At the Telegraph, Anne Billson explores the work of Canadian artist and fashion photographer Kourtney Roy, who draws from Guy Bourdin, Cindy Sherman, William Eggleston but also various film directors in her ravishing, psychologically mysterious, yet bordering on kitsch portraits. From Billson: Where does [Roy] get her ideas? “I’m always struck by images in films. I love Douglas Sirk.” Sirk is the Hollywood film director best known for sumptuous 1950s melodramas such as Written on the Wind and Imitation of Life. “I love the colours and the décor. I really like Hitchcock, too, but he’s been referenced so many times […]
by Scott Macaulay on Jan 2, 2013Is it emotional? Does it advance the story? Those are two of six questions editor Walter Murch argues that editors must ask themselves for every cut. The other four? That’s the deep stuff. Watch the video to find out. (Hat tip: Cinephilia and Beyond.)
by Scott Macaulay on Dec 28, 2012Congratulations to Filmmaker contributor Zach Wigon, who won this month’s Hammer to Nail Short Film Contest with his cyber-age paranoid romance, Someone Else’s Heart. From Michael Tully’s post: Is our increasing dependence on virtual communication deforming the way we interact with others in our real, everyday lives? Isn’t there something inherently strange about all this “how many friends and followers do you have” business of late? While the internet is without question an incredibly useful contribution to our modern world, on the other side of that coin, take a few steps back and watch someone “interacting” with their computer. Whether […]
by Scott Macaulay on Dec 27, 2012The Jumpstart our Small Business Startups Act (JOBS Act), passed by Congress earlier this year, promised new investment opportunities for filmmakers. For the first time, entrepreneurs of all stripes could raise equity financing — not just donations — via crowdfunding sites like Indiegogo. The law was signed by President Obama on April 5, and the SEC was given 270 days to draft the regulations required for its implementation. But, as Robb Mandelbaum in the New York Times reports today, that deadline is likely to be missed, and some believe it won’t be until 2014 before a filmmaker can sell an […]
by Scott Macaulay on Dec 27, 2012In 2012 we relaunched our website with the new design by Area 17 you’re staring at now, created an iPad edition and dramatically upped the quantity of our web content. A number of these are still works-in-progress; the site will see continued improvements and tweaks; the iPad edition will be enhanced each issue with original video content; and, by Spring all print subscribers should receive the iPad edition free. So, as we march into 2013, we take our annual look back at what — at least from the POV of Google Analytics — stood out on the site these past […]
by Scott Macaulay on Dec 26, 2012One of the projects currently up on our curated Kickstarter page is a restoration of Howard Brookner’s documentary, Burroughs, on the legendary Naked Lunch novelist. Brookner died of AIDS in the ’80s, with this and the feature Bloodhounds of Broadway (which costarred Madonna) to his credit. Brookner was a great director poised to have an exciting career, and now his nephew Aaron Brookner is raising funds on Kickstarter to restore the original Burroughs film as well as 300 hours of additional archival material discovered in Burroughs’ NYC home, The Bunker. The team behind this restoration submitted to Filmmaker the following […]
by Scott Macaulay on Dec 22, 2012Last year I interviewed Werner Herzog about his Into the Abyss, and before our talk I quickly re-introduced myself, reminding him that we had worked together when I produced julien donkey-boy over a decade ago. “Ah, yes, I remember,” he said. “You know, I have your film to thank for being cast as the villain in this new Tom Cruise movie.” It was the first I had heard of Jack Reacher, and I expressed a tiny bit of doubt that Harmony Korine’s Dogme ’95 feature was what really secured Herzog a role in a mega-budget action film. “Paramount Pictures is […]
by Scott Macaulay on Dec 21, 2012If you had asked me in the early days of Filmmaker which director would go on to be the one creating a micro-budget, self-sustaining business model, I’m not sure I would have answered “Ed Burns.” His The Brothers McMullen was realized for pennies and broke through the mainstream with Fox Searchlight at its back, and from that point on, Burns seemed to be set for the mainstream studio world. He acted in Saving Private Ryan, married supermodel Christy Turlington, and embarked on a follow-up feature starring Cameron Diaz. But here we are, nearly two decades later, and Burns is not […]
by Scott Macaulay on Dec 20, 2012One of the more fascinating projects in the Sundance New Frontiers section this year is Interior. Leather Bar, by writer/director/actor James Franco and director Travis Matthews. Here’s the synopsis: In order to avoid an X rating, 40 minutes of gay S&M footage was rumored to be cut and destroyed from the 1980 film, Cruising. Inspired by the mythology of this controversial film, filmmakers James Franco and Travis Mathews collaborate to imagine their own lost footage. Amid the backdrop of a frenzied film set, actor Val Lauren reluctantly agrees to take the lead in the film. Val is repeatedly forced to […]
by Scott Macaulay on Dec 19, 2012We have two big announcements: the first is that our popular annual holiday sale returns, with 40% discounts on Filmmaker subscriptions and an array of bonus gifts — including DVDs of our Spring cover, Moonrise Kingdom, pictured above — given away to randomly selected new and returning subscribers. And the second? We’ve just launched Filmmaker on the iPad, a new edition of the magazine containing all of our print content as well as links and new video content. First, let’s talk about the sale. A lot of magazines discount all the time; we do it once a year. From now […]
by Scott Macaulay on Dec 18, 2012