Authors — Scott Macaulay
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Filmmaker Announces Collaboration with MIT Open Documentary Lab
Should filmmakers learn to code? That’s the question posed by MIT Open Documentary Lab’s Sarah Wolozin in her introduction to a 12-part series beginning today at Filmmaker. And, amidst all of our discussion in our pages about DSLR cameras and crowdfunding and audience engagement strategies, it’s a question that we’ve contemplated too. We wouldn’t think of telling a director he or she doesn’t need to know anything about lenses, or sound design or dramatic lighting. So, as filmmaking begins to embrace transmedia — extending story beyond the film frame — why shouldn’t producers and directors know something about the tools […]
by Scott Macaulay on Mar 7, 2013 -
The Art of the Steadicam
The Steadicam — it can make things so easy, and so beautiful. It can be simply efficient, allowing you to bang out a smooth walk-and-talk without track. Or it can be a show piece, a shot whose virtuosity grabs the audiences’s attention, even if they are unaware of the level of skill and artistry involved. Writes Larry Wright at his Refocused Media blog about the long single takes most associated with the Steadicam: More often than not, these sequences are accomplished using a Steadicam, which is essentially a balanced stabilizer that allows for smoother and more easily controlled handheld camera […]
by Scott Macaulay on Mar 6, 2013 -
25 Picks for the SXSW Film and Interactive Festivals
SXSW is a festival of contradictions. (Or, “Spring Break for filmmakers,” as Ti West posted on his Twitter stream last night.) Its film program feels homey, intimate, with Janet Pierson and her team evincing a real sense of enthusiasm as well as curatorial play. There are, of course, types of films that are expected and do well at SXSW: cutting-edge genre titles, hip mainstream features, music- and technology-themed documentaries, and low-budget, youth-oriented relationship tales. But within and even outside of those categories, SXSW always turns up some real discoveries. (Last year there were several — Sean Baker’s Starlet, Andrew Neel’s […]
by Scott Macaulay on Mar 6, 2013 -
Tribeca Film Festival Announces World Narrative and Doc Competitions, Viewpoints Lineups
The Tribeca Film Festival announced over half of its 2013 edition today, including its World Narrative Feature and Documentary Competitions as well as its Viewpoints section. The festival’s 89 features were selected from a record 6,005 submissions, and titles include a number of eagerly awaited films from American independent filmmakers. Lance Edmands’ Bluebird will open the Narrative Competition while Rachel Boynton’s Big Men opens the Documentary Competition. Previously announced, Tom Berninger’s doc on the band The National, Mistaken for Strangers, will open the overall festival. Playing throughout New York April 17 – 28, the Tribeca Film Festival is programmed by […]
by Scott Macaulay on Mar 5, 2013 -
How a Water Filter Can Teach You How to Hack Your Kickstarter Campaign
Hacks, four-hour workweek condensations, and digital outsourcing — I’m often dubious about the efficacy of many strategies promising “the answer” when it comes to both creative and business endeavors. That said, “Hacking Kickstarter: How to Raise $100,000 in 10 Days (Includes Successful Templates, E-mails, etc.),” found on the blog of Four-Hour Work Week guru Tim Ferris, is an excellent walk-through of one very successful Kickstarter campaign, and it’s full of practical advice. The Kickstarter was for Soma, a designer water filter, but much of author Mike Del Ponte’s advice can be applied to filmmakers too. I don’t agree with 100% […]
by Scott Macaulay on Mar 4, 2013 -
Tim Sutton’s Pavilion Opens at IFC Center
One of our favorite recent films at Filmmaker and IFP is Tim Sutton’s dreamy and at times disquieting evocation of youth, Pavilion. The film went through the IFP Labs, and its d.p., Chris Dapkins, made our 25 New Faces list last year. And, just this year, Sutton took part in the Venice Biennale College Cinema, which is partnered with IFP, and because of its support, is set to make his new feature, Memphis, this Spring. As Sutton enters pre-production, Pavilion hits the theaters from Factory 25. It opens at IFC Center in New York tomorrow, and is recommended to all […]
by Scott Macaulay on Feb 28, 2013 -
Music Video: David Bowie’s The Stars Are Out Tonight, Directed by Floria Sigismondi
David Bowie and Tilda Swinton star as a retiring couple assaulted — literally — by vampiric celebrity culture in the latest from David Bowie. It’s directed by Floria Sigismondi, who is in fine form with this electrifyingly creepy clip. With the new Bowie album due out in a few weeks, you may have seen its wildposting campaign, in which its title, “The Next Day” is superimposed over a variety of advertising images. On its blog, CPH:DOX, which has paid homage to Bowie by naming an entire section after one of his songs (“Sound and Vision”), notes their own use of the same […]
by Scott Macaulay on Feb 27, 2013 -
Shane Carruth Releases Upstream Color Soundtrack via Soundcloud and iTunes
Shane Carruth’s score for Upstream Color is one of the film’s standout elements, working hypnotically with the equally strong sound design to anchor the picture’s tumbling cascade of images. In advance of the film’s early April release, Carruth has released the entire score on Soundcloud and made it available for purchase on iTunes. Check it out below, and read my cover story interview with Carruth in the new Filmmaker, which you can subscribe to digitally here on the site or get for the iPad on the App Store.
by Scott Macaulay on Feb 27, 2013 -
SXSW Trailer Watch: Zach Clark’s White Reindeer
As I mentioned when I recommended this film’s Kickstarter campaign, I love depressing Christmas movies. At the time, its writer/director, Zach Clark (Vacation, Modern Love is Automatic), wrote, “White Reindeer takes on thirty-as-the-new-twenty and shows a suburban Virginia where sleaze and sadness may float on the surface, but hope and compassion aren’t too far away either.” From the trailer, I’d say he’s nailed it. Check it out above and the film itself at SXSW.
by Scott Macaulay on Feb 21, 2013 -
Trailer Watch: Burning Man Doc, As the Dust Settles
We’ve featured the work of filmmaker Mike Hedge on the site before, and he’s just forwarded the trailer for his “participatory documentary” shot at Burning Man, As the Dust Settles. It premieres next week at the Byron Bay Film Festival in Australia. From the site: Following a simple rule of working on this participatory documentary 50% of the time, we captured our life-changing experiences at the annual arts festival held in northern Nevada, known as Burning Man. Our documentary reveals an intimate glimpse of what we discovered about love, creativity, community, the environment, the art, the gift economy, and reality. […]
by Scott Macaulay on Feb 21, 2013
