011 Filmmaker interview, Sinofsky remembers the series beginning: When we went down to Arkansas, for […]
by Scott Macaulay on Feb 21, 2015 -
Andrew S. Allen and Jason Sondhi on the Relaunch of Short of the Week
“A new way to watch films” is what the venerable platform for short films, Short of the Week, promises in its freshly relaunched edition, online now. Founders Andrew S. Allen and Jason Sondhi have done a top-to-bottom redesign — a clean look that also makes both searching and streaming easier. Indeed, the new Short of the Week acknowledges that a viewer today is as likely to watch a short on a large phone or streamed through a device like Chromecast to a television as on a laptop window. Filmmaker readers should recognize both Allen and Sondhi’s names as the two […]
by Scott Macaulay on Feb 19, 2015 -
Shooting Romance in NYC with the iPhone 6
Here’s a nifty behind-the-scenes featurette on the iPhone 6 shooting of Tristan Pope‘s short film, Romance in NYC. The film is shot entirely from the first-person perspective, like Lady in the Lake and Enter the Void, and the mobility of the iPhone enabled the director/camera operator to play the role of the first-person protagonist. As you’ll see in the video, Pope lets his own hands and arms enter and exit frame, aided by variety of gear — including a Gorillapod — as well as well-choreographed production assistants.
by Scott Macaulay on Feb 17, 2015 -
Sparks Announces Music-Film Collaborations with Guy Maddin and Leos Carax
Pioneering electro-disco band Sparks just wrapped a two-night stint in Los Angeles of an orchestral concert version of their pioneering 1974 album Kimono My House. In an interview with Chris Willman at Billboard, the band (brothers Ron and Russell Mael) teases two upcoming film projects. The first is with Guy Maddin, news of whom seems to regularly filter out into the film blogosphere. The second, however, is with Leos Carax, who usually holds his upcoming project cards closer to the vest. Here’s Russell Mael on both projects: The other thing we’ve been doing is two movie musical movie projects. One […]
by Scott Macaulay on Feb 16, 2015 -
Job Listing: Filmmaker and IFP Are Seeking an Advertising Sales Associate
Filmmaker and its parent organization IFP are seeking an Advertising Sales Associate, a salaried position based out of the IFP’s DUMBO-based office. A short description of the job is listed below, and this post will be updated with links to LinkedIn and Vediabistro when they go live. In short, though, the Advertising Sales Associate is responsible for ad sales for Filmmaker across print and web as well as IFP. IFP, a world class nonprofit devoted to independent film and its creators, seeks a mid-level Advertising Sales professional to secure revenue for its publication, Filmmaker, and online channels. The successful candidate […]
by Scott Macaulay on Feb 13, 2015 -
David Carr, R.I.P.
David Carr flew under my radar for a little while. I never read his book, The Night of the Gun, and my general disinterest in the Oscar Industrial Complex meant that I wasn’t a regular reader of his late aughts Carpetbagger column at The New York Times either. I had heard rumblings that there was a guy with an arresting voice and upright posture bringing an outsider (and from his basement) attitude to awards season coverage. Maybe I read a few of them, but it wasn’t until Carr sequed into his Media Equation column that he became essential to me. […]
by Scott Macaulay on Feb 13, 2015 -
Benson Lee on Returning to His Independent Roots with the Sundance Comedy, Seoul Searching
Korean-American filmmaker Benson Lee won the Jury Prize at Sundance with his Competition Drama, Miss Monday, in 1998. A decade later he returned with Planet B-Boy, a critically-acclaimed, commercially-successful doc about breakdancing crews competing in an international competition. Lee’s success with Planet B-Boy led to both a studio deal and a career setback. Battle of the Year, a Sony production based on B-Boy, was as critically derided as the doc was praised, and it was a commercial failure to boot. This year, Lee returned to the site of his Miss Monday success — the Sundance Film Festival — with an […]
by Scott Macaulay on Feb 13, 2015 -
Quyen Tran on Shooting Frankie Shaw’s Sundance-Winning SMILF
Frankie Shaw’s short film SMILF won the Short Film Jury Award at this year’s Sundance Film Festival. It’s a funny and revealing comedy about a young mom struggling to connect to her old sexual self while being homebound caring for her young son. L.A.-based cinematographer Quyen Tran shot the film, and below she discusses shooting coverage with only one actor, working with one light and filming while nearly nine months pregnant. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? […]
by Scott Macaulay on Feb 13, 2015 -
Cinematographers Jimmy Chin and Renan Ozturk on Shooting the Sundance-Winning Doc, Meru
Over a period of years, three climbers — Conrad Anker, Jimmy Chin, and Renan Ozturk — make repeated efforts to scale a 21,000 foot peak in Northern India, Mount Meru. Jimmy Chin and Elizabeth Chai Vasarhelyi’s Meru is the chronicle of that quest, a story of not just mountain-climbing athleticism but also friendship and camaraderie. The winner of the U.S. Documentary Audience Award at the Sundance Film Festival, Meru, strikingly, was lensed by two of the film’s three climbers, with one of them suffering severe injuries on the climb — an accident that is part of the film’s story. Below, […]
by Scott Macaulay on Feb 13, 2015 -
Director/Cinematographer Matthew Heineman on Shooting Sundance Award-Winning Doc Cartel Land
A tense, cinematically-styled verite documentary about the Mexican drug wars, Matthew Heineman’s Cartel Land was one of the big winners at Sundance this year, nabbing both the Directing and Cinematography Awards. Strikingly, both positions were filled by the same person: Matthew Heineman, who also produced and edited. (For Cartel Land, Heineman shares the d.p. credit with Matt Porwoll.) Below, the multi-hyphenate talks about why, for him, shooting isn’t entirely about the image; why being his own d.p. calmed him down during the tenser moments of production; and the benefits of capturing a flat image through Canon Log. Filmmaker: How and […]
by Scott Macaulay on Feb 13, 2015
