In the Fall of 2011, filmmaker Ryan Koo — featured along with then-partner Zachary Lieberman on our 2008 “25 New Faces” — announced his debut feature, Man-child. Embarking on an ambitious Kickstarter campaign, Koo leveraged not only the community he had been building via his excellent website, No Film School, but also his project’s selection for the IFP and Film Society of Lincoln Center’s Emerging Visions program. The campaign was a success, raising $125,100, and, as he’s moved his story of youth basketball forward, Koo has been, essentially, open-sourcing his progress, giving advice on not only social-media fundraising but screenplay […]
by Scott Macaulay on Apr 17, 2013
Bruce Sterling’s closing remarks at SXSW Interactive have been posted at Wired’s Beyond the Beyond blog. It’s a long talk on the aesthetic and moral dimensions of disruption, an emergent Southwest and the tackiness of 3D figurines. An excerpt: And then there’s this empty pretense that these innovations make the world “better.” This is a dangerous word. Like: “If we’re not making the world better, then why are we doing this at all?” Now, I don’t want to claim that this attitude is hypocritical. Because when you say a thing like that at SouthBy: “Oh, we’re here to make the […]
by Scott Macaulay on Apr 14, 2013
Our friends at Vimeo passed on this short piece by Olivia Speranza shot at NAB. In just three-and-a-half minutes, she scopes out several interesting pieces of gear: The first big takeaway from this year was 4K’s continuing spread into cameras and display devices. If you haven’t heard yet, 4K is the next level in image resolution. As our hunger for pixels knows no limits, we’re seeing more cameras that can shoot at this higher image size that boasts four times the pixels of the 1080HD format. As you can imagine, 4K televisions are now being manufactured, but they remain both […]
by Scott Macaulay on Apr 12, 2013
Flaming Lips frontman Wayne Coyne appeared as a guest DJ on the All Things Considered radio show and podcast recently, speaking about his band’s own songs and their influences in a great interview that began with a startling track: “Strawberry Fields,” by the Beatles. Okay, it’s a fantastic song, but what startled me was Coyne’s reasons for selecting it. Coyne describes listening to the track as a kid, discovering the so-called “Paul is Dead” conspiracy and having the song’s final words, “I buried Paul” “seared into” his brain: “What a strange, strange way to end any record by any weirdo […]
by Scott Macaulay on Apr 11, 2013
“Most of our childhood is stored not in photos, but in certain biscuits, lights of day, smells, textures of carpet…” — Alain De Botton I hadn’t recalled my dank childhood basement in quite some time, but the room, with its wicker furniture, orange-ish carpet and large, wood-panelled Sony TV, came flooding back last week upon reading of the sad passing of film critic Roger Ebert, just one day after he posted a “leave of presence,” a slowing-down that was still more active than the combined work of two men these days. It was in that basement that I’d faithfully watch […]
by Scott Macaulay on Apr 11, 2013
Originally published following The Punk Singer‘s premiere at SXSW, this interview with director Sini Anderson, subject Kathleen Hanna and executive producer Tamra Davis is being rerun today as the documentary opens in New York at IFC Center. Hanna will be doing Q&A’s with Lizz Winstead of The Daily Show and signing copies of her new Julie Ruin record. Check the IFC page for times. In Greil Marcus’s punk-rock critical opus Lipstick Traces, the writer describes a kind of magic created by the sneering music of the Sex Pistols: “… the pop magic in which the connection of certain social facts […]
by Scott Macaulay on Apr 9, 2013
Our friends at the Big Shot Movie Club are in the midst of a screening series close to our hearts at Spectacle in Williamsburg. Titled “How To,” it’s a series of “practical films…. Films that teach us skills and examine the process of how things are made. In this series, we learn how to make ends meet, how to feed ourselves, and how people persist, day in and day out, in this complex world.” The films include the Maysles Brothers’ Salesman (April 17 and 27); Agnes Varda’s Daguerreotypes (April 17); and Jiayin Liu’s Oxhide II (April 27). Check out the […]
by Scott Macaulay on Apr 8, 2013
Shane Carruth’s Upstream Color opened this weekend, and it’s gotten great reviews as well as prompted a certain amount of head scratching. The film is the cover of our current issue, and in it I spend about 5,000 words talking with Carruth about the movie, his DIY distribution plan, what he’s up to next, and why he stepped out of the Hollywood development mill. For those who’ve seen the film and want to know a bit more, here’s Carruth’s answer to my question about the film’s inspirations. I was surprised at how voluble he was and interested in unpacking some […]
by Scott Macaulay on Apr 6, 2013
Mark Harris is a filmmaker and software architect. Mark writes software for gameplay, storytelling, and transmedia. Mark was a mentor at the first StoryCode StoryHack, and creative technologist on Lance Weiler’s Pandemic 1.0. Mark is also an alumnus of the IFP Narrative Lab. Mark’s transmedia project, The Lost Children, had its New York City premiere in Jan 2013 at Film Society of Lincoln Center, with a feature film and live immersive experience. In the Fall of 2012, Mark wrote his first immersive play for Epic Theater Ensemble, and in Spring 2013, Mark joins the hybrid studio/technology company Murmur. MIT Open Documentary Lab: How did you […]
by Scott Macaulay on Apr 4, 2013
This is Filmmaker‘s 20th Anniversary Year, and I’m very honored to have curated a MoMA Carte Blanche series, opening tomorrow and running through April 15, of films from the magazine’s history. I’ve posted the complete schedule below, and will be on hand tomorrow night to introduce the series and its first film, Darren Aronofsky’s Pi. And each day for the duration of the series I’ll be posting on the site old interviews and articles from the magazine featuring the films and filmmakers presented. I’m showing 11 features in addition two programs highlighting short work from our “25 New Faces” series, […]
by Scott Macaulay on Apr 3, 2013